Martyna Miernecka
Biographic Data
| ID | 4149531 |
|---|---|
| NAME | Martyna Miernecka |
| GIVEN NAMES | Martyna |
| FAMILY NAME | Miernecka |
| SIGNATURE | MIERNECKA M |
| AFFILIATIONS | University of Warsaw |
| ORCID | 0000-0003-2854-6155 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Typing beyond tradition
This article delves into the nuanced interplay between the domestication of women’s labor and writing practices in 1970s Poland, focusing on the literary community of Obory near Warsaw and the typewriter as a symbolic tool. Set against the backdrop of patriarchal norms, communist promises of emancipation, and late socialist consumption aspirations, Obory’s house of creative work melds women’s writing with both waged and unwaged feminized roles. D…
Szafa z kochankami. Praktyki przesłaniania, odsłaniania i zasłaniania historii Obór w twórczości Mirona Białoszewskiego
The aim of this article is to capture one of the unveilings of the history of the manor house in Obory, near Warsaw, and to analyse the principle structuring the essence of transformation of this place in Miron Białoszewski’s work. Using the geocritical method, the author examinesthe relationship between characters and things related to this place selected by Białoszewski and the poetics he used. The frequently recurring motif of the wardrobe was…
Teraz tam literaci jeżdżą, piszą albo nic nie robią”. Dom Pracy Twórczej w perspektywie geografii literackiej
The purpose of this article is to analyze the cultural phenomenon of the House of Creative Work institution in the post-war Poland as demonstrated by the stays of four writers – Miron Białoszewski, Tadeusz Konwicki, Leopold Tyrmand, Marek Hłasko – in one of the Houses, Obory near Warsaw. A comparative analysis of the attitude of these writers towards the institution in question, as well as the transformational nature of the relation between its s…
No prominent works on this page.
Teraz tam literaci jeżdżą, piszą albo nic nie robią”. Dom Pracy Twórczej w perspektywie geografii literackiej
The purpose of this article is to analyze the cultural phenomenon of the House of Creative Work institution in the post-war Poland as demonstrated by the stays of four writers – Miron Białoszewski, Tadeusz Konwicki, Leopold Tyrmand, Marek Hłasko – in one of the Houses, Obory near Warsaw. A comparative analysis of the attitude of these writers towards the institution in question, as well as the transformational nature of the relation between its s…
Szafa z kochankami. Praktyki przesłaniania, odsłaniania i zasłaniania historii Obór w twórczości Mirona Białoszewskiego
The aim of this article is to capture one of the unveilings of the history of the manor house in Obory, near Warsaw, and to analyse the principle structuring the essence of transformation of this place in Miron Białoszewski’s work. Using the geocritical method, the author examinesthe relationship between characters and things related to this place selected by Białoszewski and the poetics he used. The frequently recurring motif of the wardrobe was…
Typing beyond tradition
This article delves into the nuanced interplay between the domestication of women’s labor and writing practices in 1970s Poland, focusing on the literary community of Obory near Warsaw and the typewriter as a symbolic tool. Set against the backdrop of patriarchal norms, communist promises of emancipation, and late socialist consumption aspirations, Obory’s house of creative work melds women’s writing with both waged and unwaged feminized roles. D…
Art (2 works) · Central European Literary Studies (2 works) · Literature (2 works) · Political science (2 works) · Urban Development and Cultural Heritage (2 works) · Archaeology (1 work) · Communism (1 work) · Computer Science (1 work) · Database (1 work) · Eastern European Communism and Reforms (1 work)