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Pinar Istek

Biographic Data

ID4079018
NAMEPinar Istek
GIVEN NAMESPinar
FAMILY NAMEIstek
SIGNATUREISTEK P
AFFILIATIONSJournalism, The University of Texas at Austin, USA.
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS24
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2017
H-INDEX3
  • On Their Own

    Pinar Istek•ARTICLE•Visual Communication Quarterly•2017•Cited by: 6•References: 4

    The recession increased media organizations' reliance on freelance photojournalists, while affecting the support they receive covering conflict zones. This study investigates freelance and staff photojournalists' perception of support they receive and whether that affects content produced. Grounded theory was used to analyze nine in-depth interviews with freelance and staff photojournalists. The research found that freelance photojournalists rece…

  • Mastering the Mug Shot

    M A Bock, Pinar Istek et al.•ARTICLE•Journalism Studies•2016•Cited by: 3•References: 30

    This project uses a case study of an elected official’s booking mug shot to examine the way political actors engage in embodied performance to maintain their image in visual media. Mug shots are images that are ostensibly equalizing and represent a long-standing link between law enforcement, journalism and visual culture. Released through the “gates” of law enforcement, they are imbued with a connotation of guilt even though they are created prio…

  • Hands Up, Don't Shoot, Whose Side Are You On? Journalists Tweeting the Ferguson Protests

    Open Access•José Andrés Araiza, Heloisa Aruth Sturm et al.•ARTICLE•Culture Studies ↔ Critical…•2016•Cited by: 15•References: 26

    This article represents a qualitative analysis of the Twitter feed from one news organization during the first phase of protests in Ferguson, Missouri, after the shooting of Michael Brown in 2014. The tweets, images, and videos from the St. Louis Post-Dispatch journalists constitute a real-time record as the protests unfolded. By applying a strand of framing theory known as the protest paradigm, the analysis discovered that journalists' tweeting …

  • Hands Up, Don't Shoot, Whose Side Are You On? Journalists Tweeting the Ferguson Protests

    Open Access•José Andrés Araiza, Heloisa Aruth Sturm et al.•ARTICLE•Culture Studies ↔ Critical…•2016•Cited by: 15•References: 26

    This article represents a qualitative analysis of the Twitter feed from one news organization during the first phase of protests in Ferguson, Missouri, after the shooting of Michael Brown in 2014. The tweets, images, and videos from the St. Louis Post-Dispatch journalists constitute a real-time record as the protests unfolded. By applying a strand of framing theory known as the protest paradigm, the analysis discovered that journalists' tweeting …

  • On Their Own

    Pinar Istek•ARTICLE•Visual Communication Quarterly•2017•Cited by: 6•References: 4

    The recession increased media organizations' reliance on freelance photojournalists, while affecting the support they receive covering conflict zones. This study investigates freelance and staff photojournalists' perception of support they receive and whether that affects content produced. Grounded theory was used to analyze nine in-depth interviews with freelance and staff photojournalists. The research found that freelance photojournalists rece…

  • Mastering the Mug Shot

    M A Bock, Pinar Istek et al.•ARTICLE•Journalism Studies•2016•Cited by: 3•References: 30

    This project uses a case study of an elected official’s booking mug shot to examine the way political actors engage in embodied performance to maintain their image in visual media. Mug shots are images that are ostensibly equalizing and represent a long-standing link between law enforcement, journalism and visual culture. Released through the “gates” of law enforcement, they are imbued with a connotation of guilt even though they are created prio…

  • Mastering the Mug Shot

    M A Bock, Pinar Istek et al.•ARTICLE•Journalism Studies•2016•Cited by: 3•References: 30

    This project uses a case study of an elected official’s booking mug shot to examine the way political actors engage in embodied performance to maintain their image in visual media. Mug shots are images that are ostensibly equalizing and represent a long-standing link between law enforcement, journalism and visual culture. Released through the “gates” of law enforcement, they are imbued with a connotation of guilt even though they are created prio…

  • Hands Up, Don't Shoot, Whose Side Are You On? Journalists Tweeting the Ferguson Protests

    Open Access•José Andrés Araiza, Heloisa Aruth Sturm et al.•ARTICLE•Culture Studies ↔ Critical…•2016•Cited by: 15•References: 26

    This article represents a qualitative analysis of the Twitter feed from one news organization during the first phase of protests in Ferguson, Missouri, after the shooting of Michael Brown in 2014. The tweets, images, and videos from the St. Louis Post-Dispatch journalists constitute a real-time record as the protests unfolded. By applying a strand of framing theory known as the protest paradigm, the analysis discovered that journalists' tweeting …

  • On Their Own

    Pinar Istek•ARTICLE•Visual Communication Quarterly•2017•Cited by: 6•References: 4

    The recession increased media organizations' reliance on freelance photojournalists, while affecting the support they receive covering conflict zones. This study investigates freelance and staff photojournalists' perception of support they receive and whether that affects content produced. Grounded theory was used to analyze nine in-depth interviews with freelance and staff photojournalists. The research found that freelance photojournalists rece…

Media Studies and Communication (3 works) · Political science (3 works) · Sociology (3 works) · Art (2 works) · Law (2 works) · Media studies (2 works) · Rhetoric and Communication Studies (2 works) · Social Media and Politics (2 works) · Artificial Intelligence (1 work) · Computer Science (1 work)

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