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Josephine Munch Rasmussen

Biographic Data

ID4121414
NAMEJosephine Munch Rasmussen
GIVEN NAMESJosephine Munch
FAMILY NAMERasmussen
SIGNATURERASMUSSEN J M
AFFILIATIONSUniversity of Oslo
ORCID0000-0002-8039-3718
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS18
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2023
H-INDEX2
  • The Art of Admitting to Shortcomings

    Josephine Munch Rasmussen, Vibeke M Viestad•ARTICLE•Critical Arts•2023•References: 4

  • More Dubious Dead Sea Scrolls

    Open Access•Årstein Justnes, Josephine Munch Rasmussen•ARTICLE•Dead Sea Discoveries•2021

    In the course of the last eighteen years more than 75 new “Dead Sea Scrolls” fragments have surfaced on the antiquities market. These are commonly referred to as post-2002 Dead Sea Scrolls-like fragments. A growing number of scholars regard a substantial part of them as forgeries. In this article, we will discuss four more dubious fragments, but this time from the 20th Century—or at least from pre-2002 . Two of the fragments have been known since…

  • "Tales of saviours and iconoclasts. On the provenance of "the Dead Sea Scrolls of Buddhism

    Open Access•Josephine Munch Rasmussen, Årstein Justnes•ARTICLE•Acta ad archaeologiam et artium…•2021•References: 3

    Academic research on newly discovered ancient Buddhist manuscripts is largely based on objects that come from the antiquities market and to a much lesser degree on objects coming from documented and controlled archaeological excavations. Despite their being unprovenanced, collectors and scholars often present such objects with narratives mimicking provenance. The use of the label "Dead Sea Scrolls" attached to archaeological material without conn…

  • Curation by the Living Dead

    Josephine Munch Rasmussen, Vibeke M Viestad•ARTICLE•Critical Arts•2021•Cited by: 2•References: 2

    While the history of Norwegian museum acquisitions and collection formation has long been a topic of research, the extent to which colonial structures are still embedded in various Norwegian collecting institutions is seldom addressed. In this paper, we discuss the legacy of colonial collections in Norway through two case studies; Inge Heiberg’s collection of Congo ethnographica in various exhibitions at the University of Oslo’s Museum of Cultura…

  • Hazon Gabriel

    Årstein Justnes, Josephine Munch Rasmussen•ARTICLE•Bulletin of the American Schools…•2020

    How do recently crafted objects of dubious provenance become ancient manuscripts of serious scientific interest? In this article, we will explore the curious case of Hazon Gabriel. We will demonstrate how this unprovenanced stone inscription was turned into an “authentic” artifact with an ideal provenance, and we will discuss the role of the owner and the scholarly community in this process

  • Exploring the “Cozy Cabal of Academics, Dealers and Collectors” through the Schøyen Collection

    Open Access•Christopher Prescott, Josephine Munch Rasmussen•ARTICLE•Heritage•2020•Cited by: 3•References: 7

    In the wake of the trade in ancient materials, several ethical and political issues arise that merit concern: the decimation of the cultural heritage of war-torn countries, proliferation of corruption, ideological connotations of orientalism, financial support of terrorism, and participation in networks involved in money laundering, weapon sales, human trafficking and drugs. Moreover, trafficking and trading also have a harmful effect on the fabr…

  • Private Metal Detecting and Archaeology in Norway

    Open Access•Jostein Gundersen, Josephine Munch Rasmussen et al.•ARTICLE•Open Archaeology•2016•Cited by: 2•References: 4

    Metal detecting has become a popular hobby in Norway. The use of metal detectors is legal, as long as one has the landowner‘s permission, and complies with the Norwegian Cultural Heritage Act. As in other countries, the relationship between private metal detecting and archaeology is complex. The perspectives and experiences of archaeologists and heritage management representatives in regard to what challenges and positive effects that arise from …

  • Reply to Comments from Suzie Thomas, Martin Mesicek, Raimund Karl, Mads Ravn, Maria Lingström

    Josephine Munch Rasmussen•ARTICLE•Norwegian Archaeological Review•2014•Cited by: 1•References: 8

    Notes1 NMF (Norges Metallsøkerforening), Mjøsen Metallsøkerforening and Rygene Detektorklubb. A fourth club, Nordnorsk Metallsøkerklubb, was started as recently as spring 2013

  • Securing Cultural Heritage Objects and Fencing Stolen Goods? A Case Study on Museums and Metal Detecting in Norway

    Josephine Munch Rasmussen•ARTICLE•Norwegian Archaeological Review•2014•Cited by: 10•References: 19

    Private metal detecting is frequently suggested as a favourable recipe for saving objects that would otherwise perish in agricultural fields in Norway. Metal detector communities portray themselves as heritage rescuers. For this they receive considerable praise from sympathetic archaeologists and museum staff. By contrast, finders who keep objects for themselves are portrayed as so-called nighthawks. However, accounts from informants who collect,…

  • Securing Cultural Heritage Objects and Fencing Stolen Goods? A Case Study on Museums and Metal Detecting in Norway

    Josephine Munch Rasmussen•ARTICLE•Norwegian Archaeological Review•2014•Cited by: 10•References: 19

    Private metal detecting is frequently suggested as a favourable recipe for saving objects that would otherwise perish in agricultural fields in Norway. Metal detector communities portray themselves as heritage rescuers. For this they receive considerable praise from sympathetic archaeologists and museum staff. By contrast, finders who keep objects for themselves are portrayed as so-called nighthawks. However, accounts from informants who collect,…

  • Exploring the “Cozy Cabal of Academics, Dealers and Collectors” through the Schøyen Collection

    Open Access•Christopher Prescott, Josephine Munch Rasmussen•ARTICLE•Heritage•2020•Cited by: 3•References: 7

    In the wake of the trade in ancient materials, several ethical and political issues arise that merit concern: the decimation of the cultural heritage of war-torn countries, proliferation of corruption, ideological connotations of orientalism, financial support of terrorism, and participation in networks involved in money laundering, weapon sales, human trafficking and drugs. Moreover, trafficking and trading also have a harmful effect on the fabr…

  • Curation by the Living Dead

    Josephine Munch Rasmussen, Vibeke M Viestad•ARTICLE•Critical Arts•2021•Cited by: 2•References: 2

    While the history of Norwegian museum acquisitions and collection formation has long been a topic of research, the extent to which colonial structures are still embedded in various Norwegian collecting institutions is seldom addressed. In this paper, we discuss the legacy of colonial collections in Norway through two case studies; Inge Heiberg’s collection of Congo ethnographica in various exhibitions at the University of Oslo’s Museum of Cultura…

  • Private Metal Detecting and Archaeology in Norway

    Open Access•Jostein Gundersen, Josephine Munch Rasmussen et al.•ARTICLE•Open Archaeology•2016•Cited by: 2•References: 4

    Metal detecting has become a popular hobby in Norway. The use of metal detectors is legal, as long as one has the landowner‘s permission, and complies with the Norwegian Cultural Heritage Act. As in other countries, the relationship between private metal detecting and archaeology is complex. The perspectives and experiences of archaeologists and heritage management representatives in regard to what challenges and positive effects that arise from …

  • Reply to Comments from Suzie Thomas, Martin Mesicek, Raimund Karl, Mads Ravn, Maria Lingström

    Josephine Munch Rasmussen•ARTICLE•Norwegian Archaeological Review•2014•Cited by: 1•References: 8

    Notes1 NMF (Norges Metallsøkerforening), Mjøsen Metallsøkerforening and Rygene Detektorklubb. A fourth club, Nordnorsk Metallsøkerklubb, was started as recently as spring 2013

  • Reply to Comments from Suzie Thomas, Martin Mesicek, Raimund Karl, Mads Ravn, Maria Lingström

    Josephine Munch Rasmussen•ARTICLE•Norwegian Archaeological Review•2014•Cited by: 1•References: 8

    Notes1 NMF (Norges Metallsøkerforening), Mjøsen Metallsøkerforening and Rygene Detektorklubb. A fourth club, Nordnorsk Metallsøkerklubb, was started as recently as spring 2013

  • Securing Cultural Heritage Objects and Fencing Stolen Goods? A Case Study on Museums and Metal Detecting in Norway

    Josephine Munch Rasmussen•ARTICLE•Norwegian Archaeological Review•2014•Cited by: 10•References: 19

    Private metal detecting is frequently suggested as a favourable recipe for saving objects that would otherwise perish in agricultural fields in Norway. Metal detector communities portray themselves as heritage rescuers. For this they receive considerable praise from sympathetic archaeologists and museum staff. By contrast, finders who keep objects for themselves are portrayed as so-called nighthawks. However, accounts from informants who collect,…

  • Private Metal Detecting and Archaeology in Norway

    Open Access•Jostein Gundersen, Josephine Munch Rasmussen et al.•ARTICLE•Open Archaeology•2016•Cited by: 2•References: 4

    Metal detecting has become a popular hobby in Norway. The use of metal detectors is legal, as long as one has the landowner‘s permission, and complies with the Norwegian Cultural Heritage Act. As in other countries, the relationship between private metal detecting and archaeology is complex. The perspectives and experiences of archaeologists and heritage management representatives in regard to what challenges and positive effects that arise from …

  • Hazon Gabriel

    Årstein Justnes, Josephine Munch Rasmussen•ARTICLE•Bulletin of the American Schools…•2020

    How do recently crafted objects of dubious provenance become ancient manuscripts of serious scientific interest? In this article, we will explore the curious case of Hazon Gabriel. We will demonstrate how this unprovenanced stone inscription was turned into an “authentic” artifact with an ideal provenance, and we will discuss the role of the owner and the scholarly community in this process

  • Exploring the “Cozy Cabal of Academics, Dealers and Collectors” through the Schøyen Collection

    Open Access•Christopher Prescott, Josephine Munch Rasmussen•ARTICLE•Heritage•2020•Cited by: 3•References: 7

    In the wake of the trade in ancient materials, several ethical and political issues arise that merit concern: the decimation of the cultural heritage of war-torn countries, proliferation of corruption, ideological connotations of orientalism, financial support of terrorism, and participation in networks involved in money laundering, weapon sales, human trafficking and drugs. Moreover, trafficking and trading also have a harmful effect on the fabr…

  • More Dubious Dead Sea Scrolls

    Open Access•Årstein Justnes, Josephine Munch Rasmussen•ARTICLE•Dead Sea Discoveries•2021

    In the course of the last eighteen years more than 75 new “Dead Sea Scrolls” fragments have surfaced on the antiquities market. These are commonly referred to as post-2002 Dead Sea Scrolls-like fragments. A growing number of scholars regard a substantial part of them as forgeries. In this article, we will discuss four more dubious fragments, but this time from the 20th Century—or at least from pre-2002 . Two of the fragments have been known since…

  • "Tales of saviours and iconoclasts. On the provenance of "the Dead Sea Scrolls of Buddhism

    Open Access•Josephine Munch Rasmussen, Årstein Justnes•ARTICLE•Acta ad archaeologiam et artium…•2021•References: 3

    Academic research on newly discovered ancient Buddhist manuscripts is largely based on objects that come from the antiquities market and to a much lesser degree on objects coming from documented and controlled archaeological excavations. Despite their being unprovenanced, collectors and scholars often present such objects with narratives mimicking provenance. The use of the label "Dead Sea Scrolls" attached to archaeological material without conn…

  • Curation by the Living Dead

    Josephine Munch Rasmussen, Vibeke M Viestad•ARTICLE•Critical Arts•2021•Cited by: 2•References: 2

    While the history of Norwegian museum acquisitions and collection formation has long been a topic of research, the extent to which colonial structures are still embedded in various Norwegian collecting institutions is seldom addressed. In this paper, we discuss the legacy of colonial collections in Norway through two case studies; Inge Heiberg’s collection of Congo ethnographica in various exhibitions at the University of Oslo’s Museum of Cultura…

  • The Art of Admitting to Shortcomings

    Josephine Munch Rasmussen, Vibeke M Viestad•ARTICLE•Critical Arts•2023•References: 4

History (6 works) · Archaeological Research and Protection (5 works) · Sociology (5 works) · Archaeology (4 works) · Archaeology and ancient environmental studies (4 works) · Art (4 works) · History (4 works) · Law (4 works) · Political science (4 works) · Art history (3 works)

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