Tyler Welsh
Biographic Data
| ID | 4140481 |
|---|---|
| NAME | Tyler Welsh |
| GIVEN NAMES | Tyler |
| FAMILY NAME | Welsh |
| SIGNATURE | WELSH T |
| AFFILIATIONS | Moody College of Communication, University of Texas at Austin, Austin, TX, USA |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Pray the Fakes Get Exposed
In the summer of 2015, professional rapper Meek Mill, sent shockwaves through the Hip Hop world with a simple tweet, “Stop comparing Drake to me too.... He don’t write his own raps!” The accusation was quickly followed by the mysterious release of audio tracks featuring identical lyrics and cadences found in several of Aubrey “Drake” Graham’s songs. The allegations fueled a beef, with Drake releasing two diss tracks “back to back,” downplaying th…
Multimodal Authenticity as Identity
Lost in adaptation
This article focuses on the adaptation of Alan Moore and Brian Bolland’s graphic novel The Killing Joke. While the original graphic novel is heralded as a foundational text in the artform, audiences and critics alike were less enthusiastic about its adapted form as an animated film release in 2016. This study explores how shifts in medium can alter what rhetorical scholar Kenneth Burke terms frames of acceptance, or how audiences relate texts to …
Everybody Wants to Work with Me”
In this article, we consider the production of hip hop as a form of collaborative labor. Drawing on an analysis of 228 hip-hop groups, we find that collaboration among artists has increased since the 1980s. We contextualize this pattern in relation to business practices in the music industry as well as broader labor trends in the United States. Ultimately, we argue that hip-hop artists experience labor conditions that are comparable to those of o…
No prominent works on this page.
Everybody Wants to Work with Me”
In this article, we consider the production of hip hop as a form of collaborative labor. Drawing on an analysis of 228 hip-hop groups, we find that collaboration among artists has increased since the 1980s. We contextualize this pattern in relation to business practices in the music industry as well as broader labor trends in the United States. Ultimately, we argue that hip-hop artists experience labor conditions that are comparable to those of o…
Lost in adaptation
This article focuses on the adaptation of Alan Moore and Brian Bolland’s graphic novel The Killing Joke. While the original graphic novel is heralded as a foundational text in the artform, audiences and critics alike were less enthusiastic about its adapted form as an animated film release in 2016. This study explores how shifts in medium can alter what rhetorical scholar Kenneth Burke terms frames of acceptance, or how audiences relate texts to …
Pray the Fakes Get Exposed
In the summer of 2015, professional rapper Meek Mill, sent shockwaves through the Hip Hop world with a simple tweet, “Stop comparing Drake to me too.... He don’t write his own raps!” The accusation was quickly followed by the mysterious release of audio tracks featuring identical lyrics and cadences found in several of Aubrey “Drake” Graham’s songs. The allegations fueled a beef, with Drake releasing two diss tracks “back to back,” downplaying th…
Multimodal Authenticity as Identity
Art (2 works) · Cinema and Media Studies (2 works) · Shakespeare, Adaptation, and Literary Criticism (2 works) · Aesthetics (1 work) · Business (1 work) · Comics (1 work) · Computer Science (1 work) · Criminology (1 work) · Cultural Industries and Urban Development (1 work) · Digital Economy and Work Transformation (1 work)