Maria Taroutina
Biographic Data
| ID | 4136055 |
|---|---|
| NAME | Maria Taroutina |
| GIVEN NAMES | Maria |
| FAMILY NAME | Taroutina |
| SIGNATURE | TAROUTINA M |
| AFFILIATIONS | Yale-NUS College |
| ORCID | 0000-0002-9582-1084 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Russian Orientalism in a global context: Hybridity, encounter, and representation, 1740–1940
This volume features new research by an international group of scholars on Russia’s historic relationship with Asia and the ways in which it was mediated and represented in the fine, decorative, and performing arts and architecture from the mid-eighteenth century to the first two decades of Soviet rule.
De anjos a demônios: Mikhail Vrubel e a busca por um idioma modernista
Negotiating between East and West: The Case of Russian Orientalism
This article examines Russian Orientalist visual and material culture and its entanglement with, first, imperialist ambitions and racial ideologies and, second, institutional critique and anticolonial resistance. Given the country’s perpetually conflicted self-identification as neither fully European nor Asian, the demarcations between the ‘self’ and the ‘other,’ first theorized by Edward Said, remained ambiguous and elusive in the Russian contex…
Eastern Encounters: Ilia Repin's Orientalist Aesthetics Abroad and at Home
This essay examines Ilia Repin's sustained engagement with European Orientalist painting and its impact on his oeuvre. Through close readings of three of his major works, Sadko in the Underwater Kingdom (1876), Ivan the Terrible and His Son Ivan (1885), and Zaporozhian Cossacks Writing a Letter to the Turkish Sultan (1880–91), it argues that Repin deployed Eastern motifs in order to unsettle entrenched East/West and self/other binaries that were …
Exotic Aesthetics: Representations of Blackness in Nineteenth-Century Russian Painting
This article focuses on a series of both iconic and little-known paintings, examining the diverse ways in which some of Russia's most prominent nineteenth-century artists such as Karl Briullov, Vasilii Polenov, and Il ́ia Repin depicted Black subjects. Through a combination of close formal readings and broader analyses of the specific contexts in which these images were produced, the article probes a number of complex and interconnected topics su…
Iconic Encounters: Vasily Kandinsky’s and Pavel Florensky’s ‘Mystic Productivism’
Byzantium/Modernism: The Byzantine As Method in Modernity
"Byzantium/Modernism features contributions by fourteen international scholars and brings together a diverse range of interdisciplinary essays on art, architecture, theatre, film, literature, and philosophy, which examine how and why Byzantine art and image theory can contribute to our understanding of modern and contemporary visual culture. Particular attention is given to intercultural dialogues between the former dominions of the Byzantine Emp…
Exotic Aesthetics: Representations of Blackness in Nineteenth-Century Russian Painting
This article focuses on a series of both iconic and little-known paintings, examining the diverse ways in which some of Russia's most prominent nineteenth-century artists such as Karl Briullov, Vasilii Polenov, and Il ́ia Repin depicted Black subjects. Through a combination of close formal readings and broader analyses of the specific contexts in which these images were produced, the article probes a number of complex and interconnected topics su…
Byzantium/Modernism: The Byzantine As Method in Modernity
"Byzantium/Modernism features contributions by fourteen international scholars and brings together a diverse range of interdisciplinary essays on art, architecture, theatre, film, literature, and philosophy, which examine how and why Byzantine art and image theory can contribute to our understanding of modern and contemporary visual culture. Particular attention is given to intercultural dialogues between the former dominions of the Byzantine Emp…
Iconic Encounters: Vasily Kandinsky’s and Pavel Florensky’s ‘Mystic Productivism’
Exotic Aesthetics: Representations of Blackness in Nineteenth-Century Russian Painting
This article focuses on a series of both iconic and little-known paintings, examining the diverse ways in which some of Russia's most prominent nineteenth-century artists such as Karl Briullov, Vasilii Polenov, and Il ́ia Repin depicted Black subjects. Through a combination of close formal readings and broader analyses of the specific contexts in which these images were produced, the article probes a number of complex and interconnected topics su…
Russian Orientalism in a global context: Hybridity, encounter, and representation, 1740–1940
This volume features new research by an international group of scholars on Russia’s historic relationship with Asia and the ways in which it was mediated and represented in the fine, decorative, and performing arts and architecture from the mid-eighteenth century to the first two decades of Soviet rule.
De anjos a demônios: Mikhail Vrubel e a busca por um idioma modernista
Negotiating between East and West: The Case of Russian Orientalism
This article examines Russian Orientalist visual and material culture and its entanglement with, first, imperialist ambitions and racial ideologies and, second, institutional critique and anticolonial resistance. Given the country’s perpetually conflicted self-identification as neither fully European nor Asian, the demarcations between the ‘self’ and the ‘other,’ first theorized by Edward Said, remained ambiguous and elusive in the Russian contex…
Eastern Encounters: Ilia Repin's Orientalist Aesthetics Abroad and at Home
This essay examines Ilia Repin's sustained engagement with European Orientalist painting and its impact on his oeuvre. Through close readings of three of his major works, Sadko in the Underwater Kingdom (1876), Ivan the Terrible and His Son Ivan (1885), and Zaporozhian Cossacks Writing a Letter to the Turkish Sultan (1880–91), it argues that Repin deployed Eastern motifs in order to unsettle entrenched East/West and self/other binaries that were …
Art (6 works) · History (6 works) · Literature (5 works) · Political science (4 works) · Politics (4 works) · Soviet and Russian History (4 works) · Aesthetics (3 works) · Ancient history (3 works) · Archaeology (3 works) · History (3 works)