Meike Schmidt-Gleim
Biographic Data
| ID | 4146598 |
|---|---|
| NAME | Meike Schmidt-Gleim |
| GIVEN NAMES | Meike |
| FAMILY NAME | Schmidt-Gleim |
| SIGNATURE | SCHMIDT-GLEIM M |
| AFFILIATIONS | Berlin University of the Arts |
| ORCID | 0000-0001-7971-2702 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Introduction “Art and Technique: A Framework of Unaccomplished Promises
I. Art and technique in the crisis of contemporary capitalism: an anthropological materialist point of view Thinking about the current relationship between art and technique implies considering the historical background of this relationship. For us today, it is the social, political and economic order that has been called "advanced" or "late" capitalism (Fredric Jameson, Ernest Mandel, Theodor W. Adorno). If art interrogates and problematizes thi…
Introducción “Arte y técnica: Una Trama De Promesas Pendientes
I. Arte y técnica en la crisis del capitalismo contemporáneo: una mirada materialista antropológica Pensar hoy la relación entre arte y técnica nos obliga a considerar su trasfondo histórico actual, esto es, el orden social, político y económico denominado capitalismo “avanzado” o “tardío” (Fredric Jameson, Ernest Mandel, Theodor W. Adorno). El arte interroga y problematiza este orden ligado íntimamente a las tecnologías modernas, aunque no pueda…
Introduction “Art et technique: Une Trame De Promesses Inachevées
I. Art et technique à l’ère d’un capitalisme en crise : une approche matérialiste anthropologique Penser le rapport entre art et technique aujourd’hui oblige à prendre en compte l’arrière-fond historique d’un tel rapport, en l’occurrence un ordre social, politique et économique que l’on peut nommer capitalisme « avancé » ou « tardif » (Fredric Jameson, Ernest Mandel, Theodor W. Adorno). L’art interroge et problématise un tel ordre tel qu’il est t…
On Technology, Capitalism, Art and Imagination: Interview with Andrew Feenberg by Meike Schmidt-Gleim and Carlos Pérez López for the Editorial Board of Anthropology & Materialism. A Journal of Social …
Meike Schmidt-Gleim, Carlos Pérez López: We would like to start with a very general question about technique and technology as an object of study. In your text “Modernity Theory and Technology Studies: Reflections on Bridging the Gap” (2003), you claim that technology studies are split into two opposed branches: Essentialist philosophy of technology represented, for instance, by the Heideggerian position, and empirical research on technology, for…
Utopian Pulse – Flares in the Darkroom: An interview with Oliver Ressler
Meike Schmidt-Gleim: Throughout the book Utopian Pulse – Flares in the Darkroom I found many different ways and concepts to describe the Utopian Pulse: “public happiness”, “an act within the given that imagines, foreshadows...a life incommensurable with THINGS AS THEY ARE”, “latency (Bloch)”, “negation (Adorno)”, “a specific situation lived in certain space temporalities...”, “utopia is necessarily imperfect assertion of which is not yet...”, “im…
The New in the Guise of the Old, the Old in the Guise of the New
Fig. 1.1. Fig. 1.2. Fig. 2.1. fig. 2.2. fig. 3.1. fig. 3.2. fig. 4.1. Fig. 4.2. Pyramid, sphere, ornament, and atrium: The images of these four puzzle pairs show four iconic architectural forms in different historical periods and functional settings and reveal the ambiguous relation between form and function as well as between form and signification. Like a reversible figure, these images oscillate between ambivalent functions and significations,…
Kinderspiel und Revolution: Bemerkungen zum Begriff Mimesis bei Walter Benjamin
Der Artikel diskutiert den Zusammenhang, den Benjamin zwischen Spiel und Mimesis herstellt. Es wird die These aufgestellt, dass er den Begriff der Mimesis durch den Bezug auf das Spiel grundlegend verwandelt und dem mimetischen Vermögen so innervatorische Kräfte zukommen lässt. Neu ist, dass Mimesis nicht mehr in erster Linie an die Vorstellung von ästhetischer Repräsentation gebunden ist, welche die genaue Wiedergabe des Originals anstrebt. Viel…
Utopian Pulse – Flares in the Darkroom: An interview with Oliver Ressler
Meike Schmidt-Gleim: Throughout the book Utopian Pulse – Flares in the Darkroom I found many different ways and concepts to describe the Utopian Pulse: “public happiness”, “an act within the given that imagines, foreshadows...a life incommensurable with THINGS AS THEY ARE”, “latency (Bloch)”, “negation (Adorno)”, “a specific situation lived in certain space temporalities...”, “utopia is necessarily imperfect assertion of which is not yet...”, “im…
Kinderspiel und Revolution: Bemerkungen zum Begriff Mimesis bei Walter Benjamin
Der Artikel diskutiert den Zusammenhang, den Benjamin zwischen Spiel und Mimesis herstellt. Es wird die These aufgestellt, dass er den Begriff der Mimesis durch den Bezug auf das Spiel grundlegend verwandelt und dem mimetischen Vermögen so innervatorische Kräfte zukommen lässt. Neu ist, dass Mimesis nicht mehr in erster Linie an die Vorstellung von ästhetischer Repräsentation gebunden ist, welche die genaue Wiedergabe des Originals anstrebt. Viel…
Utopian Pulse – Flares in the Darkroom: An interview with Oliver Ressler
Meike Schmidt-Gleim: Throughout the book Utopian Pulse – Flares in the Darkroom I found many different ways and concepts to describe the Utopian Pulse: “public happiness”, “an act within the given that imagines, foreshadows...a life incommensurable with THINGS AS THEY ARE”, “latency (Bloch)”, “negation (Adorno)”, “a specific situation lived in certain space temporalities...”, “utopia is necessarily imperfect assertion of which is not yet...”, “im…
The New in the Guise of the Old, the Old in the Guise of the New
Fig. 1.1. Fig. 1.2. Fig. 2.1. fig. 2.2. fig. 3.1. fig. 3.2. fig. 4.1. Fig. 4.2. Pyramid, sphere, ornament, and atrium: The images of these four puzzle pairs show four iconic architectural forms in different historical periods and functional settings and reveal the ambiguous relation between form and function as well as between form and signification. Like a reversible figure, these images oscillate between ambivalent functions and significations,…
Introduction “Art and Technique: A Framework of Unaccomplished Promises
I. Art and technique in the crisis of contemporary capitalism: an anthropological materialist point of view Thinking about the current relationship between art and technique implies considering the historical background of this relationship. For us today, it is the social, political and economic order that has been called "advanced" or "late" capitalism (Fredric Jameson, Ernest Mandel, Theodor W. Adorno). If art interrogates and problematizes thi…
Introducción “Arte y técnica: Una Trama De Promesas Pendientes
I. Arte y técnica en la crisis del capitalismo contemporáneo: una mirada materialista antropológica Pensar hoy la relación entre arte y técnica nos obliga a considerar su trasfondo histórico actual, esto es, el orden social, político y económico denominado capitalismo “avanzado” o “tardío” (Fredric Jameson, Ernest Mandel, Theodor W. Adorno). El arte interroga y problematiza este orden ligado íntimamente a las tecnologías modernas, aunque no pueda…
Introduction “Art et technique: Une Trame De Promesses Inachevées
I. Art et technique à l’ère d’un capitalisme en crise : une approche matérialiste anthropologique Penser le rapport entre art et technique aujourd’hui oblige à prendre en compte l’arrière-fond historique d’un tel rapport, en l’occurrence un ordre social, politique et économique que l’on peut nommer capitalisme « avancé » ou « tardif » (Fredric Jameson, Ernest Mandel, Theodor W. Adorno). L’art interroge et problématise un tel ordre tel qu’il est t…
On Technology, Capitalism, Art and Imagination: Interview with Andrew Feenberg by Meike Schmidt-Gleim and Carlos Pérez López for the Editorial Board of Anthropology & Materialism. A Journal of Social …
Meike Schmidt-Gleim, Carlos Pérez López: We would like to start with a very general question about technique and technology as an object of study. In your text “Modernity Theory and Technology Studies: Reflections on Bridging the Gap” (2003), you claim that technology studies are split into two opposed branches: Essentialist philosophy of technology represented, for instance, by the Heideggerian position, and empirical research on technology, for…
Philosophy (5 works) · Philosophy (5 works) · Art (4 works) · Humanities (3 works) · Capitalism (2 works) · Digital Media and Philosophy (2 works) · Epistemology (2 works) · Law (2 works) · Law (2 works) · Political science (2 works)