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Mary Angela Bock

Biographic Data

ID4079019
NAMEMary Angela Bock
GIVEN NAMESMary Angela
FAMILY NAMEBock
SIGNATUREBOCK M A
AFFILIATIONSAnnenberg School for Communication at the University of Pennsylvania
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS38
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2016
H-INDEX3
  • Hands Up, Don't Shoot, Whose Side Are You On? Journalists Tweeting the Ferguson Protests

    Open Access•José Andrés Araiza, Heloisa Aruth Sturm et al.•ARTICLE•Culture Studies ↔ Critical…•2016•Cited by: 15•References: 26

    This article represents a qualitative analysis of the Twitter feed from one news organization during the first phase of protests in Ferguson, Missouri, after the shooting of Michael Brown in 2014. The tweets, images, and videos from the St. Louis Post-Dispatch journalists constitute a real-time record as the protests unfolded. By applying a strand of framing theory known as the protest paradigm, the analysis discovered that journalists' tweeting …

  • You Really, Truly, Have to “Be There

    Open Access•Mary Angela Bock•ARTICLE•Journalism & Mass Communication…•2011•Cited by: 15

    News organizations are turning increasingly to video journalism as survival strategy in the era of convergence. Video journalism, the process by which one person shoots, writes, and edits video stories, represents both a socially and materially constructed form of news and adds a new dimension to daily work practices. This qualitative project examines the daily work practices of video journalists in a variety of organizational settings, including…

  • Who's Minding the Gate

    Open Access•Mary Angela Bock•ARTICLE•The International Journal of…•2009•Cited by: 8•References: 10

    Camera pools and video feed systems allow news institutions to receive video imagery with greater efficiency and lower costs. Such arrangements are frequently managed and negotiated through politically engaged institutions. The resulting video is transmitted and traded with the underlying assumption that images are discrete, objective representations of real events, an assumption that is called into question when the practice is carefully examine…

  • Hands Up, Don't Shoot, Whose Side Are You On? Journalists Tweeting the Ferguson Protests

    Open Access•José Andrés Araiza, Heloisa Aruth Sturm et al.•ARTICLE•Culture Studies ↔ Critical…•2016•Cited by: 15•References: 26

    This article represents a qualitative analysis of the Twitter feed from one news organization during the first phase of protests in Ferguson, Missouri, after the shooting of Michael Brown in 2014. The tweets, images, and videos from the St. Louis Post-Dispatch journalists constitute a real-time record as the protests unfolded. By applying a strand of framing theory known as the protest paradigm, the analysis discovered that journalists' tweeting …

  • You Really, Truly, Have to “Be There

    Open Access•Mary Angela Bock•ARTICLE•Journalism & Mass Communication…•2011•Cited by: 15

    News organizations are turning increasingly to video journalism as survival strategy in the era of convergence. Video journalism, the process by which one person shoots, writes, and edits video stories, represents both a socially and materially constructed form of news and adds a new dimension to daily work practices. This qualitative project examines the daily work practices of video journalists in a variety of organizational settings, including…

  • Who's Minding the Gate

    Open Access•Mary Angela Bock•ARTICLE•The International Journal of…•2009•Cited by: 8•References: 10

    Camera pools and video feed systems allow news institutions to receive video imagery with greater efficiency and lower costs. Such arrangements are frequently managed and negotiated through politically engaged institutions. The resulting video is transmitted and traded with the underlying assumption that images are discrete, objective representations of real events, an assumption that is called into question when the practice is carefully examine…

  • Who's Minding the Gate

    Open Access•Mary Angela Bock•ARTICLE•The International Journal of…•2009•Cited by: 8•References: 10

    Camera pools and video feed systems allow news institutions to receive video imagery with greater efficiency and lower costs. Such arrangements are frequently managed and negotiated through politically engaged institutions. The resulting video is transmitted and traded with the underlying assumption that images are discrete, objective representations of real events, an assumption that is called into question when the practice is carefully examine…

  • You Really, Truly, Have to “Be There

    Open Access•Mary Angela Bock•ARTICLE•Journalism & Mass Communication…•2011•Cited by: 15

    News organizations are turning increasingly to video journalism as survival strategy in the era of convergence. Video journalism, the process by which one person shoots, writes, and edits video stories, represents both a socially and materially constructed form of news and adds a new dimension to daily work practices. This qualitative project examines the daily work practices of video journalists in a variety of organizational settings, including…

  • Hands Up, Don't Shoot, Whose Side Are You On? Journalists Tweeting the Ferguson Protests

    Open Access•José Andrés Araiza, Heloisa Aruth Sturm et al.•ARTICLE•Culture Studies ↔ Critical…•2016•Cited by: 15•References: 26

    This article represents a qualitative analysis of the Twitter feed from one news organization during the first phase of protests in Ferguson, Missouri, after the shooting of Michael Brown in 2014. The tweets, images, and videos from the St. Louis Post-Dispatch journalists constitute a real-time record as the protests unfolded. By applying a strand of framing theory known as the protest paradigm, the analysis discovered that journalists' tweeting …

Media studies (3 works) · Media Studies and Communication (3 works) · Political science (3 works) · Sociology (3 works) · Law (2 works) · Public relations (2 works) · Rhetoric and Communication Studies (2 works) · Social Media and Politics (2 works) · Advertising (1 work) · Art (1 work)

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