Ignatius G D Suglo
Biographic Data
| ID | 4099152 |
|---|---|
| NAME | Ignatius G D Suglo |
| GIVEN NAMES | Ignatius G D |
| FAMILY NAME | Suglo |
| SIGNATURE | SUGLO I G D |
| AFFILIATIONS | University of Richmond |
| ORCID | 0000-0001-9028-936X |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 9 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
Performative belonging and embodied meaning-making in Africa–China encounters
Since the Mao era, political rhetoric has framed Africa–China relations through a discourse of brotherhood and solidarity, presenting belonging as ontological. I argue instead that belonging in the Africa–China space is achieved through sustained labor across political, cultural, and everyday contexts. Existing scholarship has predominantly examined belonging through spatial frameworks of community-building and place-making. Through case studies …
Wunpini Fatimata Mohammed, Media, Culture, and Decolonization
Freedom is not free”
Graffiti is widely used in social movements globally, yet media and communication research disproportionately focus on the role of social and new media technologies in protest movements. In this paper I ask why university students – a tech-savvy generation – resorted to graffiti and why campus graffiti were not widely circulated on social media during the Hong Kong anti-Extradition Law Amendment Bill (ELAB) protests. I argue that graffiti enables…
Sound of Friendship
This essay examines the role of music in twentieth-century Africa–China relations by analyzing musical performances' contribution to the production and circulation of knowledge about Africa in China through musical imagination. Drawing on archival and multimedia sources, this essay focuses on the figure of Zhu Mingying—an influential Chinese musician in the twentieth century—as a case study to analyze how African imagery is deployed and circulate…
Visualizing Africa in Chinese Propaganda Posters 1950-1980
This paper examines depictions of Africans in China during the period when China moved to establish diplomatic relations across the African continent - the foundation of what would become Africa-China relations today. Chinese posters were early forms of mass visual interaction with (the image of) foreign nationals. They reflect how Chinese society viewed itself in relation to others as it developed a global awareness through domestic mobilization…
Visualizing Africa in Chinese Propaganda Posters 1950-1980
This paper examines depictions of Africans in China during the period when China moved to establish diplomatic relations across the African continent - the foundation of what would become Africa-China relations today. Chinese posters were early forms of mass visual interaction with (the image of) foreign nationals. They reflect how Chinese society viewed itself in relation to others as it developed a global awareness through domestic mobilization…
Sound of Friendship
This essay examines the role of music in twentieth-century Africa–China relations by analyzing musical performances' contribution to the production and circulation of knowledge about Africa in China through musical imagination. Drawing on archival and multimedia sources, this essay focuses on the figure of Zhu Mingying—an influential Chinese musician in the twentieth century—as a case study to analyze how African imagery is deployed and circulate…
Sound of Friendship
This essay examines the role of music in twentieth-century Africa–China relations by analyzing musical performances' contribution to the production and circulation of knowledge about Africa in China through musical imagination. Drawing on archival and multimedia sources, this essay focuses on the figure of Zhu Mingying—an influential Chinese musician in the twentieth century—as a case study to analyze how African imagery is deployed and circulate…
Visualizing Africa in Chinese Propaganda Posters 1950-1980
This paper examines depictions of Africans in China during the period when China moved to establish diplomatic relations across the African continent - the foundation of what would become Africa-China relations today. Chinese posters were early forms of mass visual interaction with (the image of) foreign nationals. They reflect how Chinese society viewed itself in relation to others as it developed a global awareness through domestic mobilization…
Freedom is not free”
Graffiti is widely used in social movements globally, yet media and communication research disproportionately focus on the role of social and new media technologies in protest movements. In this paper I ask why university students – a tech-savvy generation – resorted to graffiti and why campus graffiti were not widely circulated on social media during the Hong Kong anti-Extradition Law Amendment Bill (ELAB) protests. I argue that graffiti enables…
Performative belonging and embodied meaning-making in Africa–China encounters
Since the Mao era, political rhetoric has framed Africa–China relations through a discourse of brotherhood and solidarity, presenting belonging as ontological. I argue instead that belonging in the Africa–China space is achieved through sustained labor across political, cultural, and everyday contexts. Existing scholarship has predominantly examined belonging through spatial frameworks of community-building and place-making. Through case studies …
Wunpini Fatimata Mohammed, Media, Culture, and Decolonization
China's Global Influence and Migration (3 works) · International Development and Aid (3 works) · Law (3 works) · Law (3 works) · Political science (3 works) · African history and culture studies (2 works) · China (2 works) · Scholarship (2 works) · Sociology (2 works) · Acoustics (1 work)