Charles Frimpong
Biographic Data
| ID | 4098923 |
|---|---|
| NAME | Charles Frimpong |
| GIVEN NAMES | Charles |
| FAMILY NAME | Frimpong |
| SIGNATURE | FRIMPONG C |
| AFFILIATIONS | Kwame Nkrumah University of Science and Technology |
| ORCID | 0000-0001-6842-0683 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
From data to paradigm
This paper develops a recursive conceptual framework for analysing how knowledge evolves from empirical observation to paradigmatic structures across disciplinary contexts. Drawing on epistemology, philosophy of science, cognitive theory, and design scholarship, the study delineates six analytically distinct yet interconnected stages: data, information, knowledge, application, theory, and paradigm. Unlike traditional hierarchical models such as t…
The Influence of Change on Indigenous Strip-Woven Fabrics in Ghana
Indigenous art forms like textiles have undergone critical transitions to their current form due to the influence of change in the environment. Studies in recent times have identified new creativity by weavers in the major weaving communities. This study therefore seeks to identify the influence and effects of change on colours, techniques, tools and materials as well as gender roles on strip-woven fabrics in Ghana. Qualitative research coupled w…
A Comparative Study on the Techniques, Tools and Materials for Indigenous Weaving in Ghana
Strip woven fabrics such as kente, kete and smock have continued to be precious cloths that promote the cultural heritage of the people in Ghana. These fabrics were originally woven for the royals, chiefs and special individuals in the society for specific events, but are currently being used by people from all walks of life for different purposes. Recent studies majored their investigation on the history and symbolism of indigenous fabrics, with…
Culturally Influenced Garment Designs
This paper describes the creation of garment designs influenced from Ga-Adangbe cultural elements as a personal practice of the author Elsie Rebecca Osei conducted in an art studio context at Kwame Nkrumah University of Science and Technology located in Kumasi, Ashanti Region-Ghana. These cultural elements aided in developing interesting fabric designs using dyeing and embellishing techniques before being translated into fashion garments. The pro…
The State of Kete Development in the Volta Region
Kente has gained considerable prestige in terms of recognition among all African textiles. Amidst its popularity, kente or kete cloth has experienced several transitions from its initial form through to its current state. The study presents an account on the developmental phases of Ewe kete cloth in the Volta region of Ghana. The study which was carried out in Agotime-Kpetoe and Agbozume in the Volta region employed purposive sampling to identify…
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The State of Kete Development in the Volta Region
Kente has gained considerable prestige in terms of recognition among all African textiles. Amidst its popularity, kente or kete cloth has experienced several transitions from its initial form through to its current state. The study presents an account on the developmental phases of Ewe kete cloth in the Volta region of Ghana. The study which was carried out in Agotime-Kpetoe and Agbozume in the Volta region employed purposive sampling to identify…
Culturally Influenced Garment Designs
This paper describes the creation of garment designs influenced from Ga-Adangbe cultural elements as a personal practice of the author Elsie Rebecca Osei conducted in an art studio context at Kwame Nkrumah University of Science and Technology located in Kumasi, Ashanti Region-Ghana. These cultural elements aided in developing interesting fabric designs using dyeing and embellishing techniques before being translated into fashion garments. The pro…
A Comparative Study on the Techniques, Tools and Materials for Indigenous Weaving in Ghana
Strip woven fabrics such as kente, kete and smock have continued to be precious cloths that promote the cultural heritage of the people in Ghana. These fabrics were originally woven for the royals, chiefs and special individuals in the society for specific events, but are currently being used by people from all walks of life for different purposes. Recent studies majored their investigation on the history and symbolism of indigenous fabrics, with…
The Influence of Change on Indigenous Strip-Woven Fabrics in Ghana
Indigenous art forms like textiles have undergone critical transitions to their current form due to the influence of change in the environment. Studies in recent times have identified new creativity by weavers in the major weaving communities. This study therefore seeks to identify the influence and effects of change on colours, techniques, tools and materials as well as gender roles on strip-woven fabrics in Ghana. Qualitative research coupled w…
From data to paradigm
This paper develops a recursive conceptual framework for analysing how knowledge evolves from empirical observation to paradigmatic structures across disciplinary contexts. Drawing on epistemology, philosophy of science, cognitive theory, and design scholarship, the study delineates six analytically distinct yet interconnected stages: data, information, knowledge, application, theory, and paradigm. Unlike traditional hierarchical models such as t…
Crafts, Textile, and Design (4 works) · Sociology (4 works) · Engineering (3 works) · Fashion and Cultural Textiles (3 works) · Political science (3 works) · Archaeology (2 works) · Art (2 works) · Indigenous (2 works) · Law (2 works) · Law (2 works)