Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Michel Chion

Biographic Data

ID411611
NAMEMichel Chion
GIVEN NAMESMichel
FAMILY NAMEChion
SIGNATURECHION M
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS1
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1991
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Sound Film—Worthy of the Name

    Michel Chion•CHAPTER•Visual Sense•2024

    Films projected in theaters have had soundtracks for sixty years now, and for sixty years this fact has influenced the cinema&s;s internal development. But for the past sixty years as well people have continued to wonder whether the cinema did right in becoming “the talkies.” One form of this tenacious prejudice is the widespread opinion that in all this time no valuable contributions (or almost none) have been made by sound. The Sleeping Beauty …

  • "Let's Have Done with the Notion of "Noise

    Michel Chion, James A Steintrager•ARTICLE•differences•2011•References: 1

    These two essays together expose, examine, and critique the workings of "causalism," the implicit positive valuation that attaches to sonic sources with respect to musical production and audition. According to some, timbre, along with pitch, intensity, and duration, would name the fourth fundamental aspect of sounds deemed musical. But while attempts have been made to find in timbre an objectively quantifiable and measurable aspect of sound-and o…

  • Dissolution of the Notion of Timbre

    Michel Chion, James A Steintrager•ARTICLE•differences•2011

    These two essays together expose, examine, and critique the workings of "causalism," the implicit positive valuation that attaches to sonic sources with respect to musical production and audition. According to some, timbre, along with pitch, intensity, and duration, would name the fourth fundamental aspect of sounds deemed musical. But while attempts have been made to find in timbre an objectively quantifiable and measurable aspect of sound-and o…

  • Le « matériau » en question

    Michel Chion•ARTICLE•Rue Descartes•2002

  • The state ofMusique Concrète

    Michel Chion•ARTICLE•Contemporary Music Review•1993•Cited by: 1

    Among the nations of the world, France is the one where studios for electroacoustic research and production are most numerous, and among the most active: it may be in Paris (GRM), in Bourges (GMEB), in Marseille (GMEM), Albi (GMEA), Lyon (GMYL, GRAME, CANOPE), Grenoble, Toulouse, Auch, Chalons-sur-Saône (Christine Groult), Lille, etc....etc.... But what goes on there? All manner of things which often have no direct connection with what was former…

  • Quiet Revolution… And Rigid Stagnation

    Michel Chion, Ben Brewster•ARTICLE•October•1991

    Take a scene I noted in a recent film, a good film, rescreened on television last March (1986). It was Invasion of the Body Snatchers-not Don Siegel's 1956 original but Philip Kaufman's 1978 remake, with Donald Sutherland. The scene was the one where Donald Sutherland, at the height of the danger, is overcome by fatigue and falls asleep on a bench in the open air, which allows one of the giant pods from outer space that threaten the earth to begi…

  • The state ofMusique Concrète

    Michel Chion•ARTICLE•Contemporary Music Review•1993•Cited by: 1

    Among the nations of the world, France is the one where studios for electroacoustic research and production are most numerous, and among the most active: it may be in Paris (GRM), in Bourges (GMEB), in Marseille (GMEM), Albi (GMEA), Lyon (GMYL, GRAME, CANOPE), Grenoble, Toulouse, Auch, Chalons-sur-Saône (Christine Groult), Lille, etc....etc.... But what goes on there? All manner of things which often have no direct connection with what was former…

  • Quiet Revolution… And Rigid Stagnation

    Michel Chion, Ben Brewster•ARTICLE•October•1991

    Take a scene I noted in a recent film, a good film, rescreened on television last March (1986). It was Invasion of the Body Snatchers-not Don Siegel's 1956 original but Philip Kaufman's 1978 remake, with Donald Sutherland. The scene was the one where Donald Sutherland, at the height of the danger, is overcome by fatigue and falls asleep on a bench in the open air, which allows one of the giant pods from outer space that threaten the earth to begi…

  • The state ofMusique Concrète

    Michel Chion•ARTICLE•Contemporary Music Review•1993•Cited by: 1

    Among the nations of the world, France is the one where studios for electroacoustic research and production are most numerous, and among the most active: it may be in Paris (GRM), in Bourges (GMEB), in Marseille (GMEM), Albi (GMEA), Lyon (GMYL, GRAME, CANOPE), Grenoble, Toulouse, Auch, Chalons-sur-Saône (Christine Groult), Lille, etc....etc.... But what goes on there? All manner of things which often have no direct connection with what was former…

  • Le « matériau » en question

    Michel Chion•ARTICLE•Rue Descartes•2002

  • "Let's Have Done with the Notion of "Noise

    Michel Chion, James A Steintrager•ARTICLE•differences•2011•References: 1

    These two essays together expose, examine, and critique the workings of "causalism," the implicit positive valuation that attaches to sonic sources with respect to musical production and audition. According to some, timbre, along with pitch, intensity, and duration, would name the fourth fundamental aspect of sounds deemed musical. But while attempts have been made to find in timbre an objectively quantifiable and measurable aspect of sound-and o…

  • Dissolution of the Notion of Timbre

    Michel Chion, James A Steintrager•ARTICLE•differences•2011

    These two essays together expose, examine, and critique the workings of "causalism," the implicit positive valuation that attaches to sonic sources with respect to musical production and audition. According to some, timbre, along with pitch, intensity, and duration, would name the fourth fundamental aspect of sounds deemed musical. But while attempts have been made to find in timbre an objectively quantifiable and measurable aspect of sound-and o…

  • Sound Film—Worthy of the Name

    Michel Chion•CHAPTER•Visual Sense•2024

    Films projected in theaters have had soundtracks for sixty years now, and for sixty years this fact has influenced the cinema&s;s internal development. But for the past sixty years as well people have continued to wonder whether the cinema did right in becoming “the talkies.” One form of this tenacious prejudice is the widespread opinion that in all this time no valuable contributions (or almost none) have been made by sound. The Sleeping Beauty …

Art (4 works) · Music Technology and Sound Studies (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Musical (2 works) · Musicology and Musical Analysis (2 works) · Physics (2 works) · Political science (2 works) · Timbre (2 works) · Visual arts (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae