Panagiotis C Poulos
Biographic Data
| ID | 4144783 |
|---|---|
| NAME | Panagiotis C Poulos |
| GIVEN NAMES | Panagiotis C |
| FAMILY NAME | Poulos |
| SIGNATURE | POULOS P C |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
“Foreigners in their Homeland”: Song Writing, Musical Estrangement, and Subjecthood Formation in Late Ottoman Istanbul
The voices of multiple agents involved in the process of Ottoman urban popular music making have been largely omitted, if not restricted by traditional music historiography of the Ottoman long nineteenth century, thus downplaying the local dynamics of this very transitional era. Drawing on Ottoman Turkish, Greek, and Greco-Turkish sources, this article analyzes samples of nineteenth-century songs in the popular şarkı form as “sonic assemblages” t…
Spaces of Intercommunal Musical Relations in Ottoman Istanbul
The overall aim of this article has been to address those understated intermediary spacesthat were produced in the context of musical interaction among the various communitiesresiding in Istanbul in the Ottoman era. The underpinning theme in defining those spacesand tracing their dynamic trajectory throughout the history of the city has been the questfor voicing the diverse elements that composed them. This task has shown that the internalstratif…
Spaces of Intercommunal Musical Relations in Ottoman Istanbul
The overall aim of this article has been to address those understated intermediary spacesthat were produced in the context of musical interaction among the various communitiesresiding in Istanbul in the Ottoman era. The underpinning theme in defining those spacesand tracing their dynamic trajectory throughout the history of the city has been the questfor voicing the diverse elements that composed them. This task has shown that the internalstratif…
Spaces of Intercommunal Musical Relations in Ottoman Istanbul
The overall aim of this article has been to address those understated intermediary spacesthat were produced in the context of musical interaction among the various communitiesresiding in Istanbul in the Ottoman era. The underpinning theme in defining those spacesand tracing their dynamic trajectory throughout the history of the city has been the questfor voicing the diverse elements that composed them. This task has shown that the internalstratif…
“Foreigners in their Homeland”: Song Writing, Musical Estrangement, and Subjecthood Formation in Late Ottoman Istanbul
The voices of multiple agents involved in the process of Ottoman urban popular music making have been largely omitted, if not restricted by traditional music historiography of the Ottoman long nineteenth century, thus downplaying the local dynamics of this very transitional era. Drawing on Ottoman Turkish, Greek, and Greco-Turkish sources, this article analyzes samples of nineteenth-century songs in the popular şarkı form as “sonic assemblages” t…
Art (2 works) · Diverse Musicological Studies (2 works) · History (2 works) · Law (2 works) · Music History and Culture (2 works) · Musical (2 works) · Political science (2 works) · Politics (2 works) · Aesthetics (1 works) · Archaeology (1 works)