Mark Ferraguto
Biographic Data
| ID | 4119464 |
|---|---|
| NAME | Mark Ferraguto |
| GIVEN NAMES | Mark |
| FAMILY NAME | Ferraguto |
| SIGNATURE | FERRAGUTO M |
| AFFILIATIONS | Marine Biological Laboratory |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
The Cambridge Companion to The Magic Flute
Since its premiere in 1791, The Magic Flute has been staged continuously and remains, to this day, Mozart's most-performed opera worldwide. This comprehensive, user-friendly, up-to-date critical guide considers the opera in a variety of contexts to provide a fresh look at a work that has continued to fascinate audiences from Mozart's time to ours. It serves both as an introduction for those encountering the opera for the first time and as a treas…
Beethoven Studies 4 Keith Chapin and David Wyn Jones
Beethoven Studies 4 revives a ‘brand’ that has lain dormant for almost four decades. Established by the British musicologist Alan Tyson, the original three-volume Beethoven Studies series (published in 1973/1974, 1977, and 1982) was principally devoted to the investigation of source materials for Beethoven’s life and music, notably his sketches. Containing valuable documentary insights and thought-provoking criticism, these volumes remain indispe…
Representing Russia: Luxury and Diplomacy at the Razumovsky Palace in Vienna, 1803-1815
This essay explores the role of luxury in the social and diplomatic life of Count Andrey Razumovsky (1752–1836), Russian ambassador to Austria during the Napoleonic Wars. Focusing on Razumovsky’s making of an embassy during the heyday of his estate, roughly 1803 to 1815, it examines his cultivation of English landscape gardening, neoclassical architecture, and Viennese music in relation to ideas of European representational culture and Russian We…
Music and Diplomacy from the Early Modern Era to the Present
Beethoven à la moujik
Beethoven's treatments of the Russian folksongs in the “Razumovsky” String Quartets, Op. 59, nos. 1 and 2, have long elicited sharp criticism. A closer look at these treatments allows for a reappraisal of the quartets and the circumstances of their commission. Beethoven's setting of “Ah, Whether It's My Luck, Such Luck” (Opus 59, no. 1/fourth mvt.) juxtaposes folk and learned styles in ways that complicate the traditional relationship between “na…
Representing Russia: Luxury and Diplomacy at the Razumovsky Palace in Vienna, 1803-1815
This essay explores the role of luxury in the social and diplomatic life of Count Andrey Razumovsky (1752–1836), Russian ambassador to Austria during the Napoleonic Wars. Focusing on Razumovsky’s making of an embassy during the heyday of his estate, roughly 1803 to 1815, it examines his cultivation of English landscape gardening, neoclassical architecture, and Viennese music in relation to ideas of European representational culture and Russian We…
Music and Diplomacy from the Early Modern Era to the Present
Beethoven à la moujik
Beethoven's treatments of the Russian folksongs in the “Razumovsky” String Quartets, Op. 59, nos. 1 and 2, have long elicited sharp criticism. A closer look at these treatments allows for a reappraisal of the quartets and the circumstances of their commission. Beethoven's setting of “Ah, Whether It's My Luck, Such Luck” (Opus 59, no. 1/fourth mvt.) juxtaposes folk and learned styles in ways that complicate the traditional relationship between “na…
Representing Russia: Luxury and Diplomacy at the Razumovsky Palace in Vienna, 1803-1815
This essay explores the role of luxury in the social and diplomatic life of Count Andrey Razumovsky (1752–1836), Russian ambassador to Austria during the Napoleonic Wars. Focusing on Razumovsky’s making of an embassy during the heyday of his estate, roughly 1803 to 1815, it examines his cultivation of English landscape gardening, neoclassical architecture, and Viennese music in relation to ideas of European representational culture and Russian We…
Beethoven Studies 4 Keith Chapin and David Wyn Jones
Beethoven Studies 4 revives a ‘brand’ that has lain dormant for almost four decades. Established by the British musicologist Alan Tyson, the original three-volume Beethoven Studies series (published in 1973/1974, 1977, and 1982) was principally devoted to the investigation of source materials for Beethoven’s life and music, notably his sketches. Containing valuable documentary insights and thought-provoking criticism, these volumes remain indispe…
The Cambridge Companion to The Magic Flute
Since its premiere in 1791, The Magic Flute has been staged continuously and remains, to this day, Mozart's most-performed opera worldwide. This comprehensive, user-friendly, up-to-date critical guide considers the opera in a variety of contexts to provide a fresh look at a work that has continued to fascinate audiences from Mozart's time to ours. It serves both as an introduction for those encountering the opera for the first time and as a treas…
Art (5 works) · History (4 works) · Literature (4 works) · Musicology and Musical Analysis (4 works) · Political science (4 works) · Aesthetics (3 works) · Diverse Musicological Studies (3 works) · Law (3 works) · Visual arts (3 works) · Art history (2 works)