Catherine B Scallen

Biographic Data

ID4079521
NAMECatherine B Scallen
GIVEN NAMESCatherine B
FAMILY NAMEScallen
SIGNATURESCALLEN C B
AFFILIATIONSCase Western Reserve University
VERIFIEDNo
TOTAL WORKS16
TOTAL CITATIONS0
WORKS AS AUTHOR16
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2023
H-INDEX0

  • Rembrandt—Studies in his Varied Approaches to Italian Art

    Open AccessCatherine B ScallenARTICLERenaissance Quarterly2023

    Rembrandt—Studies in his Varied Approaches to Italian Art. Amy Golahny. Brill's Studies in Intellectual History 317; Brill's Studies on Art, Art History, and Intellectual History 48. Leiden: Brill, 2020. xxx + 258 pp. $160. - Volume 76 Issue 4

  • Rembrandt's Mark

    Open AccessCatherine B ScallenARTICLERenaissance Quarterly2021

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Rembrandt and His Circle

    Open AccessCatherine B ScallenARTICLERenaissance Quarterly2020

    Rembrandt and His Circle: Insights and Discoveries. Stephanie S. Dickey, ed. Amsterdam Studies in the Dutch Golden Age. Amsterdam: Amsterdam University Press, 2017. 388 pp. + 32 color pls. €135. - Volume 73 Issue 1

  • Rembrandt's Holland

    Open AccessCatherine B ScallenARTICLERenaissance Quarterly2019

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Rembrandt

    Open AccessCatherine B ScallenARTICLERenaissance Quarterly2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Bernard Berenson

    Open AccessCatherine B ScallenARTICLERenaissance Quarterly2015

    Bernard Berenson: Formation and Heritage. Joseph Connors and Louis A. Waldman, eds. Villa I Tatti Series 31. Cambridge, MA: Villa I Tatti: The Harvard University Center for Italian Renaissance Studies, 2014. vii + 440 pp. $40. - Volume 68 Issue 2

  • Rembrandt

    Open AccessCatherine B ScallenARTICLERenaissance Quarterly2010

    Holm Bevers, Jan Kelch, and Christian Tico Seifert, eds. Rembrandt: Wissenschaft auf der Suche. Jahrbuch der Berliner Museen 51. Berlin: Gebr. Mann Verlag, 2009. 168 pp. illus. $165. ISBN: 978–3–7861–2563–1. - Volume 63 Issue 1

  • Guarding the Borders of Rembrandt Connoisseurship

    Catherine B ScallenARTICLEDutch Crossing2001

    Why are the attributions and quality judgments of some authors accepted in the literature, while the opinions of others meet with contempt or even mockery? Max Lautner in Wer ist Rembrandt? (1891) challenged the attribution of nearly all paintings then given to Rembrandt, and assigned them to his follower Ferdinand Bol. John C. Van Dyke in Rembrandt and His School (1923) asserted that only 48 Rembrandt paintings in public collections were actuall…

  • Rembrandt as an Etcher

    Catherine B ScallenARTICLESixteenth Century Journal2000

    In this updated edition of his highly praised book, Christopher White provides the definitive account of Rembrandt's etchings and their significance within the larger body of the artist's work. With eloquence and deep insight, White analyzes the technical, stylistic, and iconographic features of selected etchings, traces their close relationship with the artist's drawings, and reveals how Rembrandt made the medium his own.Rembrandt was one of the…

  • Rembrandt by Himself

    Catherine B ScallenARTICLESixteenth Century Journal2000

  • Rembrandt's Reformation of a Catholic Subject

    Catherine B ScallenARTICLESixteenth Century Journal1999

    Rembrandt etched the subject of Saint Jerome in prayer three times in his early career. In each of these etchings, he transformed elements of the traditional iconography of the penitent Jerome, who physically chastises himself for his sins, to emphasize the repentant nature of Jerome's prayer, or the inward, spiritual meditation upon his failings. Through such transformations of a long-standing iconographic tradition, Rembrandt created images of …

  • Rembrandt

    Catherine B ScallenARTICLESixteenth Century Journal1998

    Rembrandt's intriguing painting technique stirred the imaginations of art lovers during his lifetime and has done so ever since. In this book, now revised, updated, and with a new foreword by the author, Rembrandt's pictorial intentions and the variety of materials and techniques he applied to create his fascinating effects are unraveled in depth. At the same time, this 'archaeology' of Rembrandt's paintings yields information on many other level…

  • Looking at Seventeenth-Century Dutch Art

    Catherine B ScallenARTICLESixteenth Century Journal1998

    Introduction Wayne Franits 1. On the history of research concerning the interpretation of Dutch painting Konrad Renger 2. A seventeenth-century theory of art: nature and practice Jan Emmens 3. Realism and seeming realism in seventeenth-century Dutch painting Eddy de Jongh 4. Picturing Dutch culture Svetlana Alpers 5. Tobacco, social deviance and Dutch art in the seventeenth century Ivan Gaskell 6. Didactic and disguised meanings? Several seventee…

  • Rubens's Landscapes

    Catherine B ScallenARTICLESixteenth Century Journal1997

  • The Rape of Europa

    Catherine B Scallen, Catherine ScallenARTICLESixteenth Century Journal1996

  • The Rape of Europa

    Catherine B Scallen, Catherine ScallenARTICLESixteenth Century Journal1995