Ulrik Schmidt
Biographic Data
| ID | 4117790 |
|---|---|
| NAME | Ulrik Schmidt |
| GIVEN NAMES | Ulrik |
| FAMILY NAME | Schmidt |
| SIGNATURE | SCHMIDT U |
| AFFILIATIONS | Roskilde University |
| ORCID | 0000-0002-2192-1170 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
A Philosophy of Ambient Sound
Philosophy of Ambient Sound
Datamasser og sansemiljøer - Om den performative iscenesættelse af big data
Denne artikel undersøger en udbredt tendens i den digitale kultur til at iscenesætte nutidens enorme og massive datasæt i form af sanselige miljøer og de implikationer denne form for æstetisering har for vores omgang med data. Med inddragelse af en række eksempler fra nyere iscenesættelser af big data, argumenteres der for at big data, når de iscenesættes som big data, typisk gør det ved, konkret og perciperbart, at tage massens form og danne omg…
Det ambiente
Pulse on pulse
This article investigates the relation between signifying processes and non-signifying material dynamism in the installation Pulse Room (2006) by Mexican Canadian artist Rafael Lozano-Hemmer. In Pulse Room the sense of pulse is ambiguous. Biorhythms are transmitted from the pulsing energy of the visitor's beating heart to the flashing of a fragile light bulb, thereby transforming each light bulb into a register of individual life. But at the same…
Musik og design. Phil spector og lydfladens medialisering
MUSIC AND DESIGN. PHIL SPECTOR AND SOUNDSCAPES MEDIATIZATIONPhil Spector is often referred to as one of history’s first true music producers, and his famed ‘Wall of Sound’ has been the model for many future musical productions. However, Spector’s productions can also be seen as an early manifestation, among others, of a much more general change in the auditory popular culture around 1960 away from the conventional approach to musicalsound as some…
Keaton og masserne
Keaton and the Masses:This article explores conflicts between individual and mass and the process of massification (i.e. the becoming and unfolding of masses) as comic potential in Buster Keaton’s physical comedies. This comic potential is basically characterized by a formalized and aestheticized reduction of human individuality when confronted with objective, non-human matter. De-individualization plays an important role in modern comedy in gene…
Pulse on pulse
This article investigates the relation between signifying processes and non-signifying material dynamism in the installation Pulse Room (2006) by Mexican Canadian artist Rafael Lozano-Hemmer. In Pulse Room the sense of pulse is ambiguous. Biorhythms are transmitted from the pulsing energy of the visitor's beating heart to the flashing of a fragile light bulb, thereby transforming each light bulb into a register of individual life. But at the same…
Keaton og masserne
Keaton and the Masses:This article explores conflicts between individual and mass and the process of massification (i.e. the becoming and unfolding of masses) as comic potential in Buster Keaton’s physical comedies. This comic potential is basically characterized by a formalized and aestheticized reduction of human individuality when confronted with objective, non-human matter. De-individualization plays an important role in modern comedy in gene…
Musik og design. Phil spector og lydfladens medialisering
MUSIC AND DESIGN. PHIL SPECTOR AND SOUNDSCAPES MEDIATIZATIONPhil Spector is often referred to as one of history’s first true music producers, and his famed ‘Wall of Sound’ has been the model for many future musical productions. However, Spector’s productions can also be seen as an early manifestation, among others, of a much more general change in the auditory popular culture around 1960 away from the conventional approach to musicalsound as some…
Pulse on pulse
This article investigates the relation between signifying processes and non-signifying material dynamism in the installation Pulse Room (2006) by Mexican Canadian artist Rafael Lozano-Hemmer. In Pulse Room the sense of pulse is ambiguous. Biorhythms are transmitted from the pulsing energy of the visitor's beating heart to the flashing of a fragile light bulb, thereby transforming each light bulb into a register of individual life. But at the same…
Det ambiente
Datamasser og sansemiljøer - Om den performative iscenesættelse af big data
Denne artikel undersøger en udbredt tendens i den digitale kultur til at iscenesætte nutidens enorme og massive datasæt i form af sanselige miljøer og de implikationer denne form for æstetisering har for vores omgang med data. Med inddragelse af en række eksempler fra nyere iscenesættelser af big data, argumenteres der for at big data, når de iscenesættes som big data, typisk gør det ved, konkret og perciperbart, at tage massens form og danne omg…
A Philosophy of Ambient Sound
Philosophy of Ambient Sound
Computer Science (4 works) · Art (3 works) · Acoustics (2 works) · Aesthetics (2 works) · Philosophy (2 works) · Physics (2 works) · Sociology (2 works) · Art, Technology, and Culture (1 work) · Big data (1 work) · Big Data and Business Intelligence (1 work)