Jennifer C Post
Biographic Data
| ID | 409906 |
|---|---|
| NAME | Jennifer C Post |
| GIVEN NAMES | Jennifer C |
| FAMILY NAME | Post |
| SIGNATURE | POST J C |
| AFFILIATIONS | University of Arizona |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 51 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 3 |
Ecosystems and Sounding Lives: Musical Instrument Makers in Greater Central Asia
Environmental changes present new challenges for twenty-first century musical instrument makers who continue customary practices but are also forced to make visual and sonic changes due to eroding natural resource access and health. Informed by fieldwork in Kazakhstan, Uzbekistan, Kyrgyzstan, western China, and western Mongolia, this article uses an eco-ethnomusicological approach to consider relationships between instrument making and the social…
Call and Response: SEM President’s Roundtable 2018, “Humanities’ Responses to the Anthropocene
Research Article| July 01 2020 Call and Response: SEM President’s Roundtable 2018, “Humanities’ Responses to the Anthropocene” Timothy Cooley; Timothy Cooley (Chair) Timothy J. Cooley is Professor of Ethnomusicology and Global Studies at the University of California, Santa Barbara. He teaches courses on vernacular and popular musics in Central European and the USA. His edited volume, Shadows in the Field: New Perspectives for Fieldwork in Ethnomu…
Songs, Settings, Sociality: Human and Ecological Well-Being in Western Mongolia
In rural Mongolia, local ecosystems support many of the daily life needs of both human and nonhuman populations. Kazakh pastoralists in the westernmost province of Bayan-Ölgii, in Mongolia, have established complex relationships with the land. They not only rely on resources for their subsistence but, as ecosystem stewards, they maintain ecological knowledge that is tied to local and regional biodiversity. This study explores how Kazakh pastorali…
Climate Change and Cultural Heritage in Western Mongolia
This report addresses the impact of climate change on cultural production among Kazakh mobile pastoral herders in the Altai Mountains of western Mongolia. It highlights the body of ecological knowledge that herders carry from generation to generation and express in their music, instruments, textiles, and heritage actions such as work patterns and social gatherings. Extreme weather events, loss of water sources, and desertification have deeply imp…
Sharing John Blacking: Recontextualizing Children’s Music and Reimagining Musical Instruments in the Repatriation of a Historical Collection
As ethnomusicological collections become accessible to individuals, communities, and institutions beyond the scope of the original collector, their contents are often repurposed, reimagined, and reinformed. With the growing engagement with repatriation by archives, individuals, and institutions, field recordings, fieldnotes, images, and other supporting materials offer tangible and intangible records of musical performance, context, and historica…
Performing Transition in Mongolia: Repatriation and Loss in the Music of Kazakh Mobile Pastoralists
In 1991 the government of Kazakhstan began an effort to repatriate Kazakh peoples living outside of Kazakhstan in order to manage the significant cultural loss that had occurred during the Soviet period and to address national identity after the breakup of the Soviet Union. Kazakh residents of China, Mongolia, Turkey, Iran, and other locations were invited to return to their "historic homeland" where they were promised financial support, medical …
Ethnomusicology: A Contemporary Reader
I Take MyDombraand Sing to Remember my Homeland: Identity, Landscape and Music in Kazakh Communities of Western Mongolia
Kazakh residents in Bayan Ölgii province in Western Mongolia use production and performance of the long-necked lute dombra to construct and reconstruct Kazakh perceptions of identity, homeland and place. The performances and instrument-making practices by both nomadic herders and settled residents reveal that they define Kazakhness in relation to their long residence in this mountainous terrain, and in many cases the homeland they refer to in the…
Sound archives
Early Field Recordings: A Catalogue of Cylinder Collections at the Indiana University Archives of Traditional Music
Folk Music in America: A Reference Guide
I Take MyDombraand Sing to Remember my Homeland: Identity, Landscape and Music in Kazakh Communities of Western Mongolia
Kazakh residents in Bayan Ölgii province in Western Mongolia use production and performance of the long-necked lute dombra to construct and reconstruct Kazakh perceptions of identity, homeland and place. The performances and instrument-making practices by both nomadic herders and settled residents reveal that they define Kazakhness in relation to their long residence in this mountainous terrain, and in many cases the homeland they refer to in the…
Ethnomusicology: A Contemporary Reader
Sharing John Blacking: Recontextualizing Children’s Music and Reimagining Musical Instruments in the Repatriation of a Historical Collection
As ethnomusicological collections become accessible to individuals, communities, and institutions beyond the scope of the original collector, their contents are often repurposed, reimagined, and reinformed. With the growing engagement with repatriation by archives, individuals, and institutions, field recordings, fieldnotes, images, and other supporting materials offer tangible and intangible records of musical performance, context, and historica…
Performing Transition in Mongolia: Repatriation and Loss in the Music of Kazakh Mobile Pastoralists
In 1991 the government of Kazakhstan began an effort to repatriate Kazakh peoples living outside of Kazakhstan in order to manage the significant cultural loss that had occurred during the Soviet period and to address national identity after the breakup of the Soviet Union. Kazakh residents of China, Mongolia, Turkey, Iran, and other locations were invited to return to their "historic homeland" where they were promised financial support, medical …
Early Field Recordings: A Catalogue of Cylinder Collections at the Indiana University Archives of Traditional Music
Call and Response: SEM President’s Roundtable 2018, “Humanities’ Responses to the Anthropocene
Research Article| July 01 2020 Call and Response: SEM President’s Roundtable 2018, “Humanities’ Responses to the Anthropocene” Timothy Cooley; Timothy Cooley (Chair) Timothy J. Cooley is Professor of Ethnomusicology and Global Studies at the University of California, Santa Barbara. He teaches courses on vernacular and popular musics in Central European and the USA. His edited volume, Shadows in the Field: New Perspectives for Fieldwork in Ethnomu…
Early Field Recordings: A Catalogue of Cylinder Collections at the Indiana University Archives of Traditional Music
Folk Music in America: A Reference Guide
Sound archives
Ethnomusicology: A Contemporary Reader
I Take MyDombraand Sing to Remember my Homeland: Identity, Landscape and Music in Kazakh Communities of Western Mongolia
Kazakh residents in Bayan Ölgii province in Western Mongolia use production and performance of the long-necked lute dombra to construct and reconstruct Kazakh perceptions of identity, homeland and place. The performances and instrument-making practices by both nomadic herders and settled residents reveal that they define Kazakhness in relation to their long residence in this mountainous terrain, and in many cases the homeland they refer to in the…
Performing Transition in Mongolia: Repatriation and Loss in the Music of Kazakh Mobile Pastoralists
In 1991 the government of Kazakhstan began an effort to repatriate Kazakh peoples living outside of Kazakhstan in order to manage the significant cultural loss that had occurred during the Soviet period and to address national identity after the breakup of the Soviet Union. Kazakh residents of China, Mongolia, Turkey, Iran, and other locations were invited to return to their "historic homeland" where they were promised financial support, medical …
Climate Change and Cultural Heritage in Western Mongolia
This report addresses the impact of climate change on cultural production among Kazakh mobile pastoral herders in the Altai Mountains of western Mongolia. It highlights the body of ecological knowledge that herders carry from generation to generation and express in their music, instruments, textiles, and heritage actions such as work patterns and social gatherings. Extreme weather events, loss of water sources, and desertification have deeply imp…
Sharing John Blacking: Recontextualizing Children’s Music and Reimagining Musical Instruments in the Repatriation of a Historical Collection
As ethnomusicological collections become accessible to individuals, communities, and institutions beyond the scope of the original collector, their contents are often repurposed, reimagined, and reinformed. With the growing engagement with repatriation by archives, individuals, and institutions, field recordings, fieldnotes, images, and other supporting materials offer tangible and intangible records of musical performance, context, and historica…
Songs, Settings, Sociality: Human and Ecological Well-Being in Western Mongolia
In rural Mongolia, local ecosystems support many of the daily life needs of both human and nonhuman populations. Kazakh pastoralists in the westernmost province of Bayan-Ölgii, in Mongolia, have established complex relationships with the land. They not only rely on resources for their subsistence but, as ecosystem stewards, they maintain ecological knowledge that is tied to local and regional biodiversity. This study explores how Kazakh pastorali…
Call and Response: SEM President’s Roundtable 2018, “Humanities’ Responses to the Anthropocene
Research Article| July 01 2020 Call and Response: SEM President’s Roundtable 2018, “Humanities’ Responses to the Anthropocene” Timothy Cooley; Timothy Cooley (Chair) Timothy J. Cooley is Professor of Ethnomusicology and Global Studies at the University of California, Santa Barbara. He teaches courses on vernacular and popular musics in Central European and the USA. His edited volume, Shadows in the Field: New Perspectives for Fieldwork in Ethnomu…
Ecosystems and Sounding Lives: Musical Instrument Makers in Greater Central Asia
Environmental changes present new challenges for twenty-first century musical instrument makers who continue customary practices but are also forced to make visual and sonic changes due to eroding natural resource access and health. Informed by fieldwork in Kazakhstan, Uzbekistan, Kyrgyzstan, western China, and western Mongolia, this article uses an eco-ethnomusicological approach to consider relationships between instrument making and the social…
Diverse Musicological Studies (7 works) · Geography (6 works) · Archaeology (5 works) · Art (5 works) · Kazakh (4 works) · Music History and Culture (4 works) · Musical (4 works) · Visual arts (4 works) · Computer Science (3 works) · Ecology (3 works)