Meltem Gürle
Biographic Data
| ID | 4121143 |
|---|---|
| NAME | Meltem Gürle |
| GIVEN NAMES | Meltem |
| FAMILY NAME | Gürle |
| SIGNATURE | GÜRLE M |
| AFFILIATIONS | University of Duisburg-Essen |
| ORCID | 0000-0002-9448-2789 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
The return of children
In Infancy and History Agamben (1993) suggests, following Benjamin’s footsteps, that true experience is only possible in infancy, a time that has not yet been expropriated by the bareness of modern life. The kind of potentiality that he attributes to infancy signifies the emergence of a new self, which, rather than moving into the mechanical domain of “work,” prefers to remain in the creative territory of “play,” where it is possible to transform…
Cinema Grande” and the Rhetoric of Illusion in Uyurkulak'sHar
This article traces the patterns of irony and thecarnivalesquein Murat Uyurkulak's fantastic fictionHar, focusing especially on the depiction of a group of misfits,yamuklar(the crooked), as portrayed in the central chapter, “Cinema Grande.” Arguing that a reconfigured carnival spirit finds its way into Uyurkulak's novel, the article explores from a Bakhtinian perspective the ways in which the author offers a modern version of popular festive elem…
No prominent works on this page.
Cinema Grande” and the Rhetoric of Illusion in Uyurkulak'sHar
This article traces the patterns of irony and thecarnivalesquein Murat Uyurkulak's fantastic fictionHar, focusing especially on the depiction of a group of misfits,yamuklar(the crooked), as portrayed in the central chapter, “Cinema Grande.” Arguing that a reconfigured carnival spirit finds its way into Uyurkulak's novel, the article explores from a Bakhtinian perspective the ways in which the author offers a modern version of popular festive elem…
The return of children
In Infancy and History Agamben (1993) suggests, following Benjamin’s footsteps, that true experience is only possible in infancy, a time that has not yet been expropriated by the bareness of modern life. The kind of potentiality that he attributes to infancy signifies the emergence of a new self, which, rather than moving into the mechanical domain of “work,” prefers to remain in the creative territory of “play,” where it is possible to transform…
Aesthetics (2 works) · Art (2 works) · Linguistics (2 works) · Literature (2 works) · Philosophy (2 works) · Philosophy (2 works) · Philosophy, Ethics, and Existentialism (2 works) · Psychology (2 works) · Sociology (2 works) · Carnivalesque (1 work)