Anna-Marie Jansen Van Vuuren
Biographic Data
| ID | 4092326 |
|---|---|
| NAME | Anna-Marie Jansen Van Vuuren |
| GIVEN NAMES | Anna-Marie Jansen |
| FAMILY NAME | Van Vuuren |
| SIGNATURE | VAN VUUREN A J |
| AFFILIATIONS | Tshwane University of Technology |
| ORCID | 0000-0001-7923-0447 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Reappraising the Life and Legacy of Jan C. Smuts
In this book, the authors cover both familiar and unfamiliar themes.
Black and White Bioscope
Review of: Black and White Bioscope: Making Movies in Africa 1899 to 1925 , Neil Parsons (2018) Bristol and Pretoria: Intellect and Protea Publishers, xii + 252 pp., ISBN 978-1-78320-943-9 (Intellect)/ISBN 978-1-48530-955-0 (Protea), h/bk, GBP 55/R 325
Tying a (rain)bow at the end
Krotoa-Eva, servant-cum-translator-cum-diplomat, instrumental in the dealings between the Dutch and the Khoi at the Cape in the 1600s, is a woman whose story has been (re)constructed countless times. Through sparse historical documentation, she has been described as a drunk, traitor, bad mother, thief, ungrateful primitive, shrewd mediator and most recently a heroic foremother of Afrikaans-speaking South Africans. This article tracks these repres…
From rural naïveté to urban discontent
This article re-examines the dynamic space–place relationships (the urban–rural, insider–outsider, conflict–love plot) in post-apartheid South African cinema with a special emphasis on the representation of white Afrikaner identity. Theories related to this argument were first systematically devised by Keyan Tomaselli in his studies of Afrikaans-language films made between 1965 and 1980. Similarly, the authors analyse the ‘structural basis of the…
Challenging the Mythical Boer Hero Archetype in Anglo-Boer War Short Films
According to Roland Barthes, archetypical myths and folktales were used in the past to order chaos and gain insight into life. At present, it is mostly the media that represent certain ideologies and therefore directly or indirectly "give an insight" into the lives of the citizens of that society. Therefore, this article will focus on the role of the archetypical representation of the hero archetype in short films; and how this ideological repres…
From rural naïveté to urban discontent
This article re-examines the dynamic space–place relationships (the urban–rural, insider–outsider, conflict–love plot) in post-apartheid South African cinema with a special emphasis on the representation of white Afrikaner identity. Theories related to this argument were first systematically devised by Keyan Tomaselli in his studies of Afrikaans-language films made between 1965 and 1980. Similarly, the authors analyse the ‘structural basis of the…
From rural naïveté to urban discontent
This article re-examines the dynamic space–place relationships (the urban–rural, insider–outsider, conflict–love plot) in post-apartheid South African cinema with a special emphasis on the representation of white Afrikaner identity. Theories related to this argument were first systematically devised by Keyan Tomaselli in his studies of Afrikaans-language films made between 1965 and 1980. Similarly, the authors analyse the ‘structural basis of the…
Challenging the Mythical Boer Hero Archetype in Anglo-Boer War Short Films
According to Roland Barthes, archetypical myths and folktales were used in the past to order chaos and gain insight into life. At present, it is mostly the media that represent certain ideologies and therefore directly or indirectly "give an insight" into the lives of the citizens of that society. Therefore, this article will focus on the role of the archetypical representation of the hero archetype in short films; and how this ideological repres…
Tying a (rain)bow at the end
Krotoa-Eva, servant-cum-translator-cum-diplomat, instrumental in the dealings between the Dutch and the Khoi at the Cape in the 1600s, is a woman whose story has been (re)constructed countless times. Through sparse historical documentation, she has been described as a drunk, traitor, bad mother, thief, ungrateful primitive, shrewd mediator and most recently a heroic foremother of Afrikaans-speaking South Africans. This article tracks these repres…
Black and White Bioscope
Review of: Black and White Bioscope: Making Movies in Africa 1899 to 1925 , Neil Parsons (2018) Bristol and Pretoria: Intellect and Protea Publishers, xii + 252 pp., ISBN 978-1-78320-943-9 (Intellect)/ISBN 978-1-48530-955-0 (Protea), h/bk, GBP 55/R 325
Reappraising the Life and Legacy of Jan C. Smuts
In this book, the authors cover both familiar and unfamiliar themes.
History (5 works) · Sociology (5 works) · Art (4 works) · Law (4 works) · Political science (4 works) · South African History and Culture (4 works) · Aesthetics (3 works) · African history and culture studies (3 works) · Literature (3 works) · Movie theater (3 works)