Solmaz Mohammadzadeh Kive
Biographic Data
| ID | 4139852 |
|---|---|
| NAME | Solmaz Mohammadzadeh Kive |
| GIVEN NAMES | Solmaz Mohammadzadeh |
| FAMILY NAME | Kive |
| SIGNATURE | KIVE S M |
| AFFILIATIONS | University of Oregon |
| ORCID | 0000-0002-8220-6410 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Beautified Brutality
Over the past few decades, scholars and educators have challenged the traditional focus of architectural history on styles and formal features, placing more emphasis on user experience. This experience, however, is not common to all. Each sector of society understands, inhabits, and utilizes architecture differently, leading to divergent ways of performing one’s identity within the city. For example, unhoused people are often excluded from full p…
From Nature to Culture; the “other” at two New York Museums
Since the mid-19th century, the distinction between art and ethnographic object has been a decisive factor in determining the nature of an exhibition and the approach to its objects. Following the systematic classification of the mid-nineteenth century, non-Western objects were often placed in the ethnographic displays of natural history and anthropology museums. Around the same time, some “artifacts” from Asia were classified as decorative arts.…
From Nature to Culture; the “other” at two New York Museums
Since the mid-19th century, the distinction between art and ethnographic object has been a decisive factor in determining the nature of an exhibition and the approach to its objects. Following the systematic classification of the mid-nineteenth century, non-Western objects were often placed in the ethnographic displays of natural history and anthropology museums. Around the same time, some “artifacts” from Asia were classified as decorative arts.…
From Nature to Culture; the “other” at two New York Museums
Since the mid-19th century, the distinction between art and ethnographic object has been a decisive factor in determining the nature of an exhibition and the approach to its objects. Following the systematic classification of the mid-nineteenth century, non-Western objects were often placed in the ethnographic displays of natural history and anthropology museums. Around the same time, some “artifacts” from Asia were classified as decorative arts.…
Beautified Brutality
Over the past few decades, scholars and educators have challenged the traditional focus of architectural history on styles and formal features, placing more emphasis on user experience. This experience, however, is not common to all. Each sector of society understands, inhabits, and utilizes architecture differently, leading to divergent ways of performing one’s identity within the city. For example, unhoused people are often excluded from full p…
Anthropology (1 work) · Anthropology of art (1 work) · Archaeology (1 work) · Architecture (1 work) · Art (1 work) · Art history (1 work) · Conservation Techniques and Studies (1 work) · Contemporary art (1 work) · Cultural Heritage Management and Preservation (1 work) · Ethnography (1 work)