K D Verma

Biographic Data

ID4144600
NAMEK D Verma
GIVEN NAMESK D
FAMILY NAMEVerma
SIGNATUREVERMA K D
AFFILIATIONSUniversity of Pittsburgh at Johnstown
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS8
WORKS AS AUTHOR13
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1991
LATEST PUBLICATION YEAR2014
H-INDEX2

  • The Politics of Cultural Identity in Mulk Raj Anand's The Bubble

    K D VermaARTICLESouth Asian Review2014References: 1

    This paper explores the psycho-historical and bio-political search for the cultural identity of Krishan Chander Azad, Mulk Raj Anand's persona invested in The Bubble. Krishan, presently enrolled as a doctoral student at the University of London, confronts his egos, his multiple identities, while searching for his true self. Krishan falls in love with Irene, a young Irish student, who directs Krishan-Anand's life and encourages him to become a wri…

  • Reminiscences

    K D VermaARTICLESouth Asian Review2013References: 4

  • Intersections of Indian and Western Aesthetics

    K D VermaARTICLESouth Asian Review2013References: 2

    Mulk Raj Anand is a well-established novelist and critic. But his work as a critic of the arts, starting with Persian Painting (1930), The Hindu View of Art (1933) and moving on to Kama Kala (1968) and Seven Little-Known Birds of the Inner Eye (1978), with the intervening period of his astounding performance as editor of Marg, the elitist art journal, needs a closer assessment. The Hindu View of Art written under the influence of Herbert Read and…

  • Reminiscences

    K D VermaARTICLESouth Asian Review2012Cited by: 1References: 3

    (2012). Reminiscences: Selected Letters of Mulk Raj Anand (Third Installment) South Asian Review: Vol. 33, No. 2, pp. 239-255

  • Mulk Raj Anand and Realism

    K D VermaARTICLESouth Asian Review2011References: 9

    This paper attempts to discuss Mulk Raj Anand's conception of realism in the light of the larger discussion of the forms of realisms and the thirties literary movement, modernism, postmodernism and postcoloniality. Anand categorically declares that he is a realist, but his realism is poetic realism and not social realism or socialist realism. Anand's conception of poetic realism is essentially based on the human desire and the philosophical bases…

  • Reminiscences

    K D VermaARTICLESouth Asian Review2010Cited by: 1

  • Satya Sheel Pachori In Remembrance

    K D Verma, Kajol Verma et al.ARTICLESouth Asian Review2007

  • Reminiscences

    K D VermaARTICLESouth Asian Review2005Cited by: 2References: 1

  • The Structure of Colonial Fantasy

    K D VermaARTICLESouth Asian Review2004Cited by: 2References: 2

  • Remembering Mulk Raj Anand (1905–2004)

    K D VermaARTICLESouth Asian Review2004

  • In Memoriam”

    Neila C Seshachari, K D VermaARTICLESouth Asian Review2002

  • An Interview with Mulk Raj Anand

    K D VermaARTICLESouth Asian Review1991Cited by: 1

  • Understanding Mulk Raj Anand

    K D VermaARTICLESouth Asian Review1991Cited by: 1References: 1

    (1991). Understanding Mulk Raj Anand: An Introduction. South Asian Review: Vol. 15, No. 12, pp. 1-11