Suzanne Aspden
Biographic Data
| ID | 4118751 |
|---|---|
| NAME | Suzanne Aspden |
| GIVEN NAMES | Suzanne |
| FAMILY NAME | Aspden |
| SIGNATURE | ASPDEN S |
| AFFILIATIONS | University of Oxford |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Kitty Clive, or the Fair Songster Berta Joncus
Journal Article Kitty Clive, or the Fair SongsterBerta Joncus Kitty Clive, or the Fair Songster. By Berta Joncus. Pp. xiv + 527. ( Boydell Press, Woodbridge and Rochester, NY, 2019. ISBN 978-1-78327-346-1, £55.) Suzanne Aspden Suzanne Aspden University of Oxford Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 102, Issue 4, November 2021, Pages 817–820, https://doi.org/10.1093/ml/gcab091 Published…
The Rival Sirens: Performance and Identity on Handel's Operatic Stage
The tale of the onstage fight between prima donnas Francesca Cuzzoni and Faustina Bordoni is notorious, appearing in music histories to this day, but it is a fiction. Starting from this misunderstanding, The Rival Sirens suggests that the rivalry fostered between the singers in 1720s London was in large part a social construction, one conditioned by local theatrical context and audience expectations, and heightened by manipulations of plot and mu…
Rival Sirens: Performance and Identity on Handel's Operatic Stage
Desiring Handel: Biography and the Strategies of Possession
Journal Article Desiring Handel: Biography and the Strategies of Possession Get access Suzanne Aspden Suzanne Aspden Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 85, Issue 1, February 2004, Pages 62–82, https://doi.org/10.1093/ml/85.1.62 Published: 01 February 2004
Managing Passions: The Business of Opera in Eighteenth-Century London
Ballads and Britons: Imagined Community and the Continuity of 'English' Opera
Joseph Addison'sSpectatoris perhaps the best-known early eighteenth-century periodical, its title a byword for the period's acute critical sensibility, its pages of enthusiastic enquiry a fitting monument to what we like to call the 'Age of Reason'. Of the many commentaries on opera included in its pages,Spectatorno. 5 (6 March 1711), critiquing the inadequacy of attempts at scenic verisimilitude on London's operatic stage, is justly renowned. Ad…
Ballads and Britons: Imagined Community and the Continuity of 'English' Opera
Joseph Addison'sSpectatoris perhaps the best-known early eighteenth-century periodical, its title a byword for the period's acute critical sensibility, its pages of enthusiastic enquiry a fitting monument to what we like to call the 'Age of Reason'. Of the many commentaries on opera included in its pages,Spectatorno. 5 (6 March 1711), critiquing the inadequacy of attempts at scenic verisimilitude on London's operatic stage, is justly renowned. Ad…
Ballads and Britons: Imagined Community and the Continuity of 'English' Opera
Joseph Addison'sSpectatoris perhaps the best-known early eighteenth-century periodical, its title a byword for the period's acute critical sensibility, its pages of enthusiastic enquiry a fitting monument to what we like to call the 'Age of Reason'. Of the many commentaries on opera included in its pages,Spectatorno. 5 (6 March 1711), critiquing the inadequacy of attempts at scenic verisimilitude on London's operatic stage, is justly renowned. Ad…
Managing Passions: The Business of Opera in Eighteenth-Century London
Desiring Handel: Biography and the Strategies of Possession
Journal Article Desiring Handel: Biography and the Strategies of Possession Get access Suzanne Aspden Suzanne Aspden Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 85, Issue 1, February 2004, Pages 62–82, https://doi.org/10.1093/ml/85.1.62 Published: 01 February 2004
The Rival Sirens: Performance and Identity on Handel's Operatic Stage
The tale of the onstage fight between prima donnas Francesca Cuzzoni and Faustina Bordoni is notorious, appearing in music histories to this day, but it is a fiction. Starting from this misunderstanding, The Rival Sirens suggests that the rivalry fostered between the singers in 1720s London was in large part a social construction, one conditioned by local theatrical context and audience expectations, and heightened by manipulations of plot and mu…
Rival Sirens: Performance and Identity on Handel's Operatic Stage
Kitty Clive, or the Fair Songster Berta Joncus
Journal Article Kitty Clive, or the Fair SongsterBerta Joncus Kitty Clive, or the Fair Songster. By Berta Joncus. Pp. xiv + 527. ( Boydell Press, Woodbridge and Rochester, NY, 2019. ISBN 978-1-78327-346-1, £55.) Suzanne Aspden Suzanne Aspden University of Oxford Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 102, Issue 4, November 2021, Pages 817–820, https://doi.org/10.1093/ml/gcab091 Published…
Art (5 works) · Art history (4 works) · History (4 works) · Literature (3 works) · Musicology and Musical Analysis (3 works) · Opera (3 works) · Aesthetics (2 works) · Historical Influence and Diplomacy (2 works) · Music History and Culture (2 works) · Theater, Performance, and Music History (2 works)