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Gregory Carleton

Biographic Data

ID4135441
NAMEGregory Carleton
GIVEN NAMESGregory
FAMILY NAMECarleton
SIGNATURECARLETON G
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS5
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2011
H-INDEX1
  • History Done Right

    Open Access•Gregory Carleton•ARTICLE•Slavic Review•2011•Cited by: 5•References: 11

    So far in the twenty-first century, triumphalism has dominated Russian culture. As manifest in popularized history and film, this wave has often been described by recourse to interpretive paradigms derived from a neo-Soviet or neo-socialist realist orientation, particularly when the subject is war. While understandable, this interpretive practice cannot account for salient productions that upstage Soviet conventions by reconfiguring the Russian h…

  • Sexual Revolution in Bolshevik Russia

    Evgenii Bershtein, Gregory Carleton•ARTICLE•The Slavic and East European…•2005

  • Sexual Revolution in Bolshevik Russia

    Gregory Carleton•BOOK•Sexual Revolution in Bolshevik…•2004

  • History Done Right

    Open Access•Gregory Carleton•ARTICLE•Slavic Review•2011•Cited by: 5•References: 11

    So far in the twenty-first century, triumphalism has dominated Russian culture. As manifest in popularized history and film, this wave has often been described by recourse to interpretive paradigms derived from a neo-Soviet or neo-socialist realist orientation, particularly when the subject is war. While understandable, this interpretive practice cannot account for salient productions that upstage Soviet conventions by reconfiguring the Russian h…

  • Sexual Revolution in Bolshevik Russia

    Gregory Carleton•BOOK•Sexual Revolution in Bolshevik…•2004

  • Sexual Revolution in Bolshevik Russia

    Evgenii Bershtein, Gregory Carleton•ARTICLE•The Slavic and East European…•2005

  • History Done Right

    Open Access•Gregory Carleton•ARTICLE•Slavic Review•2011•Cited by: 5•References: 11

    So far in the twenty-first century, triumphalism has dominated Russian culture. As manifest in popularized history and film, this wave has often been described by recourse to interpretive paradigms derived from a neo-Soviet or neo-socialist realist orientation, particularly when the subject is war. While understandable, this interpretive practice cannot account for salient productions that upstage Soviet conventions by reconfiguring the Russian h…

Law (3 works) · Political science (3 works) · Communism, Protests, Social Movements (2 works) · European history and politics (2 works) · Historical Gender and Feminism Studies (2 works) · History (2 works) · Human sexuality (2 works) · Sexual revolution (2 works) · 1917-1936 (1 works) · Aesthetics (1 works)

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