Francesco Pitassio
Biographic Data
| ID | 4140591 |
|---|---|
| NAME | Francesco Pitassio |
| GIVEN NAMES | Francesco |
| FAMILY NAME | Pitassio |
| SIGNATURE | PITASSIO F |
| AFFILIATIONS | Dipartimento di Studi Umanistici e del Patrimonio Culturale, Università degli Studi di Udine, Italy |
| ORCID | 0000-0002-6199-2889 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Catherine O’Rawe, The Non-Professional Actor
Studying Film and TV Actors (and Their Intermediaries)
This introduction summarises the main goals and issues of the research project in its initial phase on contemporary Italian film and television actors, which is drawing together performance studies, stardom/celebrity studies, and media industries studies. The whole project, and this first output, shows how collaboration between disciplines, perspectives, and methods will help to better understand the many layers of a complex, multifaceted phenome…
Elusive Selves
The article briefly outlines the properties of Italian quality film (and partly media) celebrity, as compared to the Hollywood template. Italian quality film celebrity is rooted in a different mode of production, which relies less on market performance and much more on a set of mediators, bestowing quality on a limited number of performers. This mode of production consequently underlines characteristics other than the private lives and personalit…
Neorealist Film Culture, 1945–1954
Unique, truthful, brutal ... Neorealism is often associated with adjectives stressing its peculiarities in representing the real, its lack of antecedents, and its legacy in terms of film style. While this is useful when confronting auteurs such as De Sica, Rossellini or Visconti, it becomes problematic when examining a widespread cultural practice that realistic modes deeply affected. This cultural production included filmmaking, literature, visu…
Neorealist Film Culture, 1945-1954
No prominent works on this page.
Neorealist Film Culture, 1945–1954
Unique, truthful, brutal ... Neorealism is often associated with adjectives stressing its peculiarities in representing the real, its lack of antecedents, and its legacy in terms of film style. While this is useful when confronting auteurs such as De Sica, Rossellini or Visconti, it becomes problematic when examining a widespread cultural practice that realistic modes deeply affected. This cultural production included filmmaking, literature, visu…
Neorealist Film Culture, 1945-1954
Studying Film and TV Actors (and Their Intermediaries)
This introduction summarises the main goals and issues of the research project in its initial phase on contemporary Italian film and television actors, which is drawing together performance studies, stardom/celebrity studies, and media industries studies. The whole project, and this first output, shows how collaboration between disciplines, perspectives, and methods will help to better understand the many layers of a complex, multifaceted phenome…
Elusive Selves
The article briefly outlines the properties of Italian quality film (and partly media) celebrity, as compared to the Hollywood template. Italian quality film celebrity is rooted in a different mode of production, which relies less on market performance and much more on a set of mediators, bestowing quality on a limited number of performers. This mode of production consequently underlines characteristics other than the private lives and personalit…
Catherine O’Rawe, The Non-Professional Actor
Italian Fascism and Post-war Society (5 works) · Art (3 works) · Art history (3 works) · Cinema and Media Studies (3 works) · Media studies (3 works) · Political science (3 works) · Sociology (3 works) · Aesthetics (2 works) · Business (2 works) · Epistemology (2 works)