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Inge Van Rij

Biographic Data

ID4120123
NAMEInge Van Rij
GIVEN NAMESInge
FAMILY NAMEVan Rij
SIGNATUREVAN RIJ I
AFFILIATIONSVictoria University of Wellington
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Race, Gender, and the Colonial Orchestral Body at the New Zealand International Exhibition, 1906

    Inge Van Rij•ARTICLE•Journal of the American…•2023

    The orchestra that participated in the opening ceremony of the New Zealand International Exhibition held in Christchurch in 1906 played a central role in signaling what officials described as “nationhood achieved,” as the country marked its move from British colony to dominion. This contribution to nationhood was negotiated through acts of exclusion as well as empowerment, particularly in relation to gender and race. Exhibition officials sought t…

  • Walking Backwards into the Future

    Open Access•Inge Van Rij•ARTICLE•Music and Letters•2018•Cited by: 1

    In 1889–90 the city of Dunedin staged the New Zealand and South Seas Exhibition, commemorating the fiftieth anniversary of the colony instigated by the signing of the Treaty of Waitangi by indigenous Māori and representatives of the British Crown. However, while the framing of music at the exhibition often contradicted Māori perspectives, a closer look at the exhibition of music in New Zealand in 1889–90 reveals unexpected resonance between the t…

  • The Other Worlds of Hector Berlioz

    Open Access•Inge Van Rij•BOOK•Other Worlds of Hector Berlioz•2015

    Berlioz frequently explored other worlds in his writings, from the imagined exotic enchantments of New Zealand to the rings of Saturn where Beethoven's spirit was said to reside. The settings for his musical works are more conservative, and his adventurousness has instead been located in his mastery of the orchestra, as both orchestrator and conductor. Inge van Rij's book takes a new approach to Berlioz's treatment of the orchestra by exploring t…

  • Other Worlds of Hector Berlioz

    Inge Van Rij•BOOK•Other Worlds of Hector Berlioz•2015

  • Walking Backwards into the Future

    Open Access•Inge Van Rij•ARTICLE•Music and Letters•2018•Cited by: 1

    In 1889–90 the city of Dunedin staged the New Zealand and South Seas Exhibition, commemorating the fiftieth anniversary of the colony instigated by the signing of the Treaty of Waitangi by indigenous Māori and representatives of the British Crown. However, while the framing of music at the exhibition often contradicted Māori perspectives, a closer look at the exhibition of music in New Zealand in 1889–90 reveals unexpected resonance between the t…

  • The Other Worlds of Hector Berlioz

    Open Access•Inge Van Rij•BOOK•Other Worlds of Hector Berlioz•2015

    Berlioz frequently explored other worlds in his writings, from the imagined exotic enchantments of New Zealand to the rings of Saturn where Beethoven's spirit was said to reside. The settings for his musical works are more conservative, and his adventurousness has instead been located in his mastery of the orchestra, as both orchestrator and conductor. Inge van Rij's book takes a new approach to Berlioz's treatment of the orchestra by exploring t…

  • Other Worlds of Hector Berlioz

    Inge Van Rij•BOOK•Other Worlds of Hector Berlioz•2015

  • Walking Backwards into the Future

    Open Access•Inge Van Rij•ARTICLE•Music and Letters•2018•Cited by: 1

    In 1889–90 the city of Dunedin staged the New Zealand and South Seas Exhibition, commemorating the fiftieth anniversary of the colony instigated by the signing of the Treaty of Waitangi by indigenous Māori and representatives of the British Crown. However, while the framing of music at the exhibition often contradicted Māori perspectives, a closer look at the exhibition of music in New Zealand in 1889–90 reveals unexpected resonance between the t…

  • Race, Gender, and the Colonial Orchestral Body at the New Zealand International Exhibition, 1906

    Inge Van Rij•ARTICLE•Journal of the American…•2023

    The orchestra that participated in the opening ceremony of the New Zealand International Exhibition held in Christchurch in 1906 played a central role in signaling what officials described as “nationhood achieved,” as the country marked its move from British colony to dominion. This contribution to nationhood was negotiated through acts of exclusion as well as empowerment, particularly in relation to gender and race. Exhibition officials sought t…

Art (3 works) · History (3 works) · Sociology (3 works) · Visual arts (3 works) · Exhibition (2 works) · Indigenous (2 works) · Media studies (2 works) · Musical (2 works) · Appropriation (1 work) · Art history (1 work)

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