Christin Hoene
Biographic Data
| ID | 4119830 |
|---|---|
| NAME | Christin Hoene |
| GIVEN NAMES | Christin |
| FAMILY NAME | Hoene |
| SIGNATURE | HOENE C |
| AFFILIATIONS | Maastricht University |
| ORCID | 0000-0002-8086-1120 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Macdonald, Patrick Geddes's Intellectual Origins
Asian Sound Cultures
Introduction
This essay serves as an introduction to a special section on the senses in late colonial India. Participating in the act of decolonising sensory studies, this collection explores the intersections between post-colonial studies and sensory studies by paying particular attention to the sensorium of the colonised. In the historical and geographical context of colonial South Asia, the senses are embedded in acts of distinction across race, caste, cla…
Senses and Sensibilities in Sarojini Naidu’s Poetry
The senses play a crucial role in the poetry of Sarojini Naidu (1879–1949), both on the level of theme and on the level of aesthetics. Throughout this essay, I show how Naidu creates multisensorial sensescapes that evoke the Indian aesthetic principle of rasa, which literally translates into English as ‘juice, essence, or taste’ and which, in the context of aesthetic theory, denotes the emotive essence of and response to a piece of art. The early…
Jagadish Chandra Bose and the anticolonial politics of science fiction
In postcolonial studies there are two main strands of argument concerning the legacies and effects of cultural imperialism on science fiction as a literary genre. The first strand presents a critical reading of Western science fiction of the nineteenth and early twentieth century as a genre that is deeply embedded in the discourses and ideologies of colonialism and imperialism (Rieder, 2008; Kerslake, 2007). The second strand presents a critical …
Jagadis Chandra Bose and the Politics of Science
On 6 June 1901, Jagadis Chandra Bose read a paper at the Royal Society in London, entitled ‘On Electric Response of Inorganic Substances’. Bose showed that external stimuli, such as poison or electricity, have a similar effect on living tissue, such as plants or muscle, and inorganic matter, such as iron oxide or tin. Bose recorded response curves for muscle, plant, and metal and was thus able to show parallels between the living and the non-livi…
Audible Empire
In a nutshell, Audible Empire sets out to answer the questions of what it is that renders music so powerful in the context of colonial and anticolonial processes, and how the audible and the imperi
Aesthetic Technologies of Modernity, Subjectivity, and Nature
Richard Leppert’s book is a tour de force that marries the cultural history of opera and film with the technological history of modern media and sound technology in order to tackle fundamental questions about art in the age of modernity and our relationship to it. The overarching themes that Leppert discusses include the dichotomies of nature/culture and subject/object, the role of art in negotiating these dichotomies, the phenomenological shifts…
The Sounding City
The Musical Novel
Emily Petermann sets out to answer the question ‘What is a musical novel?’ by looking at two very different groups of texts, namely jazz novels on the one hand and novels that imitate Johann Sebastian Bach’s Goldberg Variations on the other. Her analytical focus in these intermedial case studies is on the form of music rather than on music’s content, and on how the different musical forms of jazz as a musical genre and the Goldberg Variations as …
Jagadish Chandra Bose and the anticolonial politics of science fiction
In postcolonial studies there are two main strands of argument concerning the legacies and effects of cultural imperialism on science fiction as a literary genre. The first strand presents a critical reading of Western science fiction of the nineteenth and early twentieth century as a genre that is deeply embedded in the discourses and ideologies of colonialism and imperialism (Rieder, 2008; Kerslake, 2007). The second strand presents a critical …
The Sounding City
The Musical Novel
Emily Petermann sets out to answer the question ‘What is a musical novel?’ by looking at two very different groups of texts, namely jazz novels on the one hand and novels that imitate Johann Sebastian Bach’s Goldberg Variations on the other. Her analytical focus in these intermedial case studies is on the form of music rather than on music’s content, and on how the different musical forms of jazz as a musical genre and the Goldberg Variations as …
Audible Empire
In a nutshell, Audible Empire sets out to answer the questions of what it is that renders music so powerful in the context of colonial and anticolonial processes, and how the audible and the imperi
Aesthetic Technologies of Modernity, Subjectivity, and Nature
Richard Leppert’s book is a tour de force that marries the cultural history of opera and film with the technological history of modern media and sound technology in order to tackle fundamental questions about art in the age of modernity and our relationship to it. The overarching themes that Leppert discusses include the dichotomies of nature/culture and subject/object, the role of art in negotiating these dichotomies, the phenomenological shifts…
Jagadis Chandra Bose and the Politics of Science
On 6 June 1901, Jagadis Chandra Bose read a paper at the Royal Society in London, entitled ‘On Electric Response of Inorganic Substances’. Bose showed that external stimuli, such as poison or electricity, have a similar effect on living tissue, such as plants or muscle, and inorganic matter, such as iron oxide or tin. Bose recorded response curves for muscle, plant, and metal and was thus able to show parallels between the living and the non-livi…
Jagadish Chandra Bose and the anticolonial politics of science fiction
In postcolonial studies there are two main strands of argument concerning the legacies and effects of cultural imperialism on science fiction as a literary genre. The first strand presents a critical reading of Western science fiction of the nineteenth and early twentieth century as a genre that is deeply embedded in the discourses and ideologies of colonialism and imperialism (Rieder, 2008; Kerslake, 2007). The second strand presents a critical …
Introduction
This essay serves as an introduction to a special section on the senses in late colonial India. Participating in the act of decolonising sensory studies, this collection explores the intersections between post-colonial studies and sensory studies by paying particular attention to the sensorium of the colonised. In the historical and geographical context of colonial South Asia, the senses are embedded in acts of distinction across race, caste, cla…
Senses and Sensibilities in Sarojini Naidu’s Poetry
The senses play a crucial role in the poetry of Sarojini Naidu (1879–1949), both on the level of theme and on the level of aesthetics. Throughout this essay, I show how Naidu creates multisensorial sensescapes that evoke the Indian aesthetic principle of rasa, which literally translates into English as ‘juice, essence, or taste’ and which, in the context of aesthetic theory, denotes the emotive essence of and response to a piece of art. The early…
Asian Sound Cultures
Macdonald, Patrick Geddes's Intellectual Origins
Art (7 works) · History (7 works) · Aesthetics (6 works) · History (5 works) · Literature (5 works) · Law (4 works) · Philosophy (4 works) · Political science (4 works) · Epistemology (3 works) · Law (3 works)