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Magnus Ljunge

Biographic Data

ID4121492
NAMEMagnus Ljunge
GIVEN NAMESMagnus
FAMILY NAMELjunge
SIGNATURELJUNGE M
AFFILIATIONSStockholm University
ORCID0000-0002-8363-8311
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS2
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Hunter-gatherer farming during the first millennium bce in inland, boreal landscapes: New pollen analytical and archaeological evidence from Dalarna, central Sweden

    Open Access•Joakim Wehlin, Magnus Ljunge et al.•ARTICLE•Vegetation History and…•2023•Cited by: 1•References: 10

    The archaeological evidence of a sedentary hunter-gatherer society during the early metal ages, i.e. the first and second millennia bce , in the central Scandinavian boreal inlands has previously been overlooked. In order to gain a deeper understanding of these past societies we have combined archaeological data with landscape-scale changes based on pollen records. The combined record clearly indicates landscape use characterized by domestication…

  • Jumping Towards the Future: Understanding the Remains of Ski Jumping Towers in Southern and Central Sweden

    Magnus Ljunge•ARTICLE•Journal of Contemporary Archaeology•2021•Cited by: 1•References: 5

    Between the late nineteenth and the mid-twentieth century numerous ski-jumping towers were built all across Sweden. This accumulation of large, monumental sporting facilities occurred even though ski jumping never attracted large numbers of practitioners. The building of such towers in the southern and central parts of Sweden, where snowy winters are far from guaranteed, is of particular interest. Today, most of the ski-jumping towers in the sout…

  • Picturing the Meaning of Scandinavian Rock Art – Graphic Representations, Archaeological Interpretations and Material Alterations

    Open Access•Magnus Ljunge•ARTICLE•Current Swedish Archaeology•2021•References: 9

    The paper presents a reflective overview of the recursive relation between the archaeological practice of picturing Scandinavian rock art in printed works since the mid-19th century, and how archaeologists have constructed its meaning. There seem to be an intimate connection between graphic representations of rock art and an interpretative bias towards the mimetic qualities of images. When picturing rock art, the identification of motifs is prior…

  • Beyond ‘the Phenomenological Walk: Perspectives on the Experience of Images

    Magnus Ljunge•ARTICLE•Norwegian Archaeological Review•2013•References: 32

    Scandinavian rock art has been of major interest for archaeological studies of a phenomenological character. By reflecting on the experience of rock art it has been argued that images choreograph movement and that this embodied interaction reflects both social order and world views. This perspective has been applied in studies of both open-air rock art and images in the confined spaces of caves. When critically evaluating these efforts, it seems …

  • Hunter-gatherer farming during the first millennium bce in inland, boreal landscapes: New pollen analytical and archaeological evidence from Dalarna, central Sweden

    Open Access•Joakim Wehlin, Magnus Ljunge et al.•ARTICLE•Vegetation History and…•2023•Cited by: 1•References: 10

    The archaeological evidence of a sedentary hunter-gatherer society during the early metal ages, i.e. the first and second millennia bce , in the central Scandinavian boreal inlands has previously been overlooked. In order to gain a deeper understanding of these past societies we have combined archaeological data with landscape-scale changes based on pollen records. The combined record clearly indicates landscape use characterized by domestication…

  • Jumping Towards the Future: Understanding the Remains of Ski Jumping Towers in Southern and Central Sweden

    Magnus Ljunge•ARTICLE•Journal of Contemporary Archaeology•2021•Cited by: 1•References: 5

    Between the late nineteenth and the mid-twentieth century numerous ski-jumping towers were built all across Sweden. This accumulation of large, monumental sporting facilities occurred even though ski jumping never attracted large numbers of practitioners. The building of such towers in the southern and central parts of Sweden, where snowy winters are far from guaranteed, is of particular interest. Today, most of the ski-jumping towers in the sout…

  • Beyond ‘the Phenomenological Walk: Perspectives on the Experience of Images

    Magnus Ljunge•ARTICLE•Norwegian Archaeological Review•2013•References: 32

    Scandinavian rock art has been of major interest for archaeological studies of a phenomenological character. By reflecting on the experience of rock art it has been argued that images choreograph movement and that this embodied interaction reflects both social order and world views. This perspective has been applied in studies of both open-air rock art and images in the confined spaces of caves. When critically evaluating these efforts, it seems …

  • Jumping Towards the Future: Understanding the Remains of Ski Jumping Towers in Southern and Central Sweden

    Magnus Ljunge•ARTICLE•Journal of Contemporary Archaeology•2021•Cited by: 1•References: 5

    Between the late nineteenth and the mid-twentieth century numerous ski-jumping towers were built all across Sweden. This accumulation of large, monumental sporting facilities occurred even though ski jumping never attracted large numbers of practitioners. The building of such towers in the southern and central parts of Sweden, where snowy winters are far from guaranteed, is of particular interest. Today, most of the ski-jumping towers in the sout…

  • Picturing the Meaning of Scandinavian Rock Art – Graphic Representations, Archaeological Interpretations and Material Alterations

    Open Access•Magnus Ljunge•ARTICLE•Current Swedish Archaeology•2021•References: 9

    The paper presents a reflective overview of the recursive relation between the archaeological practice of picturing Scandinavian rock art in printed works since the mid-19th century, and how archaeologists have constructed its meaning. There seem to be an intimate connection between graphic representations of rock art and an interpretative bias towards the mimetic qualities of images. When picturing rock art, the identification of motifs is prior…

  • Hunter-gatherer farming during the first millennium bce in inland, boreal landscapes: New pollen analytical and archaeological evidence from Dalarna, central Sweden

    Open Access•Joakim Wehlin, Magnus Ljunge et al.•ARTICLE•Vegetation History and…•2023•Cited by: 1•References: 10

    The archaeological evidence of a sedentary hunter-gatherer society during the early metal ages, i.e. the first and second millennia bce , in the central Scandinavian boreal inlands has previously been overlooked. In order to gain a deeper understanding of these past societies we have combined archaeological data with landscape-scale changes based on pollen records. The combined record clearly indicates landscape use characterized by domestication…

Archaeology (3 works) · History (3 works) · Aesthetics (2 works) · Archaeology and ancient environmental studies (2 works) · Archaeology and Rock Art Studies (2 works) · Art (2 works) · Epistemology (2 works) · History (2 works) · Philosophy (2 works) · Pleistocene-Era Hominins and Archaeology (2 works)

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