Burcu Gürsel
Biographic Data
| ID | 4121027 |
|---|---|
| NAME | Burcu Gürsel |
| GIVEN NAMES | Burcu |
| FAMILY NAME | Gürsel |
| SIGNATURE | GÜRSEL B |
| AFFILIATIONS | Kırklareli University |
| ORCID | 0000-0002-3052-5938 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Maternal slavery and Gothic melancholy in Abdülhak Hamid Tarhan’s Vâlidem (My Mother) and Mihrünnisa Hanım’s counterpoetics
Late Ottoman writers whose mothers were formerly enslaved were haunted by the mother’s arrested mourning for her lost mother/land in the Caucasus. “Intimate biofiction” by these writers – potential masters and sons of slaves – offers a unique narratorial point of view distinct from first-person slave narratives and third-person abolitionist literature. Abdülhak Hamid Tarhan’s long narrative elegy, Vâlidem (My Mother), written at the time of her d…
The Mythical Interface of Turkish Intellectuals' Orientation toward the Armenian Genocide
Still prefaced in many commentaries as a taboo, the topic of the genocide in Turkey has ironically become a talking point de rigueur for anyone who is visible in the public sphere and who lays claims to an identity as an intellectual. “Anyone,” then, will momentarily serve as the working definition of the intellectual, for all intents and purposes, in this inquiry into the grammar among Turkish and Armenian intellectuals both within and outside T…
The Mythical Interface of Turkish Intellectuals' Orientation toward the Armenian Genocide
Still prefaced in many commentaries as a taboo, the topic of the genocide in Turkey has ironically become a talking point de rigueur for anyone who is visible in the public sphere and who lays claims to an identity as an intellectual. “Anyone,” then, will momentarily serve as the working definition of the intellectual, for all intents and purposes, in this inquiry into the grammar among Turkish and Armenian intellectuals both within and outside T…
Maternal slavery and Gothic melancholy in Abdülhak Hamid Tarhan’s Vâlidem (My Mother) and Mihrünnisa Hanım’s counterpoetics
Late Ottoman writers whose mothers were formerly enslaved were haunted by the mother’s arrested mourning for her lost mother/land in the Caucasus. “Intimate biofiction” by these writers – potential masters and sons of slaves – offers a unique narratorial point of view distinct from first-person slave narratives and third-person abolitionist literature. Abdülhak Hamid Tarhan’s long narrative elegy, Vâlidem (My Mother), written at the time of her d…
The Mythical Interface of Turkish Intellectuals' Orientation toward the Armenian Genocide
Still prefaced in many commentaries as a taboo, the topic of the genocide in Turkey has ironically become a talking point de rigueur for anyone who is visible in the public sphere and who lays claims to an identity as an intellectual. “Anyone,” then, will momentarily serve as the working definition of the intellectual, for all intents and purposes, in this inquiry into the grammar among Turkish and Armenian intellectuals both within and outside T…
Maternal slavery and Gothic melancholy in Abdülhak Hamid Tarhan’s Vâlidem (My Mother) and Mihrünnisa Hanım’s counterpoetics
Late Ottoman writers whose mothers were formerly enslaved were haunted by the mother’s arrested mourning for her lost mother/land in the Caucasus. “Intimate biofiction” by these writers – potential masters and sons of slaves – offers a unique narratorial point of view distinct from first-person slave narratives and third-person abolitionist literature. Abdülhak Hamid Tarhan’s long narrative elegy, Vâlidem (My Mother), written at the time of her d…
Art (2 works) · History (2 works) · History (2 works) · Law (2 works) · Law (2 works) · Linguistics (2 works) · Literature (2 works) · Philosophy (2 works) · Philosophy (2 works) · Turkey's Politics and Society (2 works)