Landon Mackenzie
Biographic Data
| ID | 4079096 |
|---|---|
| NAME | Landon Mackenzie |
| GIVEN NAMES | Landon |
| FAMILY NAME | Mackenzie |
| SIGNATURE | MACKENZIE L |
| AFFILIATIONS | Emily Carr University of Art and Design |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Painting as mending structure
Illness and memoir come together in the handwritings of people struggling to overcome illnesses such as cancer, where the writer collides with established narratives such as “winning the battle”. Faced with an illness with no tidy or clear diagnosis from 2001 to 2005, Canadian artist Landon Mackenzie turned to painting as the logical language to help unravel and depict her hunches, nervous system research and experiences in a series of works call…
Vancouver n’est pas là où il devrait être
Didier Bigo (DB) : Landon, à travers votre peinture vous remettez en cause la représentation traditionnelle du monde, en tant que monde constitué d’Etats (absence de frontières nationales), mais aussi la conception de géographie naturelle (sans distinction aucune entre terres et mers), et les effets de cette remise en question sont surprenants. Pouvez-vous nous en dire plus sur cette éradication des frontières au sens traditionnel du terme ? Land…
Vancouver is not where it is supposed to be
DB : Landon, in your painting, you challenge the traditional representation of the world as a world of states (no national boundaries) and even as a world of natural geography (no differentiation between sea and land), and the effects are astonishing. Could you give us some elements about this eradication of the traditional boundaries ? LM : Here we are talking about a specific piece called Vancouver as the Centre of the World, 2009, which began …
No prominent works on this page.
Vancouver is not where it is supposed to be
DB : Landon, in your painting, you challenge the traditional representation of the world as a world of states (no national boundaries) and even as a world of natural geography (no differentiation between sea and land), and the effects are astonishing. Could you give us some elements about this eradication of the traditional boundaries ? LM : Here we are talking about a specific piece called Vancouver as the Centre of the World, 2009, which began …
Vancouver n’est pas là où il devrait être
Didier Bigo (DB) : Landon, à travers votre peinture vous remettez en cause la représentation traditionnelle du monde, en tant que monde constitué d’Etats (absence de frontières nationales), mais aussi la conception de géographie naturelle (sans distinction aucune entre terres et mers), et les effets de cette remise en question sont surprenants. Pouvez-vous nous en dire plus sur cette éradication des frontières au sens traditionnel du terme ? Land…
Painting as mending structure
Illness and memoir come together in the handwritings of people struggling to overcome illnesses such as cancer, where the writer collides with established narratives such as “winning the battle”. Faced with an illness with no tidy or clear diagnosis from 2001 to 2005, Canadian artist Landon Mackenzie turned to painting as the logical language to help unravel and depict her hunches, nervous system research and experiences in a series of works call…
Art (2 works) · Canadian Identity and History (2 works) · Aesthetics (1 work) · Art history (1 work) · Battle (1 work) · Empathy and Medical Education (1 work) · French Urban and Social Studies (1 work) · Hermeneutics and Narrative Identity (1 work) · History (1 work) · Humanities (1 work)