Anna Fishzon
Biographic Data
| ID | 4135524 |
|---|---|
| NAME | Anna Fishzon |
| GIVEN NAMES | Anna |
| FAMILY NAME | Fishzon |
| SIGNATURE | FISHZON A |
| AFFILIATIONS | Duke University |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
The Queerness of Childhood
This contributed volume represents a meeting of queer theorists and psychoanalysts around the figure of the child.
Queue Time as Queer Time
Colleen McQuillen, The Modernist Masquerade, Stylizing Life, Literature, and Costumes in Russia
Stylizing Life, Literature, and Costume joins a growing body of work on the Russian fin-de-sicle and the Silver Age that is positioned in the interstices of history and literature, contributing to and troubling both disciplines. Cultural histories like Louise McReynolds' Russia at Play : Leisure Activities at the End of the Tsarist Era (2003), Roshanna P. Sylvester's Tales of Old Odessa : Crimes and Civility in a City of Thieves (2005), and Mark …
The Fog of Stagnation
This article argues that a queer temporality emerged during the era of Soviet Stagnation: the Stalinist past was unspeakable and the future postponed or foreclosed. In response to the limited horizon of “developed socialism” – the loss of narrative coherence and futurity, the never‐to‐arrive communist promise – an expanded present rich in possibility and feeling was brought into being in animated films, providing a time and space where one could …
Fandom, Authenticity, and Opera
In Russia at the turn of the twentieth century, printed literature and performances - from celebrity narratives and opera fandom to revolutionary acts and political speeches - frequently articulated e
Confessions of a Psikhopatka
This article looks at satirical depictions of opera fans and devotees' letters to the Bolshoi Theater celebrity bass Fedor Shaliapin to gain a sense of the ways urbanites fantasized and moralized on the eve of revolution. It argues that the imperatives and narrative structure of melodrama–both as a genre and meaning‐making system–shaped fans' yearnings and self‐expression. The letters document the emergence of new sensibilities regarding self, de…
The Operatics of Everyday Life, or, How Authenticity Was Defined in Late Imperial Russia
In this article, Anna Fishzon explores how the phenomena of celebrity culture and early sound recording contributed to notions of audientic selfhood in late imperial Russia. Public discussions about celebrities like the Bol'shoi Theater bass Fedor Shaliapin helped forge understandings of sincerity and spoke to contemporary concerns regarding the relationship between fame and artifice, the public persona and the inner self. Fishzon suggests that t…
The Operatics of Everyday Life, or, How Authenticity Was Defined in Late Imperial Russia
In this article, Anna Fishzon explores how the phenomena of celebrity culture and early sound recording contributed to notions of audientic selfhood in late imperial Russia. Public discussions about celebrities like the Bol'shoi Theater bass Fedor Shaliapin helped forge understandings of sincerity and spoke to contemporary concerns regarding the relationship between fame and artifice, the public persona and the inner self. Fishzon suggests that t…
The Operatics of Everyday Life, or, How Authenticity Was Defined in Late Imperial Russia
In this article, Anna Fishzon explores how the phenomena of celebrity culture and early sound recording contributed to notions of audientic selfhood in late imperial Russia. Public discussions about celebrities like the Bol'shoi Theater bass Fedor Shaliapin helped forge understandings of sincerity and spoke to contemporary concerns regarding the relationship between fame and artifice, the public persona and the inner self. Fishzon suggests that t…
Confessions of a Psikhopatka
This article looks at satirical depictions of opera fans and devotees' letters to the Bolshoi Theater celebrity bass Fedor Shaliapin to gain a sense of the ways urbanites fantasized and moralized on the eve of revolution. It argues that the imperatives and narrative structure of melodrama–both as a genre and meaning‐making system–shaped fans' yearnings and self‐expression. The letters document the emergence of new sensibilities regarding self, de…
Fandom, Authenticity, and Opera
In Russia at the turn of the twentieth century, printed literature and performances - from celebrity narratives and opera fandom to revolutionary acts and political speeches - frequently articulated e
Colleen McQuillen, The Modernist Masquerade, Stylizing Life, Literature, and Costumes in Russia
Stylizing Life, Literature, and Costume joins a growing body of work on the Russian fin-de-sicle and the Silver Age that is positioned in the interstices of history and literature, contributing to and troubling both disciplines. Cultural histories like Louise McReynolds' Russia at Play : Leisure Activities at the End of the Tsarist Era (2003), Roshanna P. Sylvester's Tales of Old Odessa : Crimes and Civility in a City of Thieves (2005), and Mark …
The Fog of Stagnation
This article argues that a queer temporality emerged during the era of Soviet Stagnation: the Stalinist past was unspeakable and the future postponed or foreclosed. In response to the limited horizon of “developed socialism” – the loss of narrative coherence and futurity, the never‐to‐arrive communist promise – an expanded present rich in possibility and feeling was brought into being in animated films, providing a time and space where one could …
Queue Time as Queer Time
The Queerness of Childhood
This contributed volume represents a meeting of queer theorists and psychoanalysts around the figure of the child.
Art (6 works) · Aesthetics (5 works) · Literature (4 works) · Sociology (4 works) · Law (3 works) · Narrative (3 works) · Philosophy (3 works) · Philosophy (3 works) · Political science (3 works) · Psychology (3 works)