Yohan Trichet
Biographic Data
| ID | 4126128 |
|---|---|
| NAME | Yohan Trichet |
| GIVEN NAMES | Yohan |
| FAMILY NAME | Trichet |
| SIGNATURE | TRICHET Y |
| AFFILIATIONS | Université Rennes 2 |
| ORCID | 0009-0002-9966-6533 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Lacan and Deleuze
And science created… the virtual Woman
In the film by Spike Jonze, Her (2013), Theodore, the main character, who becomes single after a painful separation, “meets” a woman's voice. It is a voice whose timbre and words sound just like a young woman’s. In reality, it is the voice of software programmed to answer the user's requests. But this voice arouses Theodore's desire and love. In this article, we will study within a psychoanalytical perspective what this film teaches us about the …
Esquirol’s change of view towards Pinel’s mania without delusion
We recount how Jean-Étienne Dominique Esquirol (1772–1840) gradually changed his position towards what Philipe Pinel (1745–1826) referred to as mania without delusion. Between 1805 and 1838, Esquirol moved from outright rejection, questioning the very idea of insane persons committing motiveless acts of violence without delusion, to relative acceptance. He eventually incorporated the clinical characteristics of mania without delusion in his descr…
No prominent works on this page.
Esquirol’s change of view towards Pinel’s mania without delusion
We recount how Jean-Étienne Dominique Esquirol (1772–1840) gradually changed his position towards what Philipe Pinel (1745–1826) referred to as mania without delusion. Between 1805 and 1838, Esquirol moved from outright rejection, questioning the very idea of insane persons committing motiveless acts of violence without delusion, to relative acceptance. He eventually incorporated the clinical characteristics of mania without delusion in his descr…
And science created… the virtual Woman
In the film by Spike Jonze, Her (2013), Theodore, the main character, who becomes single after a painful separation, “meets” a woman's voice. It is a voice whose timbre and words sound just like a young woman’s. In reality, it is the voice of software programmed to answer the user's requests. But this voice arouses Theodore's desire and love. In this article, we will study within a psychoanalytical perspective what this film teaches us about the …
Lacan and Deleuze
Psychology (3 works) · Psychoanalysis (2 works) · Psychoanalysis, Philosophy, and Politics (2 works) · Aesthetics (1 work) · Art (1 work) · Art, Politics, and Modernism (1 work) · Artificial Intelligence (1 work) · Bipolar disorder (1 work) · Cognition (1 work) · Computer Science (1 work)