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Gigliola Sulis

Biographic Data

ID4140589
NAMEGigliola Sulis
GIVEN NAMESGigliola
FAMILY NAMESulis
SIGNATURESULIS G
AFFILIATIONSUniversity of Leeds
ORCID0000-0002-5463-7133
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS4
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2022
H-INDEX1
  • The Debate on Language and Gender in Italy, from the Visibility of Women to Inclusive Language (1980s–2020s)

    Gigliola Sulis, Vera Gheno•ARTICLE•The Italianist•2022•Cited by: 4

    This conversation focuses on issues of language and gender and on the debates they have generated in Italy over the past forty years: from linguistic sexism to the role and visibility of women, and then to the representation of non-binary identities. After introducing the differences in expressing gender in Italian and in other European languages, it discusses the proposals made regarding these matters since the 1980s, the reactions to them, and …

  • Forse Succede Sempre Così Quando Si Scrive: Self-Reflection Between Postmodernism and Feminism in Laura Pariani's Writing

    Gigliola Sulis•ARTICLE•The Italianist•2015

    Based on the analysis of an excerpt from the last chapter of L'uovo di Gertrudina (2003), this article investigates the forms, themes, and functions of self-reflection in Laura Pariani's fiction. It looks at its meta-fictional features (illusion-breaking devices highlighting the constructed nature of fiction as an artifice: deconstructed frames, non-linear narrations, juxtaposition and intertwining of several stories, multiple focalizations, narr…

  • Dare voce alle vite marginali: Plurilinguismo di genere nella narrativa di Laura Pariani

    Gigliola Sulis•ARTICLE•The Italianist•2013

    This article analyses the literary work of Laura Pariani (1951–), a writer who, over the last twenty years, has gained a niche position in the contemporary canon. After situating Pariani in the context of Italian fiction in the 1990s–2010s, the analysis focuses on the ‘centrality of margins’ as the inspiring principle underpinning her production. In Pariani’s writings marginality — geographical, gender-based, generational, linguistic — becomes a …

  • Polisemia, plurilinguismo e intertestualità in limine: Sui titoli delle opere di Meneghello

    Gigliola Sulis•ARTICLE•The Italianist•2012

  • Ridefinire il canone: I dialettali e le antologie poetiche del Novecento

    Gigliola Sulis•ARTICLE•The Italianist•2004•References: 1

  • The Debate on Language and Gender in Italy, from the Visibility of Women to Inclusive Language (1980s–2020s)

    Gigliola Sulis, Vera Gheno•ARTICLE•The Italianist•2022•Cited by: 4

    This conversation focuses on issues of language and gender and on the debates they have generated in Italy over the past forty years: from linguistic sexism to the role and visibility of women, and then to the representation of non-binary identities. After introducing the differences in expressing gender in Italian and in other European languages, it discusses the proposals made regarding these matters since the 1980s, the reactions to them, and …

  • Ridefinire il canone: I dialettali e le antologie poetiche del Novecento

    Gigliola Sulis•ARTICLE•The Italianist•2004•References: 1

  • Polisemia, plurilinguismo e intertestualità in limine: Sui titoli delle opere di Meneghello

    Gigliola Sulis•ARTICLE•The Italianist•2012

  • Dare voce alle vite marginali: Plurilinguismo di genere nella narrativa di Laura Pariani

    Gigliola Sulis•ARTICLE•The Italianist•2013

    This article analyses the literary work of Laura Pariani (1951–), a writer who, over the last twenty years, has gained a niche position in the contemporary canon. After situating Pariani in the context of Italian fiction in the 1990s–2010s, the analysis focuses on the ‘centrality of margins’ as the inspiring principle underpinning her production. In Pariani’s writings marginality — geographical, gender-based, generational, linguistic — becomes a …

  • Forse Succede Sempre Così Quando Si Scrive: Self-Reflection Between Postmodernism and Feminism in Laura Pariani's Writing

    Gigliola Sulis•ARTICLE•The Italianist•2015

    Based on the analysis of an excerpt from the last chapter of L'uovo di Gertrudina (2003), this article investigates the forms, themes, and functions of self-reflection in Laura Pariani's fiction. It looks at its meta-fictional features (illusion-breaking devices highlighting the constructed nature of fiction as an artifice: deconstructed frames, non-linear narrations, juxtaposition and intertwining of several stories, multiple focalizations, narr…

  • The Debate on Language and Gender in Italy, from the Visibility of Women to Inclusive Language (1980s–2020s)

    Gigliola Sulis, Vera Gheno•ARTICLE•The Italianist•2022•Cited by: 4

    This conversation focuses on issues of language and gender and on the debates they have generated in Italy over the past forty years: from linguistic sexism to the role and visibility of women, and then to the representation of non-binary identities. After introducing the differences in expressing gender in Italian and in other European languages, it discusses the proposals made regarding these matters since the 1980s, the reactions to them, and …

Art (4 works) · Italian Literature and Culture (4 works) · Humanities (3 works) · Sociology (3 works) · Gender Studies (2 works) · Gender Studies (2 works) · Law (2 works) · Law (2 works) · Linguistic Studies and Language Acquisition (2 works) · Literature (2 works)

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