Wim Hüsken
Biographic Data
| ID | 4079313 |
|---|---|
| NAME | Wim Hüsken |
| GIVEN NAMES | Wim |
| FAMILY NAME | Hüsken |
| SIGNATURE | HÜSKEN W |
| AFFILIATIONS | Radboud University Nijmegen |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Staging Scripture
In March 2013, I directed two Passion Pageants from the York Mysteries – The Conspiracy and Christ before Annas and Caiaphas (hereafter Conspiracy and Annas and Caiaphas). Each of them is both sacred and profane, devotional and political, providing an arena for social contestation. I analyse the two pageants through the prism of festive drama and play: the ludic interrogation of society, power and violence in both word and ritual. My interdiscipl…
Les Mystères
This collection of essays in English by scholars of international standing presents new insights into the contexts in which the fifteenth-century French mystères were created. It is centred upon the remarkable outburst of large-scale plays written for urban production and dealing with biblical and hagiological subjects which transformed the art of theatre in France and gave rise to a new and multi-faceted theatrical culture. Among the subjects tr…
Interludes and Early Modern Society
The essays in this collection, contributed by an internationally distinguished group of scholars, bring up to date many aspects of the criticism of the English Interludes. The development of these plays was a significant part of the history of the growth of English drama in the sixteenth century to the extent that they may be regarded as its main stream. Arising by means of a felicitous combination of the development of printing and the growth of…
Queen Elizabeth and Essex
A crucial assumption for a measure is that it is factorially invariant; that is, the measurement model is the same in different subgroups and across different occasions. The invariance of the short form of the decisional balance inventory was investigated using data from a representative sample of smokers (N=4144). Separate analyses evaluated the invariance across two levels of gender (male and female), four levels of education (grade school, hig…
Moving Subjects
Procession, arguably the most ubiquitous and versatile public performance mode until the seventeenth century, has received little scholarly or theoretical attention. Yet, this form of social behaviour has been so thoroughly naturalised in our accounts of western European history that it merited little comment as a cultural performance choice over many centuries until recently, when a generation of cultural historians using explanatory models from…
Carnival and the Carnivalesque
Between Evil and Temptation
Preliminaries to the study of the comic drama of the rhetoricians
A survey of dutch drama before the renaissance
Moving Subjects
Procession, arguably the most ubiquitous and versatile public performance mode until the seventeenth century, has received little scholarly or theoretical attention. Yet, this form of social behaviour has been so thoroughly naturalised in our accounts of western European history that it merited little comment as a cultural performance choice over many centuries until recently, when a generation of cultural historians using explanatory models from…
Preliminaries to the study of the comic drama of the rhetoricians
A survey of dutch drama before the renaissance
Between Evil and Temptation
Carnival and the Carnivalesque
Queen Elizabeth and Essex
A crucial assumption for a measure is that it is factorially invariant; that is, the measurement model is the same in different subgroups and across different occasions. The invariance of the short form of the decisional balance inventory was investigated using data from a representative sample of smokers (N=4144). Separate analyses evaluated the invariance across two levels of gender (male and female), four levels of education (grade school, hig…
Moving Subjects
Procession, arguably the most ubiquitous and versatile public performance mode until the seventeenth century, has received little scholarly or theoretical attention. Yet, this form of social behaviour has been so thoroughly naturalised in our accounts of western European history that it merited little comment as a cultural performance choice over many centuries until recently, when a generation of cultural historians using explanatory models from…
Interludes and Early Modern Society
The essays in this collection, contributed by an internationally distinguished group of scholars, bring up to date many aspects of the criticism of the English Interludes. The development of these plays was a significant part of the history of the growth of English drama in the sixteenth century to the extent that they may be regarded as its main stream. Arising by means of a felicitous combination of the development of printing and the growth of…
Les Mystères
This collection of essays in English by scholars of international standing presents new insights into the contexts in which the fifteenth-century French mystères were created. It is centred upon the remarkable outburst of large-scale plays written for urban production and dealing with biblical and hagiological subjects which transformed the art of theatre in France and gave rise to a new and multi-faceted theatrical culture. Among the subjects tr…
Staging Scripture
In March 2013, I directed two Passion Pageants from the York Mysteries – The Conspiracy and Christ before Annas and Caiaphas (hereafter Conspiracy and Annas and Caiaphas). Each of them is both sacred and profane, devotional and political, providing an arena for social contestation. I analyse the two pageants through the prism of festive drama and play: the ludic interrogation of society, power and violence in both word and ritual. My interdiscipl…
Art (7 works) · History (6 works) · Aesthetics (5 works) · Drama (5 works) · Literature (4 works) · Philippine History and Culture (4 works) · Historical Influence and Diplomacy (3 works) · History (3 works) · Law (3 works) · Philosophy (3 works)