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Dirk Van Rens

Biographic Data

ID4117284
NAMEDirk Van Rens
GIVEN NAMESDirk
FAMILY NAMEVan Rens
SIGNATUREVAN RENS D
AFFILIATIONSUniversity of Eastern Finland Joensuu Finland
ORCID0000-0002-6598-2549
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS2
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2023
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Black Time and the Aesthetic Possibility of Objects

    Open Access•Dirk Van Rens•ARTICLE•American Studies in Scandinavia•2025

  • As Not Seen Before: Media and Ordinary Spaces as Alternative Archives in Nana Oforiatta Ayim’s Novel The God Child

    Dirk Van Rens•ARTICLE•Matatu•2025

    This paper examines memory in Nana Oforiatta Ayim’s novel The God Child (2019) by centring on media and ordinary spaces. Media and ordinary spaces provide alternative archives able to circumvent traditional memory-making media. The novel’s central concern is shown to be the way these media continue to produce a Eurocentric image of Africa as pre-modern. Apart from signalling the potential of new media to serve as an alternative means of memory-ma…

  • Novel Reviews

    Eduardo Nunes, Dirk Van Rens•ARTICLE•Transfers•2024

    David Machado, The Shelf Life of Happiness , trans. Hillary Locke (Seattle: Amazon Crossing, 2016), 236 pp., $14.95 (paperback). Colson Whitehead, Harlem Shuffle (New York: Doubleday, 2021), 336 pp., $18.00 (paperback)

  • This Ain’t the Way It’s S’posed to Be”: Negotiating Trauma Through Postmemory and Implication in Yaa Gyasi’s Homegoing

    Open Access•Dirk Van Rens•ARTICLE•English Studies•2023•Cited by: 2•References: 11

    This paper examines how the negotiation of the traumas of slavery and its legacies in Yaa Gyasi’s Homegoing (2016) deviates from traditional trauma literature in terms of its form and content. Gyasi’s novel is shown to be structured as a postmemorial family saga, allowing it to highlight the transgenerational and transtemporal effects of trauma in a way that differs markedly from the modernist aesthetics prescribed by traditional trauma theory. H…

  • This Ain’t the Way It’s S’posed to Be”: Negotiating Trauma Through Postmemory and Implication in Yaa Gyasi’s Homegoing

    Open Access•Dirk Van Rens•ARTICLE•English Studies•2023•Cited by: 2•References: 11

    This paper examines how the negotiation of the traumas of slavery and its legacies in Yaa Gyasi’s Homegoing (2016) deviates from traditional trauma literature in terms of its form and content. Gyasi’s novel is shown to be structured as a postmemorial family saga, allowing it to highlight the transgenerational and transtemporal effects of trauma in a way that differs markedly from the modernist aesthetics prescribed by traditional trauma theory. H…

  • This Ain’t the Way It’s S’posed to Be”: Negotiating Trauma Through Postmemory and Implication in Yaa Gyasi’s Homegoing

    Open Access•Dirk Van Rens•ARTICLE•English Studies•2023•Cited by: 2•References: 11

    This paper examines how the negotiation of the traumas of slavery and its legacies in Yaa Gyasi’s Homegoing (2016) deviates from traditional trauma literature in terms of its form and content. Gyasi’s novel is shown to be structured as a postmemorial family saga, allowing it to highlight the transgenerational and transtemporal effects of trauma in a way that differs markedly from the modernist aesthetics prescribed by traditional trauma theory. H…

  • Novel Reviews

    Eduardo Nunes, Dirk Van Rens•ARTICLE•Transfers•2024

    David Machado, The Shelf Life of Happiness , trans. Hillary Locke (Seattle: Amazon Crossing, 2016), 236 pp., $14.95 (paperback). Colson Whitehead, Harlem Shuffle (New York: Doubleday, 2021), 336 pp., $18.00 (paperback)

  • Black Time and the Aesthetic Possibility of Objects

    Open Access•Dirk Van Rens•ARTICLE•American Studies in Scandinavia•2025

  • As Not Seen Before: Media and Ordinary Spaces as Alternative Archives in Nana Oforiatta Ayim’s Novel The God Child

    Dirk Van Rens•ARTICLE•Matatu•2025

    This paper examines memory in Nana Oforiatta Ayim’s novel The God Child (2019) by centring on media and ordinary spaces. Media and ordinary spaces provide alternative archives able to circumvent traditional memory-making media. The novel’s central concern is shown to be the way these media continue to produce a Eurocentric image of Africa as pre-modern. Apart from signalling the potential of new media to serve as an alternative means of memory-ma…

Aesthetics (2 works) · Art (2 works) · Memory, Trauma, and Commemoration (2 works) · Postcolonial and Cultural Literary Studies (2 works) · Ain't (1 works) · Art, Politics, and Modernism (1 works) · Computer Science (1 works) · Ecocriticism and Environmental Literature (1 works) · Geology (1 works) · German Colonialism and Identity Studies (1 works)

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