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Frederic Will

Biographic Data

ID411606
NAMEFrederic Will
GIVEN NAMESFrederic
FAMILY NAMEWill
SIGNATUREWILL F
AFFILIATIONSDartmouth College
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS24
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR1956
LATEST PUBLICATION YEAR2006
H-INDEX1
  • Amulets

    Open Access•Frederic Will•ARTICLE•Res: Anthropology and Aesthetics•2006

  • The Essay as Form

    T W Adorno, Bob Hullot-Kentor et al.•ARTICLE•New German Critique•1984•Cited by: 21

    That in Germany the essay is decried as a hybrid; that it is lacking a convincing tradition; that its strenuous requirements have only rarely been met: all this has been often remarked upon and censured. essay form has not yet, today, travelled the road to independence which its sister, poetry, covered long ago; the road of development from a primitive, undifferentiated unity with science, ethics, and art.' But neither discontent with this situat…

  • Shamans in Turtlenecks

    Frederic Will•ARTICLE•New Literary History•1982

  • The Use of Language and its Objects in Literature and Society

    Frederic Will•ARTICLE•Philosophy and Phenomenological…•1981

  • The Jargon of Authenticity: An Introduction to a Marxist Critique of Heidegger

    Gerry Stahl, Theodor W Adorno et al.•ARTICLE•boundary 2•1975•Cited by: 1

  • The Knife in the Stone: Essays in Literary Theory

    John Hollander, Frederic Will•ARTICLE•Modern Language Notes•1975

  • Archilochos

    Frederick M Combellack, Frederic Will•ARTICLE•The Classical World•1970

  • Some Books on Greece

    Robert Scranton, Robert L Scranton et al.•ARTICLE•The Classical World•1969

  • Prometheus and the Question of Self-Awareness in Greek Literature

    Frederic Will•ARTICLE•The American Journal of Philology•1962•Cited by: 1

  • Intelligible Beauty in Aesthetic Thought From Winckelmann to Victor Cousin

    William H Reither, Frederic Will•ARTICLE•Philosophy and Phenomenological…•1961

  • Aristotle and the Source of the Art-work

    Frederic Will•ARTICLE•Phronesis•1960•Cited by: 1

    T HE EXACT genetic source of the work of art, the place from which the work is born, is hard to determine. Is the world, the so-called real, public world outside us the source? Is the creative mind of the artist the source? Is a transcendent world, accessible to the artist, the source? Or is some fusion, or combination of the world and the artist's mind what we must look for? Artists, who have had the experience necessary to form a judgment on th…

  • Goethes Aesthetics: The Work of Art and the Work of Nature

    Frederic Will•ARTICLE•The Philosophical Quarterly•1956

    Journal Article Goethes Aesthetics: The Work of Art and the Work of Nature Get access Frederic Will Frederic Will Dartmouth College, Hanover, New Hampshire Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 6, Issue 22, January 1956, Pages 53–65, https://doi.org/10.2307/2217337 Published: 01 January 1956

  • The Essay as Form

    T W Adorno, Bob Hullot-Kentor et al.•ARTICLE•New German Critique•1984•Cited by: 21

    That in Germany the essay is decried as a hybrid; that it is lacking a convincing tradition; that its strenuous requirements have only rarely been met: all this has been often remarked upon and censured. essay form has not yet, today, travelled the road to independence which its sister, poetry, covered long ago; the road of development from a primitive, undifferentiated unity with science, ethics, and art.' But neither discontent with this situat…

  • The Jargon of Authenticity: An Introduction to a Marxist Critique of Heidegger

    Gerry Stahl, Theodor W Adorno et al.•ARTICLE•boundary 2•1975•Cited by: 1

  • Prometheus and the Question of Self-Awareness in Greek Literature

    Frederic Will•ARTICLE•The American Journal of Philology•1962•Cited by: 1

  • Aristotle and the Source of the Art-work

    Frederic Will•ARTICLE•Phronesis•1960•Cited by: 1

    T HE EXACT genetic source of the work of art, the place from which the work is born, is hard to determine. Is the world, the so-called real, public world outside us the source? Is the creative mind of the artist the source? Is a transcendent world, accessible to the artist, the source? Or is some fusion, or combination of the world and the artist's mind what we must look for? Artists, who have had the experience necessary to form a judgment on th…

  • Goethes Aesthetics: The Work of Art and the Work of Nature

    Frederic Will•ARTICLE•The Philosophical Quarterly•1956

    Journal Article Goethes Aesthetics: The Work of Art and the Work of Nature Get access Frederic Will Frederic Will Dartmouth College, Hanover, New Hampshire Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 6, Issue 22, January 1956, Pages 53–65, https://doi.org/10.2307/2217337 Published: 01 January 1956

  • Aristotle and the Source of the Art-work

    Frederic Will•ARTICLE•Phronesis•1960•Cited by: 1

    T HE EXACT genetic source of the work of art, the place from which the work is born, is hard to determine. Is the world, the so-called real, public world outside us the source? Is the creative mind of the artist the source? Is a transcendent world, accessible to the artist, the source? Or is some fusion, or combination of the world and the artist's mind what we must look for? Artists, who have had the experience necessary to form a judgment on th…

  • Intelligible Beauty in Aesthetic Thought From Winckelmann to Victor Cousin

    William H Reither, Frederic Will•ARTICLE•Philosophy and Phenomenological…•1961

  • Prometheus and the Question of Self-Awareness in Greek Literature

    Frederic Will•ARTICLE•The American Journal of Philology•1962•Cited by: 1

  • Some Books on Greece

    Robert Scranton, Robert L Scranton et al.•ARTICLE•The Classical World•1969

  • Archilochos

    Frederick M Combellack, Frederic Will•ARTICLE•The Classical World•1970

  • The Jargon of Authenticity: An Introduction to a Marxist Critique of Heidegger

    Gerry Stahl, Theodor W Adorno et al.•ARTICLE•boundary 2•1975•Cited by: 1

  • The Knife in the Stone: Essays in Literary Theory

    John Hollander, Frederic Will•ARTICLE•Modern Language Notes•1975

  • The Use of Language and its Objects in Literature and Society

    Frederic Will•ARTICLE•Philosophy and Phenomenological…•1981

  • Shamans in Turtlenecks

    Frederic Will•ARTICLE•New Literary History•1982

  • The Essay as Form

    T W Adorno, Bob Hullot-Kentor et al.•ARTICLE•New German Critique•1984•Cited by: 21

    That in Germany the essay is decried as a hybrid; that it is lacking a convincing tradition; that its strenuous requirements have only rarely been met: all this has been often remarked upon and censured. essay form has not yet, today, travelled the road to independence which its sister, poetry, covered long ago; the road of development from a primitive, undifferentiated unity with science, ethics, and art.' But neither discontent with this situat…

  • Amulets

    Open Access•Frederic Will•ARTICLE•Res: Anthropology and Aesthetics•2006

Art (8 works) · Philosophy (6 works) · History (5 works) · Aesthetics (4 works) · Epistemology (4 works) · Philosophy (4 works) · Art history (3 works) · Computer Science (3 works) · Literature (3 works) · Classical Philosophy and Thought (2 works)

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