D Phil Reverend Lawrence E Frizzell
Biographic Data
| ID | 4149690 |
|---|---|
| NAME | D Phil Reverend Lawrence E Frizzell |
| GIVEN NAMES | D Phil Reverend Lawrence E |
| FAMILY NAME | Frizzell |
| SIGNATURE | FRIZZELL D P R L E |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Ghosts of Migration
Search and Destroy
This article is an analysis of artist-activist Nancy Spero’s War Series paintings, 1966–70. The author analyzes her paintings from this crucial time period within the context of significant historical events that impacted her artistic development of themes, formal devices, and radical breaks from numerous canonical art tenets. Within the emergence of the American political and artistic Left, Spero’s political radicalism became the foundation of h…
Resisting the Singular Narrative
Positions in Solidarity
Seeing the Unseen
Richard Mosse’s Enclave
The Irish artist Richard Mosse’s The Enclave (2013), a six-screen video, photography, and sound installation made over several years in and around Goma, Democratic Republic of Congo, was featured in the Pavilion of Ireland at the Fifty-fifth Venice Biennale and at Jack Shainman Gallery, New York. Shot with infrared Kodak Aerochrome film, Mosse’s Enclave became a locus for debates about contemporary aesthetic strategies, especially within photogra…
Nancy Spero’s WAR Maypole/Take NO PRISONERS
Ann Chernow
Ann Chernow
Nancy Spero’s WAR Maypole/Take NO PRISONERS
Richard Mosse’s Enclave
The Irish artist Richard Mosse’s The Enclave (2013), a six-screen video, photography, and sound installation made over several years in and around Goma, Democratic Republic of Congo, was featured in the Pavilion of Ireland at the Fifty-fifth Venice Biennale and at Jack Shainman Gallery, New York. Shot with infrared Kodak Aerochrome film, Mosse’s Enclave became a locus for debates about contemporary aesthetic strategies, especially within photogra…
Positions in Solidarity
Seeing the Unseen
Resisting the Singular Narrative
Search and Destroy
This article is an analysis of artist-activist Nancy Spero’s War Series paintings, 1966–70. The author analyzes her paintings from this crucial time period within the context of significant historical events that impacted her artistic development of themes, formal devices, and radical breaks from numerous canonical art tenets. Within the emergence of the American political and artistic Left, Spero’s political radicalism became the foundation of h…
Ghosts of Migration
Art (5 works) · Law (4 works) · Law (4 works) · Political science (4 works) · Literature (3 works) · Politics (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art history (2 works) · Cinema and Media Studies (2 works)