Søren Pold
Biographic Data
| ID | 4115523 |
|---|---|
| NAME | Søren Pold |
| GIVEN NAMES | Søren |
| FAMILY NAME | Pold |
| SIGNATURE | POLD S |
| AFFILIATIONS | Aarhus University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 1 |
Emerging Materiality
The authors examine how materiality emerges from complex chains of mediation in creative software use. The primarily theoretical argument is inspired and illustrated by interviews with two composers of electronic music. The authors argue that computer mediated activity should not primarily be understood in terms of simple mediation, but rather as chains of complex mediation in which the dominant form of representation is metonymy rather than meta…
Interface Realisms
Udgivelsesdato: January
An Aesthetic Criticism of the Media
(1999). An Aesthetic Criticism of the Media: The Configurations of Art, Media and Politics in Walter Benjamin's Materialistic Aesthetics. Parallax: Vol. 5, Passagen 2000: The City, Pace and Space, pp. 22-35
Emerging Materiality
The authors examine how materiality emerges from complex chains of mediation in creative software use. The primarily theoretical argument is inspired and illustrated by interviews with two composers of electronic music. The authors argue that computer mediated activity should not primarily be understood in terms of simple mediation, but rather as chains of complex mediation in which the dominant form of representation is metonymy rather than meta…
An Aesthetic Criticism of the Media
(1999). An Aesthetic Criticism of the Media: The Configurations of Art, Media and Politics in Walter Benjamin's Materialistic Aesthetics. Parallax: Vol. 5, Passagen 2000: The City, Pace and Space, pp. 22-35
An Aesthetic Criticism of the Media
(1999). An Aesthetic Criticism of the Media: The Configurations of Art, Media and Politics in Walter Benjamin's Materialistic Aesthetics. Parallax: Vol. 5, Passagen 2000: The City, Pace and Space, pp. 22-35
Interface Realisms
Udgivelsesdato: January
Emerging Materiality
The authors examine how materiality emerges from complex chains of mediation in creative software use. The primarily theoretical argument is inspired and illustrated by interviews with two composers of electronic music. The authors argue that computer mediated activity should not primarily be understood in terms of simple mediation, but rather as chains of complex mediation in which the dominant form of representation is metonymy rather than meta…
Aesthetics (3 works) · Art (3 works) · Digital Games and Media (2 works) · Epistemology (2 works) · Literature (2 works) · Philosophy (2 works) · Argument (complex analysis) (1 work) · Art criticism (1 work) · Art history (1 work) · Art, Politics, and Modernism (1 work)