Bruno Ingemann
Biographic Data
| ID | 4117500 |
|---|---|
| NAME | Bruno Ingemann |
| GIVEN NAMES | Bruno |
| FAMILY NAME | Ingemann |
| SIGNATURE | INGEMANN B |
| AFFILIATIONS | University of Copenhagen |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 1998 |
| H-INDEX | 0 |
Det tavse sprog
Artiklen fokuserer på avisens layout - eller mere præcist: På avisens visuelle udtryk. Tekst ses først som et billede. Teksten er visuel og der- med indgår den sammen med fotografier og tegninger i et samlet hele, der organiseres som et billede. Det er dette helhedsbillede artiklen prøver at forankre teoretisk og metodisk med henblik på at vise, hvordan det er muligt at analysere avisens visuelle udtryk
Greg Philo
"Det er helt vildt!" - Om læsestrategier og reception af en udstilling
Close to individual reading strategies and reception of an exhibition If you want to know how the museum visitor experiences the exhibition there is a long tradition of using registration of the visitors' moves in the exhibition to find out where the hot-spots are; or using questionnaires to collect information. That can easily be quantified; or using qualitative interviews of the visitor after the museum experience.The problem with these methods…
Et menneske i Oldtiden
Kan man finde mennesker på Nationalmuseets udstilling om Oldtiden? Der er selvfølgelig de besøgende. Men hvad med sporene af oldtidens mennesker og de relationer de kan have haft til hinanden
Den skjulte Oldtid – den nye udstilling på Nationalmuseet
The newly opened Danish National Museum permanent exhibition about the prehistoric period is analysed here from the perspective of the user. The intended narrative of the exhibition is scrutinised in detail, via an analytical construction of how the exhibition meets the visitor, in order to understand why the exhibition at first impression seems so old-fashioned and out of time. The focus in the additional material from the museum is on “... life…
Hvad er spørgsmålet? - om at skabe et læringsrum i udstillingen
Data presented in this paper involves asking 15-16-year-old students questions during a visit to a science centre. The hypothesis was that it is possible to create curiosity and reflection at a science centre by stimulating and facilitating a dialogue. The background was the vast amount of studies showing that unstructured free-choice school trips result in little (if any) student reflection. We used a dialogic approach to prompt the students’ cu…
Ti teser om Museet i samfundet
Ten theses on the Museum in society I) The museum can tell stories with authentic objects 2) The authentic objects can be presented in a new context3) Objects can construct an aesthetic experience 4) An aesthetic experience can be created by the «text» and the visitor 5) Objects can be seen as an artistic expression - a narrarive6) A narrative may create mental images7) The narrative of society is built upon myth and symbols8) The museum may comm…
Se, tale, høre – oplevelsens kunst
See, talk, listen – the art of experience This article presents the manner in which two informants experience an exhibition of the works of a well known Danish painter, Ole Sporring. One of the informants, Jakob (27), wears a small video camera on his head which records his walk through the exhibition, looking at the paintings and talking with his companion, Gunnar (55). Ingemann states that he has used this method in video-walks previously in th…
No prominent works on this page.
"Det er helt vildt!" - Om læsestrategier og reception af en udstilling
Close to individual reading strategies and reception of an exhibition If you want to know how the museum visitor experiences the exhibition there is a long tradition of using registration of the visitors' moves in the exhibition to find out where the hot-spots are; or using questionnaires to collect information. That can easily be quantified; or using qualitative interviews of the visitor after the museum experience.The problem with these methods…
Et menneske i Oldtiden
Kan man finde mennesker på Nationalmuseets udstilling om Oldtiden? Der er selvfølgelig de besøgende. Men hvad med sporene af oldtidens mennesker og de relationer de kan have haft til hinanden
Den skjulte Oldtid – den nye udstilling på Nationalmuseet
The newly opened Danish National Museum permanent exhibition about the prehistoric period is analysed here from the perspective of the user. The intended narrative of the exhibition is scrutinised in detail, via an analytical construction of how the exhibition meets the visitor, in order to understand why the exhibition at first impression seems so old-fashioned and out of time. The focus in the additional material from the museum is on “... life…
Hvad er spørgsmålet? - om at skabe et læringsrum i udstillingen
Data presented in this paper involves asking 15-16-year-old students questions during a visit to a science centre. The hypothesis was that it is possible to create curiosity and reflection at a science centre by stimulating and facilitating a dialogue. The background was the vast amount of studies showing that unstructured free-choice school trips result in little (if any) student reflection. We used a dialogic approach to prompt the students’ cu…
Ti teser om Museet i samfundet
Ten theses on the Museum in society I) The museum can tell stories with authentic objects 2) The authentic objects can be presented in a new context3) Objects can construct an aesthetic experience 4) An aesthetic experience can be created by the «text» and the visitor 5) Objects can be seen as an artistic expression - a narrarive6) A narrative may create mental images7) The narrative of society is built upon myth and symbols8) The museum may comm…
Se, tale, høre – oplevelsens kunst
See, talk, listen – the art of experience This article presents the manner in which two informants experience an exhibition of the works of a well known Danish painter, Ole Sporring. One of the informants, Jakob (27), wears a small video camera on his head which records his walk through the exhibition, looking at the paintings and talking with his companion, Gunnar (55). Ingemann states that he has used this method in video-walks previously in th…
Greg Philo
Det tavse sprog
Artiklen fokuserer på avisens layout - eller mere præcist: På avisens visuelle udtryk. Tekst ses først som et billede. Teksten er visuel og der- med indgår den sammen med fotografier og tegninger i et samlet hele, der organiseres som et billede. Det er dette helhedsbillede artiklen prøver at forankre teoretisk og metodisk med henblik på at vise, hvordan det er muligt at analysere avisens visuelle udtryk
Computer Science (6 works) · Art (4 works) · Museums and Cultural Heritage (4 works) · Philosophy (4 works) · Philosophy (4 works) · Visual arts (4 works) · Exhibition (3 works) · Psychology (3 works) · Sociology (3 works) · Visitor pattern (3 works)