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Julie Garlen Maudlin

Biographic Data

ID4078786
NAMEJulie Garlen Maudlin
GIVEN NAMESJulie Garlen
FAMILY NAMEMaudlin
SIGNATUREMAUDLIN J G
AFFILIATIONSGeorgia Southern University
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS22
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2015
H-INDEX4
  • Disney’s pedagogies of pleasure and the eternal recurrence of whiteness

    Open Access•Jennifer A Sandlin, Julie Garlen Maudlin•ARTICLE•Journal of Consumer Culture•2015•Cited by: 5•References: 10

    In this article, we examine how Disney participates in an affective economy through an analysis of how it engages with pleasure, and ask questions about what Disney’s manufacturing and selling of pleasure does, pedagogically. We posit that Disney’s pedagogies of pleasure, which operate from the notion that escape is attainable via the pleasurable experiences offered at Disney parks, teach us how to be particular kinds of Disney subjects who escap…

  • Pop Culture Pedagogies: Process and Praxis

    Julie Garlen Maudlin, Jennifer A Sandlin•ARTICLE•Educational Studies•2015•Cited by: 4•References: 37

    As Miller (1999) explained, “it is increasingly important for educators to take seriously the processes by which media texts are produced and disseminated, and to understand the ways in which media images and constructions pervade all our lives” (p. 234). Taking popular culture seriously means making a purposeful commitment to bring popular culture into the classroom. Rather than scripted instructional strategies based on generalized research, co…

  • Consuming pedagogies: Controlling images of women as consumers in popular culture

    Open Access•Jennifer A Sandlin, Julie Garlen Maudlin•ARTICLE•Journal of Consumer Culture•2012•Cited by: 9•References: 10

    We seek to understand how, by engaging in various sites of consumption, we learn particular gendered, raced and classed consumer subjectivities that often uphold patriarchal consumer capitalism. Drawing from academic literature on the history of consumption, we examine the historical construction of shopping and consumption as ‘feminine’ domains and explore how current discourses about females and consumerism continue to construct women as partic…

  • Now I Ain't Sayin' She a Gold Digger: Wal-Mart Shoppers, Welfare Queens, and Other Gendered Stereotypes of Poor Women in the Big Curriculum of Consumption

    Open Access•Jennifer A Sandlin, Jennie Stearns et al.•ARTICLE•Culture Studies ↔ Critical…•2011•Cited by: 4•References: 32

    In this article, which we present in a format informed by critical performance ethnography/pedagogy, we take up the issue of how we are 'taught into' the ideology of consumerism through examining the dominant discourses about (poor) women as shoppers that circulate in popular and political discourses and that work to uphold particular hegemonic ideologies about how to consume and how to behave as consumers within a capitalist economic system. We …

  • Consuming pedagogies: Controlling images of women as consumers in popular culture

    Open Access•Jennifer A Sandlin, Julie Garlen Maudlin•ARTICLE•Journal of Consumer Culture•2012•Cited by: 9•References: 10

    We seek to understand how, by engaging in various sites of consumption, we learn particular gendered, raced and classed consumer subjectivities that often uphold patriarchal consumer capitalism. Drawing from academic literature on the history of consumption, we examine the historical construction of shopping and consumption as ‘feminine’ domains and explore how current discourses about females and consumerism continue to construct women as partic…

  • Disney’s pedagogies of pleasure and the eternal recurrence of whiteness

    Open Access•Jennifer A Sandlin, Julie Garlen Maudlin•ARTICLE•Journal of Consumer Culture•2015•Cited by: 5•References: 10

    In this article, we examine how Disney participates in an affective economy through an analysis of how it engages with pleasure, and ask questions about what Disney’s manufacturing and selling of pleasure does, pedagogically. We posit that Disney’s pedagogies of pleasure, which operate from the notion that escape is attainable via the pleasurable experiences offered at Disney parks, teach us how to be particular kinds of Disney subjects who escap…

  • Pop Culture Pedagogies: Process and Praxis

    Julie Garlen Maudlin, Jennifer A Sandlin•ARTICLE•Educational Studies•2015•Cited by: 4•References: 37

    As Miller (1999) explained, “it is increasingly important for educators to take seriously the processes by which media texts are produced and disseminated, and to understand the ways in which media images and constructions pervade all our lives” (p. 234). Taking popular culture seriously means making a purposeful commitment to bring popular culture into the classroom. Rather than scripted instructional strategies based on generalized research, co…

  • Now I Ain't Sayin' She a Gold Digger: Wal-Mart Shoppers, Welfare Queens, and Other Gendered Stereotypes of Poor Women in the Big Curriculum of Consumption

    Open Access•Jennifer A Sandlin, Jennie Stearns et al.•ARTICLE•Culture Studies ↔ Critical…•2011•Cited by: 4•References: 32

    In this article, which we present in a format informed by critical performance ethnography/pedagogy, we take up the issue of how we are 'taught into' the ideology of consumerism through examining the dominant discourses about (poor) women as shoppers that circulate in popular and political discourses and that work to uphold particular hegemonic ideologies about how to consume and how to behave as consumers within a capitalist economic system. We …

  • Now I Ain't Sayin' She a Gold Digger: Wal-Mart Shoppers, Welfare Queens, and Other Gendered Stereotypes of Poor Women in the Big Curriculum of Consumption

    Open Access•Jennifer A Sandlin, Jennie Stearns et al.•ARTICLE•Culture Studies ↔ Critical…•2011•Cited by: 4•References: 32

    In this article, which we present in a format informed by critical performance ethnography/pedagogy, we take up the issue of how we are 'taught into' the ideology of consumerism through examining the dominant discourses about (poor) women as shoppers that circulate in popular and political discourses and that work to uphold particular hegemonic ideologies about how to consume and how to behave as consumers within a capitalist economic system. We …

  • Consuming pedagogies: Controlling images of women as consumers in popular culture

    Open Access•Jennifer A Sandlin, Julie Garlen Maudlin•ARTICLE•Journal of Consumer Culture•2012•Cited by: 9•References: 10

    We seek to understand how, by engaging in various sites of consumption, we learn particular gendered, raced and classed consumer subjectivities that often uphold patriarchal consumer capitalism. Drawing from academic literature on the history of consumption, we examine the historical construction of shopping and consumption as ‘feminine’ domains and explore how current discourses about females and consumerism continue to construct women as partic…

  • Disney’s pedagogies of pleasure and the eternal recurrence of whiteness

    Open Access•Jennifer A Sandlin, Julie Garlen Maudlin•ARTICLE•Journal of Consumer Culture•2015•Cited by: 5•References: 10

    In this article, we examine how Disney participates in an affective economy through an analysis of how it engages with pleasure, and ask questions about what Disney’s manufacturing and selling of pleasure does, pedagogically. We posit that Disney’s pedagogies of pleasure, which operate from the notion that escape is attainable via the pleasurable experiences offered at Disney parks, teach us how to be particular kinds of Disney subjects who escap…

  • Pop Culture Pedagogies: Process and Praxis

    Julie Garlen Maudlin, Jennifer A Sandlin•ARTICLE•Educational Studies•2015•Cited by: 4•References: 37

    As Miller (1999) explained, “it is increasingly important for educators to take seriously the processes by which media texts are produced and disseminated, and to understand the ways in which media images and constructions pervade all our lives” (p. 234). Taking popular culture seriously means making a purposeful commitment to bring popular culture into the classroom. Rather than scripted instructional strategies based on generalized research, co…

Gender, Feminism, and Media (4 works) · Sociology (4 works) · Gender Studies (3 works) · Law (3 works) · Media studies (3 works) · Political science (3 works) · Popular culture (3 works) · Art (2 works) · Capitalism (2 works) · Consumerism (2 works)

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