Fang-Tze Hsu
Biographic Data
| ID | 4149761 |
|---|---|
| NAME | Fang-Tze Hsu |
| GIVEN NAMES | Fang-Tze |
| FAMILY NAME | Hsu |
| SIGNATURE | HSU F |
| ORCID | 0000-0002-5117-337X |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Art Histories of a Forever War
Art Histories of a Forever War is an exploration of modern art in postwar Taiwan and its enduring resonances. To understand this historical milieu, the exhibition unpacks and contextualizes Taiwan's modern art as part of a Cold War convergence of art, design, and technology.1 On a global scale, and in relation to the American military-industrial complex and its attendant neo-imperialism (Immerwahr 2020: 13–144), the post–World War II and early Co…
Muted Speech, Apa Khabar Orang Kampung, and To Singapore, with Love
Both Singapore and Malaysia have policies making it difficult for one-time communist partisans living in exile to return home. The two films discussed in this article explore the lives of these political exiles through archival photos, montages of private correspondences, and clips of news reportage that link past and present perspectives. By creating a collective intimacy that draws viewers into the everyday lives of political exiles, the films …
No prominent works on this page.
Muted Speech, Apa Khabar Orang Kampung, and To Singapore, with Love
Both Singapore and Malaysia have policies making it difficult for one-time communist partisans living in exile to return home. The two films discussed in this article explore the lives of these political exiles through archival photos, montages of private correspondences, and clips of news reportage that link past and present perspectives. By creating a collective intimacy that draws viewers into the everyday lives of political exiles, the films …
Art Histories of a Forever War
Art Histories of a Forever War is an exploration of modern art in postwar Taiwan and its enduring resonances. To understand this historical milieu, the exhibition unpacks and contextualizes Taiwan's modern art as part of a Cold War convergence of art, design, and technology.1 On a global scale, and in relation to the American military-industrial complex and its attendant neo-imperialism (Immerwahr 2020: 13–144), the post–World War II and early Co…
Aesthetics (2 works) · Art (2 works) · History (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Ancient history (1 work) · Archaeology (1 work) · Art history (1 work) · Asian Studies and History (1 work)