Christine Capetola
Biographic Data
| ID | 413338 |
|---|---|
| NAME | Christine Capetola |
| GIVEN NAMES | Christine |
| FAMILY NAME | Capetola |
| SIGNATURE | CAPETOLA C |
| AFFILIATIONS | California State University, Fullerton, CA, USA |
| ORCID | 0000-0001-5697-3897 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Adrian Piper, Kelela, and the necessity of rhythm work
This article traces the uses of rhythm and sound across select works from two practitioners: performance artist Adrian Piper and contemporary R&B artist Kelela. Enacting an analysis through the sonicality of both artists, the article uses rhythm to connect the visual plane to that of sound, affect, and vibration—and the vibrations that ultimately coalesce into rhythms. In the article, I theorize a notion of rhythm work, or the use of musical and …
Gimme a Beat
In 1986, Janet Jackson forever changed the direction of pop music and its music videos with the release of her third and breakthrough album, Control. Working with producers Jimmy Jam and Terry Lewis, choreographer Paula Abdul, and director Mary Lambert, Jackson created songs and videos that conveyed a new kind of feminist affect that intertwined individual stories of endurance, the forcefulness of relatively new digital music technology, and Blac…
Starting Something
This article examines the rhythmic innovations of Michael Jackson's "Billie Jean," focusing on the use of synthesizers and drum machines to create a distinctive groove. It argues that the song's rhythmic structure, characterized by a syncopated bass line and layered drum patterns, represents a significant departure from conventional pop music of the time. The analysis highlights the interplay between the Roland TR-808 drum machine, the Minimoog s…
Gimme a Beat
In 1986, Janet Jackson forever changed the direction of pop music and its music videos with the release of her third and breakthrough album, Control. Working with producers Jimmy Jam and Terry Lewis, choreographer Paula Abdul, and director Mary Lambert, Jackson created songs and videos that conveyed a new kind of feminist affect that intertwined individual stories of endurance, the forcefulness of relatively new digital music technology, and Blac…
Starting Something
This article examines the rhythmic innovations of Michael Jackson's "Billie Jean," focusing on the use of synthesizers and drum machines to create a distinctive groove. It argues that the song's rhythmic structure, characterized by a syncopated bass line and layered drum patterns, represents a significant departure from conventional pop music of the time. The analysis highlights the interplay between the Roland TR-808 drum machine, the Minimoog s…
Gimme a Beat
In 1986, Janet Jackson forever changed the direction of pop music and its music videos with the release of her third and breakthrough album, Control. Working with producers Jimmy Jam and Terry Lewis, choreographer Paula Abdul, and director Mary Lambert, Jackson created songs and videos that conveyed a new kind of feminist affect that intertwined individual stories of endurance, the forcefulness of relatively new digital music technology, and Blac…
Adrian Piper, Kelela, and the necessity of rhythm work
This article traces the uses of rhythm and sound across select works from two practitioners: performance artist Adrian Piper and contemporary R&B artist Kelela. Enacting an analysis through the sonicality of both artists, the article uses rhythm to connect the visual plane to that of sound, affect, and vibration—and the vibrations that ultimately coalesce into rhythms. In the article, I theorize a notion of rhythm work, or the use of musical and …
Music History and Culture (3 works) · Aesthetics (2 works) · Rhythm (2 works) · Affect (1 works) · Art (1 works) · Art history (1 works) · Beat (acoustics (1 works) · Cybernetics and Technology in Society (1 works) · Diversity and Impact of Dance (1 works) · Engineering (1 works)