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Rutger Helmers

Biographic Data

ID4120504
NAMERutger Helmers
GIVEN NAMESRutger
FAMILY NAMEHelmers
SIGNATUREHELMERS R
AFFILIATIONSUniversity of Applied Sciences Utrecht
ORCID0000-0002-2046-3796
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS0
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2018
H-INDEX0
  • The travelling musician as cosmopolitan

    Rutger Helmers•CHAPTER•Confronting the National in the…•2018

    This chapter offers an approach complementary to that of Applegate, and attempts some further qualification to her characterization of nineteenth-century musicians as cosmopolitans. Whereas Applegate concentrates primarily on the transfers of styles and genres and on the question of how this exchange may have profited the nations involved. The chapter focuses on the musicians themselves and the social contexts and practical consequences of their …

  • Encyclopedia of Romantic Nationalism in Europe

    Joep Leerssen, Inge Adriansen et al.•BOOK•Encyclopedia of Romantic…•2018

    This encyclopedia documents the presence and impact of nationalized cultural consciousness in European nationalism. It tracks how intellectuals, historians, philologists, novelists, poets, painters, folklorists, and composers, in an intensely collaborative transnational network, articulated the national identities and aspirations that would go on to determine European history and politics, with effects that are still felt today. Edited by Joep Le…

  • It just reeks of Italianism

    Rutger Helmers•ARTICLE•Music and Letters•2010

    Although it is almost a truism nowadays to say that the style of Mikhail Glinka's operas is Italianate, little effort has yet been made to investigate this aspect of his work in any detail. A comparison of Glinka's A Life for the Tsar (1836) with contemporary Italian operas not only offers insights into his compositional methods, but also provides a more nuanced view of the construction of Russian national music by showing the complexity of Glink…

No prominent works on this page.

  • It just reeks of Italianism

    Rutger Helmers•ARTICLE•Music and Letters•2010

    Although it is almost a truism nowadays to say that the style of Mikhail Glinka's operas is Italianate, little effort has yet been made to investigate this aspect of his work in any detail. A comparison of Glinka's A Life for the Tsar (1836) with contemporary Italian operas not only offers insights into his compositional methods, but also provides a more nuanced view of the construction of Russian national music by showing the complexity of Glink…

  • The travelling musician as cosmopolitan

    Rutger Helmers•CHAPTER•Confronting the National in the…•2018

    This chapter offers an approach complementary to that of Applegate, and attempts some further qualification to her characterization of nineteenth-century musicians as cosmopolitans. Whereas Applegate concentrates primarily on the transfers of styles and genres and on the question of how this exchange may have profited the nations involved. The chapter focuses on the musicians themselves and the social contexts and practical consequences of their …

  • Encyclopedia of Romantic Nationalism in Europe

    Joep Leerssen, Inge Adriansen et al.•BOOK•Encyclopedia of Romantic…•2018

    This encyclopedia documents the presence and impact of nationalized cultural consciousness in European nationalism. It tracks how intellectuals, historians, philologists, novelists, poets, painters, folklorists, and composers, in an intensely collaborative transnational network, articulated the national identities and aspirations that would go on to determine European history and politics, with effects that are still felt today. Edited by Joep Le…

Art (3 works) · Diverse Musicological Studies (2 works) · History (2 works) · Literature (2 works) · Aesthetics (1 work) · Canto (1 work) · Computer Science (1 work) · Consciousness (1 work) · Encyclopedia (1 work) · Europe (1 work)

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