Tom Mes
Biographic Data
| ID | 4150142 |
|---|---|
| NAME | Tom Mes |
| GIVEN NAMES | Tom |
| FAMILY NAME | Mes |
| SIGNATURE | MES T |
| AFFILIATIONS | Alice Films (France) |
| ORCID | 0000-0001-6613-8406 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
La retenue et l’excès
Japanese cinema has played a central role in film studies, but its canon of master directors and classic films obscures more than it reveals. Video was arguably cinema’s most transformative technological change since sound, but film scholars have long deemed it without interest and inferior to the benchmark of theatrical viewing, which has led to an incomplete understanding of recent Japanese cinema. Miike Takashi’s emergence in global film disco…
A Modular Genre? Problems in the Reception of the Post-Miyazaki ‘Ghibli Film’
With the eternally looming spectre of Miyazaki Hayao’s retirement, the death of Takahata Isao and the failure to establish a viable new artistic figurehead to follow in their footsteps, Studio Ghibli has been at a crucial crossroads for some time. Over the past few decades, the acclaimed Japanese animation studio has adopted three main strategies to cope with these changes: apprenticeship to foster new talent, co-productions both domestically and…
No prominent works on this page.
A Modular Genre? Problems in the Reception of the Post-Miyazaki ‘Ghibli Film’
With the eternally looming spectre of Miyazaki Hayao’s retirement, the death of Takahata Isao and the failure to establish a viable new artistic figurehead to follow in their footsteps, Studio Ghibli has been at a crucial crossroads for some time. Over the past few decades, the acclaimed Japanese animation studio has adopted three main strategies to cope with these changes: apprenticeship to foster new talent, co-productions both domestically and…
La retenue et l’excès
Japanese cinema has played a central role in film studies, but its canon of master directors and classic films obscures more than it reveals. Video was arguably cinema’s most transformative technological change since sound, but film scholars have long deemed it without interest and inferior to the benchmark of theatrical viewing, which has led to an incomplete understanding of recent Japanese cinema. Miike Takashi’s emergence in global film disco…
Art (2 works) · Advertising (1 works) · Aesthetics (1 works) · Animation (1 works) · Anime (1 works) · Asian Culture and Media Studies (1 works) · Business (1 works) · Cinema and Media Studies (1 works) · Computer Science (1 works) · Cultural Industries and Urban Development (1 works)