Alyssa M Granacki
Biographic Data
| ID | 4140528 |
|---|---|
| NAME | Alyssa M Granacki |
| GIVEN NAMES | Alyssa M |
| FAMILY NAME | Granacki |
| SIGNATURE | GRANACKI A M |
| AFFILIATIONS | Romance Studies, Duke University, USA |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Writing the ‘Woman Destroyed’ in Elena Ferrante and Simone de Beauvoir
In I giorni dell'abbandono (2002), Elena Ferrante's protagonist, Olga, remembers the women of Simone de Beauvoir's short stories, La femme rompue [The Woman Destroyed] (1967), as 'sentimentalmente sciocche'. Critics have generally interpreted Ferrante's use of Beauvoir as a refutation of her representation of an abandoned woman found in 'The Woman Destroyed', the titular story of the collection. Conversely, this essay argues that Ferrante embrace…
No prominent works on this page.
Writing the ‘Woman Destroyed’ in Elena Ferrante and Simone de Beauvoir
In I giorni dell'abbandono (2002), Elena Ferrante's protagonist, Olga, remembers the women of Simone de Beauvoir's short stories, La femme rompue [The Woman Destroyed] (1967), as 'sentimentalmente sciocche'. Critics have generally interpreted Ferrante's use of Beauvoir as a refutation of her representation of an abandoned woman found in 'The Woman Destroyed', the titular story of the collection. Conversely, this essay argues that Ferrante embrace…
Art (1 work) · Art history (1 work) · French Historical and Cultural Studies (1 work) · Humanities (1 work) · Intertextuality (1 work) · Italian Fascism and Post-war Society (1 work) · Literature (1 work) · Simone de Beauvoir and Sartre (1 work)