Clare Veal
Biographic Data
| ID | 4105364 |
|---|---|
| NAME | Clare Veal |
| GIVEN NAMES | Clare |
| FAMILY NAME | Veal |
| SIGNATURE | VEAL C |
| AFFILIATIONS | The University of Sydney |
| ORCID | 0000-0003-0319-0164 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 9 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Possessing the Voice
As a prominent figure in independent world cinema and, increasingly, contemporary art, Apitchapong Weerasethakul’s practice is situated at the interstices of film, photography, video and installation. His work has been compellingly analysed in terms of its queer politics, its exploration of animist ontologies, and its references to the cultural and political histories of Thailand’s northeastern and northern provinces (where he grew up and present…
Nostalgia and nationalism
This article considers the implications of the popularisation of Facebook groups that share historical photographs for the writing of Thai national and photographic histories. Rather than dismissing these groups as lacking in historical rigour, I propose that the nostalgic impetus behind their formation indicates an important way through which we may rethink the continued relevance of Thailand's history to its current sociopolitical situation. Dr…
Thai Art
Bringing The Land Foundation Back to Earth
In 1998, the publishing of Nicolas Bourriaud's Relational Aesthetics drew together a group of contemporary art practices that took human relationships as their medium. These practices presented a significant problem for conventional art criticism, which either took an approach based on notions of artistic ethics or an approach that valued the avant-garde and “antagonism.” In this paper, the limitations of these critical approaches are addressed a…
Thai Art
Nostalgia and nationalism
This article considers the implications of the popularisation of Facebook groups that share historical photographs for the writing of Thai national and photographic histories. Rather than dismissing these groups as lacking in historical rigour, I propose that the nostalgic impetus behind their formation indicates an important way through which we may rethink the continued relevance of Thailand's history to its current sociopolitical situation. Dr…
Bringing The Land Foundation Back to Earth
In 1998, the publishing of Nicolas Bourriaud's Relational Aesthetics drew together a group of contemporary art practices that took human relationships as their medium. These practices presented a significant problem for conventional art criticism, which either took an approach based on notions of artistic ethics or an approach that valued the avant-garde and “antagonism.” In this paper, the limitations of these critical approaches are addressed a…
Thai Art
Nostalgia and nationalism
This article considers the implications of the popularisation of Facebook groups that share historical photographs for the writing of Thai national and photographic histories. Rather than dismissing these groups as lacking in historical rigour, I propose that the nostalgic impetus behind their formation indicates an important way through which we may rethink the continued relevance of Thailand's history to its current sociopolitical situation. Dr…
Possessing the Voice
As a prominent figure in independent world cinema and, increasingly, contemporary art, Apitchapong Weerasethakul’s practice is situated at the interstices of film, photography, video and installation. His work has been compellingly analysed in terms of its queer politics, its exploration of animist ontologies, and its references to the cultural and political histories of Thailand’s northeastern and northern provinces (where he grew up and present…
Aesthetics (4 works) · Art (4 works) · History (3 works) · Law (3 works) · Literature (3 works) · Philosophy (3 works) · Political science (3 works) · Politics (3 works) · Sociology (3 works) · Southeast Asian Sociopolitical Studies (3 works)