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Kjetil Sandvik

Biographic Data

ID4117441
NAMEKjetil Sandvik
GIVEN NAMESKjetil
FAMILY NAMESandvik
SIGNATURESANDVIK K
AFFILIATIONSUniversity of Copenhagen
VERIFIEDNo
TOTAL WORKS16
TOTAL CITATIONS59
WORKS AS AUTHOR16
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2020
H-INDEX2
  • Inventing New Time

    Dorthe Refslund Christensen, Kjetil Sandvik•CHAPTER•Time Work•2020

  • Media and communication in Asia in early 21st century

    Open Access•Jun Liu, Kjetil Sandvik et al.•ARTICLE•MedieKultur Journal of media and…•2017•References: 2

    Asia has some of the largest, most dynamic, diversified, and complicated media industries in the world (McKinsey & Company, 2015). Entering the 21st Century, the rapid economic and political developments of Asia further energize the growth of media locally and globally (for general discussion, see, e.g., Keane [2006]; Thussu [2006], specific discussions on the cases of Korea [Kim, 2013], Japan [Iwabuchi, 2004], China [Sun, 2009]). In a reflection…

  • Growing old with and via media

    Open Access•Sara Mosberg Iversen, Anne Leonora Blaakilde et al.•ARTICLE•MedieKultur Journal of media and…•2017•References: 4

    What we understand at any given time as “old age” may seem to have a very straightforward and factual base. Yet, in the words of Simone de Beauvoir, “as far as our own species is concerned old age is by no means easy to define” (de Beauvoir, 1996, p. 9). Even the most positivist sciences have to admit that old age is a “a heterogeneous event that some individuals tolerate better than others” (Balcombe & Sinclair, 2001, p. 845). That is, “old age”…

  • Jonas Löwgren & Bo Reimer

    Open Access•Kjetil Sandvik•ARTICLE•MedieKultur Journal of media and…•2016

    With new media come new use practices, which, in turn, aff ect individual media users as well as established media producers and societal institutions.Several concepts have been off ered which may serve to accomodate the changes to practices of communication in the contemporary media landscape: cross-media, participatory media and -as with this book -collaborative media.Th ese media concepts have mainly been associated with the production of medi…

  • Media Studies 2.0; Media audiences

    Open Access•Kjetil Sandvik•ARTICLE•MedieKultur Journal of media and…•2016•Cited by: 2

    As the media landscape changes and develops, new media occur and old media change.With this development, new logics and practices emerge as regards the production, dissemination and consumption of media content.In particular, the advent of digital media aff ords changes in media production and media uses, which urges scholars to revisit and/ or rethink central concepts or maybe to consider up-to-date media studies a regular academic fi eld.Th e t…

  • Introduction to gender and media revisited

    Open Access•Tobias Raun, Maja Rudloff et al.•ARTICLE•MedieKultur Journal of media and…•2016•Cited by: 1

    Gender is not a new concept in media studies.However, its uses and connotations have changed over time to include diff erent types of problems such as the position of women in media industries, gendered stereotypes in mass media or, more recently, the fl uidity and performance of gender inspired by queer studies.When, back in 1986, MedieKultur ran a special issue on "Women and Electronic Mass Media", the focus was specifi cally on women in media …

  • Fjernsynsdiskursens indkodning og afkodning

    Open Access•Kjetil Sandvik•ARTICLE•MedieKultur Journal of media and…•2015

  • Beryl Graham & Sarah Cook

    Open Access•Kjetil Sandvik•ARTICLE•MedieKultur Journal of media and…•2011

  • Robert R. Janes

    Open Access•Kjetil Sandvik•ARTICLE•MedieKultur Journal of media and…•2011•Cited by: 9

  • Gitte Marling, Hans Kiib og Ole B. Jensen

    Open Access•Kjetil Sandvik•ARTICLE•MedieKultur Journal of media and…•2011

  • Nina Simon

    Open Access•Kjetil Sandvik•ARTICLE•MedieKultur Journal of media and…•2011

  • Chapter 10 Crime Scenes as Augmented Reality

    Kjetil Sandvik•CHAPTER•Re-Investing Authenticity•2010

  • Crime Scenes as Augmented Reality

    Kjetil Sandvik•CHAPTER•Re-Investing Authenticity•2010

  • Re-Investing Authenticity

    Sine Agergaard, Dorthe Refslund Christensen et al.•BOOK•Tourism, place and emotions•2010•Cited by: 47

  • Introduction

    Open Access•Kjetil Sandvik•ARTICLE•MedieKultur Journal of media and…•2009•References: 1

    Digital media and network communication technology have not changed this setup, but rather have opened the possibility for encountering and experiencing additional types of worlds and performing additional types of spatial practices. Being situated online and being globally networked with the possibility of both synchronous and asynchronous communication, digitally mediated worlds provide possible interactions between users which are radically mo…

  • Heidi Philipsen og Lars Qvortrup (red.)

    Open Access•Kjetil Sandvik•ARTICLE•MedieKultur Journal of media and…•2008

  • Re-Investing Authenticity

    Sine Agergaard, Dorthe Refslund Christensen et al.•BOOK•Tourism, place and emotions•2010•Cited by: 47

  • Robert R. Janes

    Open Access•Kjetil Sandvik•ARTICLE•MedieKultur Journal of media and…•2011•Cited by: 9

  • Media Studies 2.0; Media audiences

    Open Access•Kjetil Sandvik•ARTICLE•MedieKultur Journal of media and…•2016•Cited by: 2

    As the media landscape changes and develops, new media occur and old media change.With this development, new logics and practices emerge as regards the production, dissemination and consumption of media content.In particular, the advent of digital media aff ords changes in media production and media uses, which urges scholars to revisit and/ or rethink central concepts or maybe to consider up-to-date media studies a regular academic fi eld.Th e t…

  • Introduction to gender and media revisited

    Open Access•Tobias Raun, Maja Rudloff et al.•ARTICLE•MedieKultur Journal of media and…•2016•Cited by: 1

    Gender is not a new concept in media studies.However, its uses and connotations have changed over time to include diff erent types of problems such as the position of women in media industries, gendered stereotypes in mass media or, more recently, the fl uidity and performance of gender inspired by queer studies.When, back in 1986, MedieKultur ran a special issue on "Women and Electronic Mass Media", the focus was specifi cally on women in media …

  • Heidi Philipsen og Lars Qvortrup (red.)

    Open Access•Kjetil Sandvik•ARTICLE•MedieKultur Journal of media and…•2008

  • Introduction

    Open Access•Kjetil Sandvik•ARTICLE•MedieKultur Journal of media and…•2009•References: 1

    Digital media and network communication technology have not changed this setup, but rather have opened the possibility for encountering and experiencing additional types of worlds and performing additional types of spatial practices. Being situated online and being globally networked with the possibility of both synchronous and asynchronous communication, digitally mediated worlds provide possible interactions between users which are radically mo…

  • Chapter 10 Crime Scenes as Augmented Reality

    Kjetil Sandvik•CHAPTER•Re-Investing Authenticity•2010

  • Crime Scenes as Augmented Reality

    Kjetil Sandvik•CHAPTER•Re-Investing Authenticity•2010

  • Re-Investing Authenticity

    Sine Agergaard, Dorthe Refslund Christensen et al.•BOOK•Tourism, place and emotions•2010•Cited by: 47

  • Beryl Graham & Sarah Cook

    Open Access•Kjetil Sandvik•ARTICLE•MedieKultur Journal of media and…•2011

  • Robert R. Janes

    Open Access•Kjetil Sandvik•ARTICLE•MedieKultur Journal of media and…•2011•Cited by: 9

  • Gitte Marling, Hans Kiib og Ole B. Jensen

    Open Access•Kjetil Sandvik•ARTICLE•MedieKultur Journal of media and…•2011

  • Nina Simon

    Open Access•Kjetil Sandvik•ARTICLE•MedieKultur Journal of media and…•2011

  • Fjernsynsdiskursens indkodning og afkodning

    Open Access•Kjetil Sandvik•ARTICLE•MedieKultur Journal of media and…•2015

  • Jonas Löwgren & Bo Reimer

    Open Access•Kjetil Sandvik•ARTICLE•MedieKultur Journal of media and…•2016

    With new media come new use practices, which, in turn, aff ect individual media users as well as established media producers and societal institutions.Several concepts have been off ered which may serve to accomodate the changes to practices of communication in the contemporary media landscape: cross-media, participatory media and -as with this book -collaborative media.Th ese media concepts have mainly been associated with the production of medi…

  • Media Studies 2.0; Media audiences

    Open Access•Kjetil Sandvik•ARTICLE•MedieKultur Journal of media and…•2016•Cited by: 2

    As the media landscape changes and develops, new media occur and old media change.With this development, new logics and practices emerge as regards the production, dissemination and consumption of media content.In particular, the advent of digital media aff ords changes in media production and media uses, which urges scholars to revisit and/ or rethink central concepts or maybe to consider up-to-date media studies a regular academic fi eld.Th e t…

  • Introduction to gender and media revisited

    Open Access•Tobias Raun, Maja Rudloff et al.•ARTICLE•MedieKultur Journal of media and…•2016•Cited by: 1

    Gender is not a new concept in media studies.However, its uses and connotations have changed over time to include diff erent types of problems such as the position of women in media industries, gendered stereotypes in mass media or, more recently, the fl uidity and performance of gender inspired by queer studies.When, back in 1986, MedieKultur ran a special issue on "Women and Electronic Mass Media", the focus was specifi cally on women in media …

  • Media and communication in Asia in early 21st century

    Open Access•Jun Liu, Kjetil Sandvik et al.•ARTICLE•MedieKultur Journal of media and…•2017•References: 2

    Asia has some of the largest, most dynamic, diversified, and complicated media industries in the world (McKinsey & Company, 2015). Entering the 21st Century, the rapid economic and political developments of Asia further energize the growth of media locally and globally (for general discussion, see, e.g., Keane [2006]; Thussu [2006], specific discussions on the cases of Korea [Kim, 2013], Japan [Iwabuchi, 2004], China [Sun, 2009]). In a reflection…

  • Growing old with and via media

    Open Access•Sara Mosberg Iversen, Anne Leonora Blaakilde et al.•ARTICLE•MedieKultur Journal of media and…•2017•References: 4

    What we understand at any given time as “old age” may seem to have a very straightforward and factual base. Yet, in the words of Simone de Beauvoir, “as far as our own species is concerned old age is by no means easy to define” (de Beauvoir, 1996, p. 9). Even the most positivist sciences have to admit that old age is a “a heterogeneous event that some individuals tolerate better than others” (Balcombe & Sinclair, 2001, p. 845). That is, “old age”…

  • Inventing New Time

    Dorthe Refslund Christensen, Kjetil Sandvik•CHAPTER•Time Work•2020

Sociology (8 works) · Psychology (7 works) · Computer Science (5 works) · Cultural Industries and Urban Development (5 works) · Art (4 works) · Business (4 works) · Political science (4 works) · Advertising (3 works) · Art history (3 works) · Digital Games and Media (3 works)

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