Pierre Schaeffer
Biographic Data
| ID | 411072 |
|---|---|
| NAME | Pierre Schaeffer |
| GIVEN NAMES | Pierre |
| FAMILY NAME | Schaeffer |
| SIGNATURE | SCHAEFFER P |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1972 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
Treatise on Musical Objects
The Treatise on Musical Objects is regarded as Pierre Schaeffer’s most important work on music and its relationship with technology. Schaeffer expands his earlier research in musique concrète to suggest a methodology of working with sounds based on his experiences in radio broadcasting and the recording studio. Drawing on acoustics, physics, and physiology, but also on philosophy and the relationship between subject and object, Schaeffer’s essay …
Treatise on musical objects
"The Treatise on musical objects by Pierre Schaeffer is regarded as his most important work on music and its relationship with technology. Schaeffer refers to his earlier research in musique concrète and expands this to suggest a methodology of working with sounds resulting from the recording process. Drawing on acoustics, physics, and physiology, but also philosophy and the relationship between subject and object, Schaeffer's book summarizes his…
Musique concrète et communication humaine
Pierre Schaeffer, Concrete Music and Human Communication Between spoken language and image perception, music represents a middle area which is particularly ambiguous but which has the quality of being concrete like an image and abstract like a text. All language phenomena (sounds, words, images j depend physically on an operational series that we analyze « scientifically » in terms of cause and effect. But the meaning of the message, linked to th…
Semiologie de la representation
Préface aux articles d'Henri False et Serge Gregory-Brive et d'Alain Flageul
Schaeffer Pierre. Préface aux articles d'Henri False et Serge Gregory-Brive et d'Alain Flageul. In: Communications, 21, 1974. La télévision par câble : une révolution dans les communications sociales ? sous la direction de Georges Friedmann. pp. 91-92
A Conversation on Concrete Music and Kinetic Art
painting. The world of images is much more abundant than the world of sound and music is much less interesting from the point of view of utility. In spite of this delay between them in prosaic chronological order, music often catches up with visual art on the poetic plane and, in my opinion, leads more directly to the self-knowledge of man
No prominent works on this page.
A Conversation on Concrete Music and Kinetic Art
painting. The world of images is much more abundant than the world of sound and music is much less interesting from the point of view of utility. In spite of this delay between them in prosaic chronological order, music often catches up with visual art on the poetic plane and, in my opinion, leads more directly to the self-knowledge of man
Préface aux articles d'Henri False et Serge Gregory-Brive et d'Alain Flageul
Schaeffer Pierre. Préface aux articles d'Henri False et Serge Gregory-Brive et d'Alain Flageul. In: Communications, 21, 1974. La télévision par câble : une révolution dans les communications sociales ? sous la direction de Georges Friedmann. pp. 91-92
Semiologie de la representation
Musique concrète et communication humaine
Pierre Schaeffer, Concrete Music and Human Communication Between spoken language and image perception, music represents a middle area which is particularly ambiguous but which has the quality of being concrete like an image and abstract like a text. All language phenomena (sounds, words, images j depend physically on an operational series that we analyze « scientifically » in terms of cause and effect. But the meaning of the message, linked to th…
Treatise on musical objects
"The Treatise on musical objects by Pierre Schaeffer is regarded as his most important work on music and its relationship with technology. Schaeffer refers to his earlier research in musique concrète and expands this to suggest a methodology of working with sounds resulting from the recording process. Drawing on acoustics, physics, and physiology, but also philosophy and the relationship between subject and object, Schaeffer's book summarizes his…
Treatise on Musical Objects
The Treatise on Musical Objects is regarded as Pierre Schaeffer’s most important work on music and its relationship with technology. Schaeffer expands his earlier research in musique concrète to suggest a methodology of working with sounds based on his experiences in radio broadcasting and the recording studio. Drawing on acoustics, physics, and physiology, but also on philosophy and the relationship between subject and object, Schaeffer’s essay …
Art (4 works) · Communication (3 works) · Psychology (3 works) · Computer Science (2 works) · Cultural Insights and Digital Impacts (2 works) · Linguistics (2 works) · Music Technology and Sound Studies (2 works) · Philosophy (2 works) · Visual arts (2 works) · Acoustics and physics (1 work)