Julie Gaillard
Biographic Data
| ID | 4149722 |
|---|---|
| NAME | Julie Gaillard |
| GIVEN NAMES | Julie |
| FAMILY NAME | Gaillard |
| SIGNATURE | GAILLARD J |
| AFFILIATIONS | University of Illinois Urbana-Champaign |
| ORCID | 0000-0003-1036-8119 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
La tentation sur la scène pronominale. Réflexions à partir de La fiancée juive d’Hélène Cixous
Sous-titré De la tentation , La fiancée juive d’Hélène Cixous évoque une passion amoureuse à la manière d’une réécriture du Cantique des cantiques. La tentation ne s’y donne pas à lire sous un prisme moral, mais caractérise bien plutôt l’état qui succède à l’ouverture de la temporalité dès lors que l’on sort de l’union des amant·es, éternelle, divine. Hors de cette jouissance atemporelle engageant l’expérience d’une désubjectivation, toute retomb…
Entroposcenic! ”
Je te crois ’ (‘I believe you’)
In the context of a failure of #MeToo in France and in light of the intrinsic limitations of this movement, ‘I believe you’ has become one of the battle cries of contemporary French feminism, appearing on protest signs during activist performances and demonstrations, but also on street-pastings disseminated in urban spaces by grassroots feminist collectives. Through a pragmatic analysis of this statement-slogan paradoxically addressed to everyone…
Returning “Home”? Or Dwelling in the Pixel Age
Since 1998, French artist Invader has invaded urban space with mosaics representing pixelated aliens originally imported from the 1978 arcade game Space Invaders. Turning retrogaming into a global artistic project through ever-evolving processes of media combination and intermedial reference, Invader brings together a variety of media and artistic traditions (including mosaics, graffiti, pixel art, arcade games, and a geocaching application) that…
Figuring Performance
Jean-François Lyotard's engagement with art and writing has received relatively little attention among English-speaking scholars, who have traditionally read him as the theoretician of The Postmodern Condition and for the philosophy of the phrase developed through his engagement with Ludwig Wittgenstein in The Differend. This lack of interest is reflected in the paucity of anglophone monographs on this aspect of Lyotard's oeuvre; Geoffrey Benning…
Je te crois ’ (‘I believe you’)
In the context of a failure of #MeToo in France and in light of the intrinsic limitations of this movement, ‘I believe you’ has become one of the battle cries of contemporary French feminism, appearing on protest signs during activist performances and demonstrations, but also on street-pastings disseminated in urban spaces by grassroots feminist collectives. Through a pragmatic analysis of this statement-slogan paradoxically addressed to everyone…
Figuring Performance
Jean-François Lyotard's engagement with art and writing has received relatively little attention among English-speaking scholars, who have traditionally read him as the theoretician of The Postmodern Condition and for the philosophy of the phrase developed through his engagement with Ludwig Wittgenstein in The Differend. This lack of interest is reflected in the paucity of anglophone monographs on this aspect of Lyotard's oeuvre; Geoffrey Benning…
Returning “Home”? Or Dwelling in the Pixel Age
Since 1998, French artist Invader has invaded urban space with mosaics representing pixelated aliens originally imported from the 1978 arcade game Space Invaders. Turning retrogaming into a global artistic project through ever-evolving processes of media combination and intermedial reference, Invader brings together a variety of media and artistic traditions (including mosaics, graffiti, pixel art, arcade games, and a geocaching application) that…
Je te crois ’ (‘I believe you’)
In the context of a failure of #MeToo in France and in light of the intrinsic limitations of this movement, ‘I believe you’ has become one of the battle cries of contemporary French feminism, appearing on protest signs during activist performances and demonstrations, but also on street-pastings disseminated in urban spaces by grassroots feminist collectives. Through a pragmatic analysis of this statement-slogan paradoxically addressed to everyone…
Entroposcenic! ”
La tentation sur la scène pronominale. Réflexions à partir de La fiancée juive d’Hélène Cixous
Sous-titré De la tentation , La fiancée juive d’Hélène Cixous évoque une passion amoureuse à la manière d’une réécriture du Cantique des cantiques. La tentation ne s’y donne pas à lire sous un prisme moral, mais caractérise bien plutôt l’état qui succède à l’ouverture de la temporalité dès lors que l’on sort de l’union des amant·es, éternelle, divine. Hors de cette jouissance atemporelle engageant l’expérience d’une désubjectivation, toute retomb…
Aesthetics (3 works) · Art (3 works) · Sociology (3 works) · Epistemology (2 works) · Law (2 works) · Law (2 works) · Philosophy (2 works) · Philosophy (2 works) · Scholarship (2 works) · Subversion (2 works)