Alexandra Kokoli
Biographic Data
| ID | 4126303 |
|---|---|
| NAME | Alexandra Kokoli |
| GIVEN NAMES | Alexandra |
| FAMILY NAME | Kokoli |
| SIGNATURE | KOKOLI A |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Walking (to) Greenham, Again
This article makes the case for the inclusion of live and performance art in commemorative practice, including specifically the artistic-activist practice of walking, in reference to the complex feminist legacies of the women's peace camp at Greenham Common (1981–2000). Such practices offer alternatives to the impasses of public sculpture, resonate with Greenham's feminist aesthetics and politics and prove adept to the celebration and (re-)activa…
Trauma and repair in the museum
Despite its considerable investment in questions of memory, attachments between subjects and objects, and trauma and its treatment, psychoanalysis has been largely sidelined in the unfolding reassessment of museums. This introduction to the special issue on ‘Trauma and Repair in the Museum’, which aims to reintroduce psychoanalytic perspectives in these debates, outlines the issues around reparation that surround the modern museum due to the trau…
Free Lunch with the Stench Wench
Catherine Hoffmann's Free Lunch with the Stench Wench is a performance of abjection and self‐abjection through poverty with an apotropaic aspiration: to shed the shame through sharing, and to create opportunities for a common social subjectivity that refuses to be silent about the struggle of its own creation and maintenance. Despite its title, Free Lunch does not come with a free lunch for the audience but creates an olfactory situation, through…
Trauma and repair in the museum
Despite its considerable investment in questions of memory, attachments between subjects and objects, and trauma and its treatment, psychoanalysis has been largely sidelined in the unfolding reassessment of museums. This introduction to the special issue on ‘Trauma and Repair in the Museum’, which aims to reintroduce psychoanalytic perspectives in these debates, outlines the issues around reparation that surround the modern museum due to the trau…
Free Lunch with the Stench Wench
Catherine Hoffmann's Free Lunch with the Stench Wench is a performance of abjection and self‐abjection through poverty with an apotropaic aspiration: to shed the shame through sharing, and to create opportunities for a common social subjectivity that refuses to be silent about the struggle of its own creation and maintenance. Despite its title, Free Lunch does not come with a free lunch for the audience but creates an olfactory situation, through…
Trauma and repair in the museum
Despite its considerable investment in questions of memory, attachments between subjects and objects, and trauma and its treatment, psychoanalysis has been largely sidelined in the unfolding reassessment of museums. This introduction to the special issue on ‘Trauma and Repair in the Museum’, which aims to reintroduce psychoanalytic perspectives in these debates, outlines the issues around reparation that surround the modern museum due to the trau…
Walking (to) Greenham, Again
This article makes the case for the inclusion of live and performance art in commemorative practice, including specifically the artistic-activist practice of walking, in reference to the complex feminist legacies of the women's peace camp at Greenham Common (1981–2000). Such practices offer alternatives to the impasses of public sculpture, resonate with Greenham's feminist aesthetics and politics and prove adept to the celebration and (re-)activa…
Aesthetics (3 works) · Art (3 works) · Law (2 works) · Political science (2 works) · Psychoanalysis (2 works) · Psychology (2 works) · Sociology (2 works) · Visual arts (2 works) · Cultural Heritage Management and Preservation (1 work) · Emotional Labor in Professions (1 work)