Hugh Curnutt
Biographic Data
| ID | 4126325 |
|---|---|
| NAME | Hugh Curnutt |
| GIVEN NAMES | Hugh |
| FAMILY NAME | Curnutt |
| SIGNATURE | CURNUTT H |
| AFFILIATIONS | Montclair State University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 10 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 2 |
You can’t handle my truth
Durable participants
The expansion of reality programming across television’s changing landscape has been the result of industrial strategies that seek out specific types of real people in order to cast them on particular types of shows. In the US, this practice has resulted in the reconfiguration of ordinary people into durable forms of talent. This paper adopts a generational model in order to contextualize the evolving status of reality TV’s participants since the…
A Fan Crashing the Party”
Reality TV's (re)emergence at the turn of the century necessitates a reconsideration of what it means to work in television as on-camera talent. Through a study of reality actor Susie Meister, the author examines a new kind of television-based celebrity created in the wake of the longest-running U.S. reality series, The Real World (1992—). This form of celebrity, which I call “reality-celebrity,” diverges from other modes of televisual fame by en…
Durable participants
The expansion of reality programming across television’s changing landscape has been the result of industrial strategies that seek out specific types of real people in order to cast them on particular types of shows. In the US, this practice has resulted in the reconfiguration of ordinary people into durable forms of talent. This paper adopts a generational model in order to contextualize the evolving status of reality TV’s participants since the…
A Fan Crashing the Party”
Reality TV's (re)emergence at the turn of the century necessitates a reconsideration of what it means to work in television as on-camera talent. Through a study of reality actor Susie Meister, the author examines a new kind of television-based celebrity created in the wake of the longest-running U.S. reality series, The Real World (1992—). This form of celebrity, which I call “reality-celebrity,” diverges from other modes of televisual fame by en…
A Fan Crashing the Party”
Reality TV's (re)emergence at the turn of the century necessitates a reconsideration of what it means to work in television as on-camera talent. Through a study of reality actor Susie Meister, the author examines a new kind of television-based celebrity created in the wake of the longest-running U.S. reality series, The Real World (1992—). This form of celebrity, which I call “reality-celebrity,” diverges from other modes of televisual fame by en…
Durable participants
The expansion of reality programming across television’s changing landscape has been the result of industrial strategies that seek out specific types of real people in order to cast them on particular types of shows. In the US, this practice has resulted in the reconfiguration of ordinary people into durable forms of talent. This paper adopts a generational model in order to contextualize the evolving status of reality TV’s participants since the…
You can’t handle my truth
Aesthetics (3 works) · Art (3 works) · Gender, Feminism, and Media (3 works) · Media studies (3 works) · Reality television (3 works) · Reality tv (3 works) · Sociology (3 works) · Advertising (2 works) · Cinema and Media Studies (2 works) · Digital Games and Media (2 works)