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Martina Ladendorf

Dados Biográficos

ID4142397
NOMEMartina Ladendorf
PRENOMESMartina
SOBRENOMELadendorf
ASSINATURALADENDORF M
AFILIAÇÕESLuleå University of Technology
VERIFICADONão
TOTAL DE OBRAS3
TOTAL DE CITAÇÕES10
TOTAL COMO AUTOR3
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2008
ANO MAIS RECENTE DE PUBLICAÇÃO2012
ÍNDICE H1
  • Freelance Journalists as a Flexible Workforce in Media Industries

    Maria Edström, Martina Ladendorf•ARTICLE•Journalism Practice•2012•Citada por: 8•Referências: 13

    Economic cutbacks in the media sector diminish the chances of employment for journalists, and consequently the number of atypical workers in the media industry, such as freelancers, is growing worldwide. This study of Swedish freelancers is grounded in both quantitative and qualitative data. The quantitative data are taken from ongoing surveys conducted by researchers at the University of Gothenburg, based on representative samples of practising …

  • Commercialization of Lesbian Identities in Showtime's The L-word

    Open Access•Martina Ladendorf•ARTICLE•Culture Unbound Journal of…•2010•Citada por: 1•Referências: 14

    The article discusses recent developments in media culture through one case study: The L-word, the first television series narratively centered around lesbian and bisexual characters. The business discourse surrounding the series' production is examined together with the televised text itself and the merchandize connected to The L-word brand. The main research question is why lesbians, a target group previously deemed uninteresting by advertisers…

  • The L-word. Queer identifikation och mediereception

    Open Access•Martina Ladendorf•ARTICLE•Tidskrift för genusvetenskap•2008•Citada por: 1

    The L-word is said to be the first commercial television drama that is narratively centered on lesbian characters. How is a queer audience, in this case eighteen lesbian, bisexual or queer identified Swedish women, interpreting a homonormative mainstream media text? This article aims to read the representation and reception of The L-word against freudian psychoanalysis and spectatorship theory’s splitting of identification and desire and a queer …

  • Freelance Journalists as a Flexible Workforce in Media Industries

    Maria Edström, Martina Ladendorf•ARTICLE•Journalism Practice•2012•Citada por: 8•Referências: 13

    Economic cutbacks in the media sector diminish the chances of employment for journalists, and consequently the number of atypical workers in the media industry, such as freelancers, is growing worldwide. This study of Swedish freelancers is grounded in both quantitative and qualitative data. The quantitative data are taken from ongoing surveys conducted by researchers at the University of Gothenburg, based on representative samples of practising …

  • Commercialization of Lesbian Identities in Showtime's The L-word

    Open Access•Martina Ladendorf•ARTICLE•Culture Unbound Journal of…•2010•Citada por: 1•Referências: 14

    The article discusses recent developments in media culture through one case study: The L-word, the first television series narratively centered around lesbian and bisexual characters. The business discourse surrounding the series' production is examined together with the televised text itself and the merchandize connected to The L-word brand. The main research question is why lesbians, a target group previously deemed uninteresting by advertisers…

  • The L-word. Queer identifikation och mediereception

    Open Access•Martina Ladendorf•ARTICLE•Tidskrift för genusvetenskap•2008•Citada por: 1

    The L-word is said to be the first commercial television drama that is narratively centered on lesbian characters. How is a queer audience, in this case eighteen lesbian, bisexual or queer identified Swedish women, interpreting a homonormative mainstream media text? This article aims to read the representation and reception of The L-word against freudian psychoanalysis and spectatorship theory’s splitting of identification and desire and a queer …

  • The L-word. Queer identifikation och mediereception

    Open Access•Martina Ladendorf•ARTICLE•Tidskrift för genusvetenskap•2008•Citada por: 1

    The L-word is said to be the first commercial television drama that is narratively centered on lesbian characters. How is a queer audience, in this case eighteen lesbian, bisexual or queer identified Swedish women, interpreting a homonormative mainstream media text? This article aims to read the representation and reception of The L-word against freudian psychoanalysis and spectatorship theory’s splitting of identification and desire and a queer …

  • Commercialization of Lesbian Identities in Showtime's The L-word

    Open Access•Martina Ladendorf•ARTICLE•Culture Unbound Journal of…•2010•Citada por: 1•Referências: 14

    The article discusses recent developments in media culture through one case study: The L-word, the first television series narratively centered around lesbian and bisexual characters. The business discourse surrounding the series' production is examined together with the televised text itself and the merchandize connected to The L-word brand. The main research question is why lesbians, a target group previously deemed uninteresting by advertisers…

  • Freelance Journalists as a Flexible Workforce in Media Industries

    Maria Edström, Martina Ladendorf•ARTICLE•Journalism Practice•2012•Citada por: 8•Referências: 13

    Economic cutbacks in the media sector diminish the chances of employment for journalists, and consequently the number of atypical workers in the media industry, such as freelancers, is growing worldwide. This study of Swedish freelancers is grounded in both quantitative and qualitative data. The quantitative data are taken from ongoing surveys conducted by researchers at the University of Gothenburg, based on representative samples of practising …

Media studies (3 obras) · Media Studies and Communication (3 obras) · Sociology (3 obras) · Aesthetics (2 obras) · Art (2 obras) · Gender Studies (2 obras) · Gender, Feminism, and Media (2 obras) · Lesbian (2 obras) · Psychology (2 obras) · Social media (2 obras)

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