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Stephen Hartnett

Biographic Data

ID4078725
NAMEStephen Hartnett
GIVEN NAMESStephen
FAMILY NAMEHartnett
SIGNATUREHARTNETT S
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS7
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2017
H-INDEX1
  • Investigative Poetics

    Open Access•Stephen John Hartnett, Stephen Hartnett•OTHER•The Blackwell Encyclopedia of…•2017

    In his Beat‐inflected manifesto, Investigative Poetry , Edward Sanders argued that “the essence of investigative poetry” is to create “lines of lyric beauty [that] descend from data clusters,” hence both seducing and empowering readers with “a melodic blizzard of data‐fragments.” As illustrated in America , his epic collection of data‐fragment‐strewn poems, Sanders hoped to merge poetry with the pedagogical imperative to teach his readers their n…

  • Walking Amidst Heroes; or, Celebrating the Enlightenment and the Persistence of Democracy

    Open Access•Stephen John Hartnett, Stephen Hartnett•ARTICLE•Culture Studies ↔ Critical…•2008•References: 8

  • Fanny Fern's 1855 Ruth Hall , the cheerful brutality of capitalism, & the irony of sentimental rhetoric

    Stephen John Hartnett, Stephen Hartnett•ARTICLE•Quarterly Journal of Speech•2002•References: 13

    In order to reconstruct the historical, rhetorical, and political implications of Fanny Fern's 1855 sentimental novel, Ruth Hall, this essay engages in three critical maneuvers. First, as a means of situating Fern both in and against contemporary scholarly views of sentimentalism, the essay addresses arguments offered by Edwin Black and Stephen Browne. Second, as a means of expanding our understanding of sentimentalism, it reconstructs both the e…

  • Four meditations on the search for grace amidst terror

    Stephen John Hartnett, Stephen Hartnett•ARTICLE•Text and Performance Quarterly•1999•Cited by: 5•References: 3

    This essay examines how grace confronts terror, how it expresses both the personal and political consequences of living amidst terror, and how it seeks to create alternative visions of provisional eloquence. As an introductory historical framework, it considers the responses of Hanns Eisler, Woody Guthrie, and Joseph Welch to McCarthyism. The essay then explores a philosophical framework for understanding terror via Theodor Adorno's Aesthetic The…

  • Sheriff Joseph M. Arpaio

    Stephen John Hartnett, Stephen Hartnett et al.•ARTICLE•Radical Philosophy Review•1998

  • Imperial Ideologies

    Open Access•Stephen John Hartnett, Stephen Hartnett•ARTICLE•Journal of Communication•1995

    Journal Article Imperial Ideologies: Media Hysteria, Racism, and the Addiction to the War on Drugs Get access Stephen Hartnett Stephen Hartnett 1Loyola University Chicago and Ball State University Search for other works by this author on: Oxford Academic Google Scholar Journal of Communication, Volume 45, Issue 4, December 1995, Pages 161–169, https://doi.org/10.1111/j.1460-2466.1995.tb00760.x Published: 07 February 2006

  • The Ideologies and Semiotics of Fascism

    Stephen John Hartnett, Stephen Hartnett•ARTICLE•boundary 2•1993•Cited by: 1

    Analyse de la construction de l'ideologie au moment historique de l'ascension du fascisme, ainsi que des strategies semiotiques d'Ezra Pound dans sa production de sens textuels. Reevaluation des termes fascisme et ideologie

  • Cultural Postmodernism and Bobby McFerrin

    Stephen John Hartnett, Stephen Hartnett•ARTICLE•Cultural Critique•1990•Cited by: 1

    Fredric Jameson characterizes cultural postmodernism as a pastiche of regurgitated signifiers that have been wrenched from their historical context and wielded as blank parody. These severed elements of a once-local project are here seen as the glossy sheen on a global cultural project specifically geared toward the excess consumption of commodities not only in the classical Marxian terms of projected use value, but also in the contemporary sense…

  • Four meditations on the search for grace amidst terror

    Stephen John Hartnett, Stephen Hartnett•ARTICLE•Text and Performance Quarterly•1999•Cited by: 5•References: 3

    This essay examines how grace confronts terror, how it expresses both the personal and political consequences of living amidst terror, and how it seeks to create alternative visions of provisional eloquence. As an introductory historical framework, it considers the responses of Hanns Eisler, Woody Guthrie, and Joseph Welch to McCarthyism. The essay then explores a philosophical framework for understanding terror via Theodor Adorno's Aesthetic The…

  • The Ideologies and Semiotics of Fascism

    Stephen John Hartnett, Stephen Hartnett•ARTICLE•boundary 2•1993•Cited by: 1

    Analyse de la construction de l'ideologie au moment historique de l'ascension du fascisme, ainsi que des strategies semiotiques d'Ezra Pound dans sa production de sens textuels. Reevaluation des termes fascisme et ideologie

  • Cultural Postmodernism and Bobby McFerrin

    Stephen John Hartnett, Stephen Hartnett•ARTICLE•Cultural Critique•1990•Cited by: 1

    Fredric Jameson characterizes cultural postmodernism as a pastiche of regurgitated signifiers that have been wrenched from their historical context and wielded as blank parody. These severed elements of a once-local project are here seen as the glossy sheen on a global cultural project specifically geared toward the excess consumption of commodities not only in the classical Marxian terms of projected use value, but also in the contemporary sense…

  • Cultural Postmodernism and Bobby McFerrin

    Stephen John Hartnett, Stephen Hartnett•ARTICLE•Cultural Critique•1990•Cited by: 1

    Fredric Jameson characterizes cultural postmodernism as a pastiche of regurgitated signifiers that have been wrenched from their historical context and wielded as blank parody. These severed elements of a once-local project are here seen as the glossy sheen on a global cultural project specifically geared toward the excess consumption of commodities not only in the classical Marxian terms of projected use value, but also in the contemporary sense…

  • The Ideologies and Semiotics of Fascism

    Stephen John Hartnett, Stephen Hartnett•ARTICLE•boundary 2•1993•Cited by: 1

    Analyse de la construction de l'ideologie au moment historique de l'ascension du fascisme, ainsi que des strategies semiotiques d'Ezra Pound dans sa production de sens textuels. Reevaluation des termes fascisme et ideologie

  • Imperial Ideologies

    Open Access•Stephen John Hartnett, Stephen Hartnett•ARTICLE•Journal of Communication•1995

    Journal Article Imperial Ideologies: Media Hysteria, Racism, and the Addiction to the War on Drugs Get access Stephen Hartnett Stephen Hartnett 1Loyola University Chicago and Ball State University Search for other works by this author on: Oxford Academic Google Scholar Journal of Communication, Volume 45, Issue 4, December 1995, Pages 161–169, https://doi.org/10.1111/j.1460-2466.1995.tb00760.x Published: 07 February 2006

  • Sheriff Joseph M. Arpaio

    Stephen John Hartnett, Stephen Hartnett et al.•ARTICLE•Radical Philosophy Review•1998

  • Four meditations on the search for grace amidst terror

    Stephen John Hartnett, Stephen Hartnett•ARTICLE•Text and Performance Quarterly•1999•Cited by: 5•References: 3

    This essay examines how grace confronts terror, how it expresses both the personal and political consequences of living amidst terror, and how it seeks to create alternative visions of provisional eloquence. As an introductory historical framework, it considers the responses of Hanns Eisler, Woody Guthrie, and Joseph Welch to McCarthyism. The essay then explores a philosophical framework for understanding terror via Theodor Adorno's Aesthetic The…

  • Fanny Fern's 1855 Ruth Hall , the cheerful brutality of capitalism, & the irony of sentimental rhetoric

    Stephen John Hartnett, Stephen Hartnett•ARTICLE•Quarterly Journal of Speech•2002•References: 13

    In order to reconstruct the historical, rhetorical, and political implications of Fanny Fern's 1855 sentimental novel, Ruth Hall, this essay engages in three critical maneuvers. First, as a means of situating Fern both in and against contemporary scholarly views of sentimentalism, the essay addresses arguments offered by Edwin Black and Stephen Browne. Second, as a means of expanding our understanding of sentimentalism, it reconstructs both the e…

  • Walking Amidst Heroes; or, Celebrating the Enlightenment and the Persistence of Democracy

    Open Access•Stephen John Hartnett, Stephen Hartnett•ARTICLE•Culture Studies ↔ Critical…•2008•References: 8

  • Investigative Poetics

    Open Access•Stephen John Hartnett, Stephen Hartnett•OTHER•The Blackwell Encyclopedia of…•2017

    In his Beat‐inflected manifesto, Investigative Poetry , Edward Sanders argued that “the essence of investigative poetry” is to create “lines of lyric beauty [that] descend from data clusters,” hence both seducing and empowering readers with “a melodic blizzard of data‐fragments.” As illustrated in America , his epic collection of data‐fragment‐strewn poems, Sanders hoped to merge poetry with the pedagogical imperative to teach his readers their n…

Art (7 works) · Political science (7 works) · Sociology (6 works) · Law (5 works) · Literature (5 works) · Philosophy (5 works) · Politics (5 works) · Aesthetics (4 works) · Law (4 works) · Philosophy (4 works)

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